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reception

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Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
... broadly, the Gazette ’s articles on Herz highlight limitations in the history of reception. This article turns to media studies to explore the problematic relationship between propaganda and reception and shows how the Gazette , and other nineteenth-century journals, are still manipulating our cognition...
Journal Articles
19th-Century Music. 2014; 373161–187 doi: https://doi.org/10.1525/ncm.2014.37.3.161
Published: 01 March 2014
... Revolutionary Music Criticism and Wagner Reception: The Case of Louise Otto I would like to thank the scholars at the Louise Otto- Peters Archive in Leipzig as well as Heather Hadlock, Berthold Hoeckner, Jon Finson, Annegret Fauser, and Eva Rieger for their insights and support of this project. 1I use the word...
Journal Articles
19th-Century Music. 1998; 2213–19 doi: https://doi.org/10.2307/746789
Published: 01 July 1998
... Text and Act (New York, 1995), p. 174 Taruskin Tradition and Authority 174 Text and Act 1995 How deutsch a Requiem? Absolute Music, Universality, and the Reception of Brahms's Ein deutsches Requiem, op. 45 DANIEL BELLER-MCKENNA As concerns the text, I must admit, I very happily also would...
Journal Articles
19th-Century Music. 2010; 333195–231 doi: https://doi.org/10.1525/ncm.2010.33.3.195
Published: 01 March 2010
.... 14There were new productions of Armide in 1811 and 1819 and of Les Danaïdes in 1817. The works had been pre- miered in 1771 and 1784 respectively. 15Outlines of the authorship (music and choreography) and reception of these works are given in Lajarte, Bibliothèque musicale, II, 86 87, 81 82, 16 17, and 86...
Journal Articles
19th-Century Music. 1994; 18124–45 doi: https://doi.org/10.2307/746600
Published: 01 July 1994
... Viktor Widmann, Briefwechsel 59 Signale (1874), 851. 851 Signale 1874 60 Hanslick, Concerte, Componisten und Virtuosen, pp. 115- 16. Hanslick 115 Componisten und Virtuosen 61 Deiters, "Streichquartette," 436. Deiters 436 Streichquartette Reception and Analysis: On the...
Journal Articles
19th-Century Music. 1990; 133183–192 doi: https://doi.org/10.2307/746446
Published: 01 April 1990
... (Leipzig, 1869), p. 100 Devrient 100 Meine Erinnerungen an Felix Mendelssohn-Bartholdy und Seine Briefe an mich 1869 42 Forchert, "Marx," p. 383 Forchert 383 Marx Criticism, Faith, and the Idee. A.B. Marx's Early Reception of Beethoven SCOTT BURNHAM We owe to Adolph Bernhard Marx...
Journal Articles
19th-Century Music. 1989; 13128–38 doi: https://doi.org/10.2307/746209
Published: 01 July 1989
..., Ind., 1973), pp. 73-102 Higham The Re-Orientation of American Culture in the 1890s 73 Writing American History 1973 36 Huneker, Overtones, pp. 327-30. Huneker 327 Overtones Democratic Leitmotivs in the American Reception of Wagner BURTON W. PERETTI Between 1870 and 1900...
Journal Articles
19th-Century Music. 1987; 103243–264 doi: https://doi.org/10.2307/746438
Published: 01 April 1987
... de thé," Mercure musical, 15 November 1905, p. 505. Vuillermoz 15 November 505 Mercure musical 1905 63 Ibid., p. 509. 509 Pell as and Power: Forces Behind the Reception of Debussy's Opera JANN PASLER The premiere of Debussy's opera Pellias et Me- lisande at the Paris Op6ra-Comique...
Journal Articles
19th-Century Music. 2014; 382145–168 doi: https://doi.org/10.1525/ncm.2014.38.2.145
Published: 01 November 2014
... ideas about marriage motivated the revision process. In this article I propose a new reading of the 1806 Leonore based on the critical reception of the opera's first performances of 1805 and an examination of ideas about marital love at the turn of the nineteenth century. © 2014 by the Regents of the...
Journal Articles
19th-Century Music. 2019; 4313–16 doi: https://doi.org/10.1525/ncm.2019.43.1.3
Published: 01 July 2019
...-century reception of the work. © 2019 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, https://www.ucpress.edu/journals...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
...Kirill Zikanov This article challenges the privileged position that Glinka’s Kamarinskaia (1848) has assumed in accounts of Russian instrumental music. The first half of the article investigates nineteenth-century reception of Glinka’s orchestral works and demonstrates that his Jota Aragonese (1845...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
...Stephen Downes Joseph Joachim’s role in nineteenth-century English concert life is long celebrated. As yet unexamined, however, is how his performances and reception informed critical debates on sentimentalism. Joachim was a prominent celebrity in the domestic salons of mid-century, for example the...
Journal Articles
19th-Century Music. 2017; 4113–30 doi: https://doi.org/10.1525/ncm.2017.41.1.3
Published: 01 July 2017
...Mark Everist The French reception of Wagner is often based on the two pillars of the 1861 Tannhäuser production and that of Lohengrin in 1891. Sufficient is now known about the composer's earliest attempt to engage with Parisian music drama around 1840 to be able to understand his work on Das...
Journal Articles
19th-Century Music. 2018; 413225–251 doi: https://doi.org/10.1525/ncm.2018.41.3.225
Published: 01 March 2018
... originality of the story. And as he was tightening the opera's connection to verismo, he was concealing aspects that would have reflected poorly on the opera's reception, including Sonzogno's initial concerns regarding the music and the presence of substantial musical self-borrowings. © 2018 by the Regents...
Journal Articles
19th-Century Music. 2017; 41295–120 doi: https://doi.org/10.1525/ncm.2017.41.2.95
Published: 01 November 2017
... symphonic music. The article concludes with the reception of the opening of Beethoven's Ninth Symphony and the finale of Schubert's Octet, D. 803, using critics’ comments as a basis for extrapolating, through new analyses, as to the features that might make the particular works remarkable as examples of...
Journal Articles
19th-Century Music. 2017; 412121–150 doi: https://doi.org/10.1525/ncm.2017.41.2.121
Published: 01 November 2017
... of “genius” and “work” as historical concepts regulating the production, ontology, and reception of nineteenth-century music has long been acknowledged, the material basis of these concepts has been overlooked until recently. The efforts of musical stenographers demonstrate that the inscription and...
Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
...Clinton D. Young This article examines the development of Wagnerism in late-nineteenth-century Spain, focusing on how it became an integral part of Catalan nationalism. The reception of Wagner's music and ideas in Spain was determined by the country's uneven economic development and the weakness of...
Journal Articles
19th-Century Music. 2017; 403201–222 doi: https://doi.org/10.1525/ncm.2017.40.3.201
Published: 01 March 2017
...Benedict Taylor A recurring theme in the reception of Schumann's Eichendorff Liederkreis is the question mark over its sense of narrative continuity and the presence (or otherwise) of a central protagonist. Up until now, however, scarcely any attempt has been made to view these features in the...
Journal Articles
19th-Century Music. 2017; 403223–238 doi: https://doi.org/10.1525/ncm.2017.40.3.223
Published: 01 March 2017
...Philip Ross Bullock Observing the use of landscape as a category of reception, whether in nineteenth-century debates about artistic realism or Soviet-era criticism, this article examines the uses of landscape in several songs by Rimsky-Korsakov and replaces a persistent emphasis in criticism on...
Journal Articles
19th-Century Music. 2008; 32194–128 doi: https://doi.org/10.1525/ncm.2008.32.1.094
Published: 01 July 2008
..., allusion, and the uncanny. Although drawing extensively on literary models, the article also considers how music is paradoxically well placed to enact poetic silence. The relationship between words and music, and between composition, performance, and reception, is a further instance of how song became an...