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reception-theory

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Journal Articles
19th-Century Music (2010) 33 (3): 195–231.
Published: 01 March 2010
... Literature: An Intro- duction to the Theory of Genres and Modes [Oxford: Ox- ford University Press, 1982], p. 55 and passim). The older, largely discredited, equation between genre and typology would make it harder to justify such an identification (see Joël-Marie Fauquet, Genre, Dictionnaire de la musique...
Journal Articles
19th-Century Music (2001) 25 (2-3): 266–295.
Published: 01 November 2001
... , chart her decline into a full-blown Forsterian "muddle." E. M. Forster selected this repertoire with scrupulous attention to its signifying power and in accordance with his musical enthusiasms. By way of this close analysis of its musical world through the lens of recent reception theory, the novel...
Journal Articles
19th-Century Music (2015) 39 (2): 125–141.
Published: 01 November 2015
... theories to music and musicians, which constituted one of their privileged fields of observation, still largely unexplored by historians and philosophers of science. The singer united the qualities of the musician and actor, and stimulated abundant illustrative material—biographical and anecdotal...
Journal Articles
19th-Century Music (2020) 43 (3): 143–169.
Published: 01 March 2020
... The Regents of the University of California Beethoven late style reception materiality visual culture Beethoven s Mask and the Physiognomy of Late Style ABIGAIL FINE Beethoven s death is the stuff of legend. His battle with the elements has become a fixture in bio- graphical and cinematic...
Journal Articles
19th-Century Music (2020) 43 (3): 170–193.
Published: 01 March 2020
... the University of California narrative literary theory Jean Paul Richter Heinrich Heine Robert Schumann Papillons , op. 2 Dichterliebe tonal pairing From Literary Fiction to Music: Schumann and the Unreliable Narrative JANET SCHMALFELDT If you, like me, are a lover of fiction, I...
Journal Articles
19th-Century Music (2005) 29 (2): 097–120.
Published: 01 November 2005
... his "discovery" of the "gammes enharmo-niques." In this article, I examine the reception of the works and ideas of Polignac and Bertha by contemporary critics and composers, and PolignacÕs role as an important precursor of modern octatonic theory. Copyright ©© 2005 by The Regents of the University...
Journal Articles
19th-Century Music (2019) 43 (2): 99–120.
Published: 01 November 2019
... of like effects upon like causes a reg- ular consequence in the field of our sensations.11 The value placed here on likeness between sensation and sign indicates that it was Helmholtz s early theory of signs that serves as the platform on which this later quest for objec- tivity stood. Recall...
Journal Articles
19th-Century Music (2019) 43 (2): 86–98.
Published: 01 November 2019
... mechanisms. Drawing on the history of rule-based musical systems, Clinton s method constituted an attempt at mechanizing the compositional process using the theories and technologies of the Victorian era. In hindsight, it can be read as a statement against the idealist impulse of the early nineteenth century...
Journal Articles
19th-Century Music (2019) 43 (1): 38–60.
Published: 01 July 2019
... Music criticism reception theory propaganda media studies aesthetics 38 One aspect of reception history of which the study of music criticism is a part involves a tacit interplay between modern and historical reception. When we as present-day scholars search for the cultural practices that...
Journal Articles
19th-Century Music (2019) 42 (3): 249.
Published: 01 April 2019
.... Kirill Zikanov recently received his PhD with highest distinction from Yale University. His research focuses on nineteenth-century Russian orchestral music, particularly in the areas of reception, aesthetics, and history of theory. IN OUR NEXT ISSUE (SUMMER 2019) ARTICLES Daniel R. Melamed: How Did Aus...
Journal Articles
19th-Century Music (2019) 42 (3): 225–248.
Published: 01 April 2019
... theory, also influ- enced the conception of biography and autobiog- raphy. With regard to Brahms reception, authors influenced by these developments tended to take a more critical approach to both his biogra- phy and music, sometimes linking difficulties in his youth to idiosyncrasies in his later life...
Journal Articles
19th-Century Music (2019) 42 (3): 184–224.
Published: 01 April 2019
...Kirill Zikanov This article challenges the privileged position that Glinka’s Kamarinskaia (1848) has assumed in accounts of Russian instrumental music. The first half of the article investigates nineteenth-century reception of Glinka’s orchestral works and demonstrates that his Jota Aragonese (1845...
Journal Articles
19th-Century Music (2019) 42 (3): 157–183.
Published: 01 April 2019
... reception history of the song as my object of analysis: film stagings of nineteenth-century amateur parlor performances of the song. I focus on these film representations for a number of reasons. First, such film scenes contain vivid audio and visual materials, which allow for readings of individ- ual...
Journal Articles
19th-Century Music (2018) 42 (1): 30–52.
Published: 01 July 2018
... helpful, including: Seth Monahan, Mahler s Symphonic Sonatas (Oxford: Oxford University Press, 2015), 63 74; Michael L. Klein, Musical Story in Music and Narrative since 1900, ed. Michael L. Klein, and Nicholas Reyland (Bloomington: Indiana Uni- versity Press, 2013), 3 28; and Byron Almén, A Theory of...
Journal Articles
19th-Century Music (2018) 42 (1): 3–29.
Published: 01 July 2018
..., articulated by the fourth eighth notes in each of mm. 177 80: see Antonio Cascelli, Chopin as Salon Composer: Schenker s Reception of Chopin, in Chopin s Musical Worlds: The 1840s, ed. Artur Szklener et al. (War- saw: Narodowy Instytut Fryderyka Chopina, 2008), 83 96 (95 96). 4Jan Kleczyn´ski claimed that...
Journal Articles
19th-Century Music (2018) 41 (3): 225–251.
Published: 01 March 2018
... originality of the story. And as he was tightening the opera's connection to verismo, he was concealing aspects that would have reflected poorly on the opera's reception, including Sonzogno's initial concerns regarding the music and the presence of substantial musical self-borrowings. © 2018 by the Regents...
Journal Articles
19th-Century Music (2006) 29 (3): 211–239.
Published: 01 March 2006
.... Examination of the disease's early reception reveals that, well before Berlioz, the psychiatric terminology surrounding monomania had been absorbed into popular discourse. Malignant and humorous idee fixes appeared in cartoons, diaries, and newspaper articles from the 1810s onward, and in fictional works by...
Journal Articles
19th-Century Music (2017) 41 (2): 95–120.
Published: 01 November 2017
... symphonic music. The article concludes with the reception of the opening of Beethoven's Ninth Symphony and the finale of Schubert's Octet, D. 803, using critics’ comments as a basis for extrapolating, through new analyses, as to the features that might make the particular works remarkable as examples of...
Journal Articles
19th-Century Music (2017) 41 (2): 121–150.
Published: 01 November 2017
... of “genius” and “work” as historical concepts regulating the production, ontology, and reception of nineteenth-century music has long been acknowledged, the material basis of these concepts has been overlooked until recently. The efforts of musical stenographers demonstrate that the inscription and...
Journal Articles
19th-Century Music (2017) 41 (2): 151–179.
Published: 01 November 2017
...- formations of the Faust legend: International Faust Stud- ies: Adaptation, Reception, Translation, ed. Lorna Fitz- simmons, Continuum Reception Studies (London: Con- tinuum International Publishing Group, 2008). 9Ferruccio Busoni, October, Tagesbuch, Staatsbibliothek zu Berlin-Preußischer Kulturbesitz...