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Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... Press's Reprints and Permissions web page, https://www.ucpress.edu/journals/reprints-permissions . 2019 Helmholtz objectivity perception sound reality materialism Sound as Hermeneutic, or Helmholtz and the Quest for Objective Perception DAVID TRIPPETT No doubt is now entertained that beauty...
Journal Articles
19th-Century Music. 1991; 152132–150 doi: https://doi.org/10.2307/746368
Published: 01 October 1991
... in Nineteenth-Century Music, pp. 34-35 34 70 Kierkegaard, "Stages of the Erotic," p. 80. 80 Whose Magic Flute? Intimations of Reality at the Gates of the Enlightenment ROSE ROSENGARD SUBOTNIK Die Zauberflote is one of those pieces that can enchant a child at the same time that it moves the...
Journal Articles
19th-Century Music. 1988; 113199–220 doi: https://doi.org/10.2307/746320
Published: 01 April 1988
... Rimsky-Korsakov 338 My Musical Life Tchaikovsky's Suicide: Myth and Reality ALEXANDER POZNANSKY Leon Edel, one of the most prominent biogra- phers of our age, has observed regarding the na- ture of the life-writing enterprise: The art of literary biography demands a constant weighing and...
Journal Articles
19th-Century Music. 2006; 302205–208 doi: https://doi.org/10.1525/ncm.2006.30.2.205
Published: 01 November 2006
... Igor Stravinsky (London: Faber and Faber, 1959), pp. 118 19. 2httpwww.oup.com/us/brochure/0195169794/?view=usa (accessed 1 August 2006). Richard Taruskin, The Oxford History of Western Music (Oxford: Oxford University Press, 2005). Alternative Realities: A Reply to Richard Taruskin NICHOLAS COOK In a...
Journal Articles
19th-Century Music. 2020; 433194–208 doi: https://doi.org/10.1525/ncm.2020.43.3.194
Published: 01 March 2020
... pay- ing attention to operatic corporeality, writes: Opera is an embodied art form; it is the perfor- mers who give it its phenomenal reality. . . . And it is specifically the body the gendered, sexualized body that will not be denied in staged opera. 11 At the same time, dramaturgical considera...
Journal Articles
19th-Century Music. 2020; 433170–193 doi: https://doi.org/10.1525/ncm.2020.43.3.170
Published: 01 March 2020
.... Roger F. Cook (Rochester, NY: Camden House, 2002), 6. 19TH CENTURY MUSIC 180 men and women, the constraints preventing the expression of desire, the wars between illusion and reality, all in the service of a new aesthetic of poetry. 43 One of the great ironies in the history of the German art song is...
Journal Articles
19th-Century Music. 2016; 40120–46 doi: https://doi.org/10.1525/ncm.2016.40.1.20
Published: 01 July 2016
... repeatedly and poignantly acknowledged in the poetry and prose of Walt Whitman. The Civil War was the first to be extensively photographed, which brought the realities of its extreme violence into sharp relief throughout the country on both sides of the conflict. Battlefield photographers often focused their...
Journal Articles
19th-Century Music. 2019; 43263–66 doi: https://doi.org/10.1525/ncm.2019.43.2.63
Published: 01 November 2019
... urban environment; the crystalli- zation of the musical work as a metaphysical reality, with its defining trait the obligation of Werktreue; the emergence of music as part of a Kunstreligion that co-opted Christological imagery to legitimize subjective reaction (which Kant, notably, had discredited...
Journal Articles
19th-Century Music. 2015; 383272–301 doi: https://doi.org/10.1525/ncm.2015.38.3.272
Published: 01 March 2015
... onto different aspects of material and psychological reality. © 2015 by the Regents of the University of California 2015 Strauss Wagner Hofmannsthal Arabella secularization 272 19TH CENTURY MUSIC 19th-Century Music, vol. 38, no. 3, pp. 272 301 ISSN: 0148-2076, electronic ISSN 1533-8606...
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
Journal Articles
19th-Century Music. 2014; 382169–190 doi: https://doi.org/10.1525/ncm.2014.38.2.169
Published: 01 November 2014
... mitigating influence that might qualify the artist's final word on aesthetic matters is reminiscent of a reductive, Nietzschean ideal of vitality. Nevertheless, writers struggle to reconcile it with the messier realities of performing, as an embodied and collaborative activity, and subsequently what speaks...
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
... alive. Lacan s twist on the inter- pretation is that the dream presents to the fa- ther a missed reality the reality that can no longer produce itself except by repeating itself endlessly. 16 The poet in The Raven con- fronts the bird as a missed encounter with Lenore, a missed encounter that he can...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
... engender music in its sounding reality. Yet she also qualifies her nar- rative by intimating the consequences of sub- suming music too straightforwardly within empirical and technological conditions. She as- serts that to study instruments in this period is to do more than offer musicology a suitable...
Journal Articles
19th-Century Music. 2018; 413225–251 doi: https://doi.org/10.1525/ncm.2018.41.3.225
Published: 01 March 2018
... Rizzuti for his help in obtaining a copy of Nardi s book. 28Teresa Lerario ( Ruggero Leoncavallo e il soggetto dei Pagliacci, Chigiana 36 37 [1971]: 120) concludes that in no phase of the literary work did [Leoncavallo] relate the facts as they took place in reality [(Leoncavallo) non riferì, in nessuna...
Journal Articles
19th-Century Music. 2017; 41295–120 doi: https://doi.org/10.1525/ncm.2017.41.2.95
Published: 01 November 2017
....13 Freud treats his trimmed definitions as fragments devoid of con- text, as raw material for a collage on the theme of uncanny anxiety. Freud hypothesizes that the uncanny is in reality nothing new or alien, but something which is familiar and old-established in the mind and which has become...
Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
... doubt is raised as the reality of the idea of the devil, which therefore lessens its importance. What has the last Act got to do with the devil? A man, ill, disappointed, tormented by his con- science, dies of heart failure and is found by the night watchman. The last word, too, is a victim (and not...
Journal Articles
19th-Century Music. 2017; 412121–150 doi: https://doi.org/10.1525/ncm.2017.41.2.121
Published: 01 November 2017
Journal Articles
19th-Century Music. 2017; 4113–30 doi: https://doi.org/10.1525/ncm.2017.41.1.3
Published: 01 July 2017
... Tannhäuser in 1861 was, as Gounod recognized with the shrewd eye of a col- league, in reality a triumph (Nineteenth-Century Music, trans. J. Bradford Robinson [Berkeley: University of Cali- fornia Press, 1989], 285). The passage is fraught with diffi- culties. The English translation miscarriage barely...
Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
... Àngela Cerdà i Surroca, Modernisme en Catalunya: Traducción y divulgación, Hermeneus 1 (1999): 47 56; Catherine Macedo, Between Opera and Reality: The Barcelona Parsifal, Cambridge Opera Journal 10/1 (March 1998): 97 109; Robert Hughes, Barcelona (New York: Alfred A. Knopf, 1992), 453 55; and Carlos...
Journal Articles
19th-Century Music. 2017; 403185–188 doi: https://doi.org/10.1525/ncm.2017.40.3.185
Published: 01 March 2017
... subjectivities, how music and language interact to organize human experience, and how song might yield unique perspectives on the relation of the self to an exterior reality. Asking how song became caught up in various locales and at different times with culturally specific matters of iden- tity and meaning, the...