Search Results for psychoanalysis-and-music
1-20 of 39 Search Results for
19th-Century Music. 2014; 38153–78 doi: https://doi.org/10.1525/ncm.2014.38.1.053
Published: 01 July 2014
... nature is “reconciled and blissful,” landscapes that open up the prospect of regeneration. Schubert's music embodied the irrational hope of all those whom Adorno perceived as mimics—from Schubert to all freedom-loving “wanderers” through the world at the end of history—that one day the hour of...
19th-Century Music. 2008; 313179–192 doi: https://doi.org/10.1525/ncm.2008.31.3.179
Published: 01 March 2008
... article draws from musicology, cultural and literary theory, and psychoanalysis as well as my own analysis in order to help explain the impact of music that is overtly Orientalist, intended as a foil to the rest of the movement. I present this music as a hermeneutic window opening up to broader issues of...
19th-Century Music. 2020; 433194–208 doi: https://doi.org/10.1525/ncm.2020.43.3.194
Published: 01 March 2020
... University Press, 2009), 169 70. 40Alice Lagaay, Between Sound and Silence: Voice in the History of Psychoanalysis, E-pisteme 1, no. 1 (2008): 53 62. 19TH CENTURY MUSIC 202 from the cistern is the dramatization of an abyss that is plentiful. It is an abyss that is not empty. It is an abyss that excites...
19th-Century Music. 2019; 423225–248 doi: https://doi.org/10.1525/ncm.2019.42.3.225
Published: 01 April 2019
..., Psychoanalysis, Literature, ed. Birgit Lang, Joy Damousi, and Alison Lewis (Manchester: Manchester University Press, 2017), 57 62. 233 LAURIE MCMANUS Brahms at the Fin de Siècle chological approaches filtered also into music analysis, especially in the conflation of compos- ers personalities with musical...
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
... photocopy or reproduce article content through the University of California Press s Reprints and Permissions web page, httpwww.ucpress.edu/ journals.php?p=reprints. httpsdoi.org/10.1525/ncm.2018.42.1.30. Music cannot narrate. It lacks the words to do so. That much is clear. But the idea that narra- tion in...
19th-Century Music. 2017; 41295–120 doi: https://doi.org/10.1525/ncm.2017.41.2.95
Published: 01 November 2017
...Amanda Lalonde The term unheimlich (uncanny) comes into usage in German music criticism in the nineteenth century and is often used to describe instrumental music, particularly sections of works featuring the ombra topic. While the idea that instrumental music can be uncanny regardless of text or...
19th-Century Music. 2015; 392142–166 doi: https://doi.org/10.1525/ncm.2015.39.2.142
Published: 01 November 2015
...Inge van Rij The development and rapid spread of the electric telegraph in the mid-nineteenth century were profoundly entangled with music in ways that are seldom if ever acknowledged. Particular emphasis is often placed on sound recording as enacting what Attali describes as “the moment when...
19th-Century Music. 2015; 3913–34 doi: https://doi.org/10.1525/ncm.2015.39.1.3
Published: 01 July 2015
... and Permissions Web site, www.ucpressjournals.com/reprintInfo.asp . 2015 Berlioz Shakespeare love psychoanalysis ideology 3J. P. E. HARPER-SCOTT Béatrice et Bénédict 19th-Century Music, vol. 39, no. 1, pp. 3 34 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2015 by the Regents of the...
19th-Century Music. 2014; 381113 doi: https://doi.org/10.1525/ncm.2014.38.1.113
Published: 01 July 2014
.... She studied in Belgrade and Munich and also taught music history at the Academy of Arts in Novi Sad. Her research interests in- clude music history, sociology of music, and applied psychoanalysis, with particular empha- sis on the long nineteenth century in Germany and Austria. She has published two...
19th-Century Music. 2012; 353238–260 doi: https://doi.org/10.1525/ncm.2012.35.3.238
Published: 01 March 2012
... that the three main re- gional dances are clearly distinguishable in the different tempi and gestures of the first three Op. 68 Mazurkas, though he forgoes specifying which sections of this opus correspond to which dances (Samson, The Music of Chopin, p. 110). The op. 68, no. 3, in particular, has a...
19th-Century Music. 2008; 32194–128 doi: https://doi.org/10.1525/ncm.2008.32.1.094
Published: 01 July 2008
... underappreciated and underexplored aspect of his output (at least in the West), are characterized by a degree of literary and musical sophistication seldom attributed to the composer. Their self-consciousness is held to be the product of a combination of three main social and aesthetic forces characteristic of...
19th-Century Music. 2007; 312164–174 doi: https://doi.org/10.1525/ncm.2007.31.2.164
Published: 01 November 2007
... truth interpretation of trauma music and narration psychoanalysis and music 164 19TH CENTURY MUSIC 19th-Century Music, vol. 31, no. 2, pp. 164 74. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2007 by the Regents of the University of California. All rights reserved. Please direct all requests for...
19th-Century Music. 2005; 292185–295 doi: https://doi.org/10.1525/ncm.2005.29.2.185
Published: 01 November 2005
... all requests for permission to photocopy or reproduce article content through the University of California Press s Rights and Permissions website, at httpwww.ucpress.edu/journals/rights.htm. 1Robert Walser, Eruptions: Heavy Metal Appropriations of Classical Virtuosity, Popular Music 11 (1992), 302...
19th-Century Music. 2005; 291003–014 doi: https://doi.org/10.1525/ncm.2005.29.1.3
Published: 01 July 2005
...- bridge: Cambridge University Press, 1996) and the Schubert Handbuch (Kassel: Bärenreiter, 1997), nor any of the major reference works such as the New Grove Dictionary of Music (including the most recent edition) or Musik in Geschichte und Gegenwart have so much as included it in their bibliographies of...
19th-Century Music. 2005; 283185–213 doi: https://doi.org/10.1525/ncm.2005.28.3.185
Published: 01 March 2005
... syncopations support and interact with the emotive declamation of the singer's voice. Because its musical features are so easily accessible, the "Wiegenlied" has escaped music-analytical attention, its deceptive simplicity seemingly transparent to our music-theoretical gaze. Yet, certain aspects of this music...
19th-Century Music. 2004; 282160–182 doi: https://doi.org/10.1525/ncm.2004.28.2.160
Published: 01 November 2004
...Carlo Caballero In "What the Sorcerer Said," Carolyn Abbate proposed a reading of Dukas's Sorcerer's Apprentice (1897) focused on the possibility of musical narration. The present essay shifts that focus to the question of the work's uncanniness and excess. In particular, where Abbate finds that...
19th-Century Music. 2003; 27174–93 doi: https://doi.org/10.1525/ncm.2003.27.1.74
Published: 01 July 2003
... But critical reaction to the premiere soon quelled the hype. When the critic of the Neue Zürcher Zeitung likened Maw s score to film music and detected multiple references to Elgar and Britten, he articulated a widely expressed view of the music as superficial pastiche and of Sophie s Choice as a...
19th-Century Music. 2000; 242196 doi: https://doi.org/10.2307/746843
Published: 01 October 2000
... Copyright 2000 The Regents of the University of California DIRECTIONS TO CONTRIBUTORS 19th-Century Music welcomes submissions on all aspects of music spanning the "long" century between ca. 1780 and 1920. Our interests are as diverse as the long century itself. They cover music of any type or...
19th-Century Music. 2000; 2413–20 doi: https://doi.org/10.2307/746870
Published: 01 July 2000
... Melodrama; bei Gelegenheit vom Doktor Johannes Faust, Volksmelodrama von Karl v. Holtey. Musik von Karl Blum 28 Berliner allgemeine musikalische Zeitung 1829 Andrew D. McCredie, "Operatic Reform Before Gluick, and the German Heroic Music The- atre of the Sturm und Drang," Musicology 6 ( 1980), 56...
19th-Century Music. 1998; 213297–324 doi: https://doi.org/10.2307/746826
Published: 01 April 1998
... Roland Barthes's S/Z From a Musical Point of View 129 10 Theory Only 1988 Roland Barthes, S/Z, trans. Richard Miller (New York, 1974) Roland Barthes, S/Z 1974 David Schwarz, "Lis- tening Subjects: Semiotics, Psychoanalysis, and the Music of John Adams and Steve Reich," Perspectives of New...