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Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
...Martin Nedbal After the enormous success of Le nozze di Figaro at Prague's Nostitz Theater in 1786 and the world premiere of Don Giovanni there in 1787, Mozart's operas became canonic works in the Bohemian capital, with numerous performances every season throughout the nineteenth century. These...
Journal Articles
19th-Century Music. 2016; 4017–19 doi: https://doi.org/10.1525/ncm.2016.40.1.7
Published: 01 July 2016
... their outcome in victory. These pieces constituted a genre that had long been a favorite of female amateur performers, their lineage beginning with Frantisek Kotzwara's 1788 Battle of Prague , which remained steadily popular throughout the nineteenth century. This article examines Civil War battle...
Journal Articles
19th-Century Music. 2016; 402159–181 doi: https://doi.org/10.1525/ncm.2016.40.2.159
Published: 01 November 2016
... and ethnographer Karel Jaromír Erben, this piece features a much more abstract program and depicts the life, travails, and ultimate victory of a Slavonic bardic hero, assumed by many to be the composer himself. It premiered in late 1898 and early 1899 in Vienna and Prague, respectively, inviting...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
... Erlöser in Beethoven s reception are so numerous that it could be considered a standard language. See for example the collection edited by Hermann Joseph Landau, Erstes poetisches Beethoven-Album. Zur Erinnerung an den grossen Tondichter und an dessen Säcularfeier begangen den 17 Dezember 1870 (Prague...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
... für gebildete Stände, 31 May 1831 (Prague). ellen Creathorne Clayton, Angelica Catalani, in Queens of Song: Being Memoirs of Some of the Most Celebrated Female Vocalists Who Have Appeared on the Lyric Stage, from the Earliest Days of Opera to the Present Time (London: Smith, elder and Company, 1863...
Journal Articles
19th-Century Music. 2018; 413253 doi: https://doi.org/10.1525/ncm.2018.41.3.253
Published: 01 March 2018
.... Flowers over the Abyss: A Musical Uncanny in Nineteenth-Century Criticism 95 Loges, Natasha Julius Stockhausen s Early Performances of Franz Schubert s Die schöne Müllerin 206 Nedbal, Martin Mozart s Figaro and Don Giovanni, Operatic Canon, and National Politics in Nineteenth-Century Prague 183 Pierce, J...
Journal Articles
19th-Century Music. 2018; 413252 doi: https://doi.org/10.1525/ncm.2018.41.3.252
Published: 01 March 2018
... writes for BBC Music Magazine. Martin Nedbal is assistant professor of musicol- ogy at the University of Kansas. He is the author of Morality and Viennese Opera in the Age of Mozart and Beethoven (Routledge, 2017). His research deals with Mozart s operas and na- tional politics in Prague and Vienna in...
Journal Articles
19th-Century Music. 2017; 412121–150 doi: https://doi.org/10.1525/ncm.2017.41.2.121
Published: 01 November 2017
Journal Articles
19th-Century Music. 2017; 41295–120 doi: https://doi.org/10.1525/ncm.2017.41.2.95
Published: 01 November 2017
Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
Journal Articles
19th-Century Music. 2014; 382145–168 doi: https://doi.org/10.1525/ncm.2014.38.2.145
Published: 01 November 2014
... Dresden production.36 Fi- nally, documents surviving from a planned per- formance of the opera in Prague in 1807 (prob- ably based on the 1806 version) help greatly with the reconstruction of the 1806 text, the 29The one exception is Lühning s important work on the early versions of Fidelio. Lühning s...
Journal Articles
19th-Century Music. 2014; 382115–144 doi: https://doi.org/10.1525/ncm.2014.38.2.115
Published: 01 November 2014
.... Abbé Georg Joseph Vogler, Handbuch zur Harmonielehre und für den Generalbaß (Prague: K. Barth, 1802), vii (my trans 19By the mid-nineteenth century, commonly used free-reed stops included the clarinet, oboe, cor Anglais, musette, bas- set horn, bassoon, ophicleide, and saxophone. Later devel- opments...
Journal Articles
19th-Century Music. 2014; 3813–29 doi: https://doi.org/10.1525/ncm.2014.38.1.003
Published: 01 July 2014
Journal Articles
19th-Century Music. 2013; 37291–112 doi: https://doi.org/10.1525/ncm.2013.37.2.91
Published: 01 November 2013
... ehrad and Mythologies of Czechness in Scholarship 1Smetana recorded this start date in a diary entry on 18 November 1874. Bedr ich Smetana: Letters and Reminis- cences, ed. Frantis ek Bartos , trans. Daphne Rusbridge (Prague: Artia, 1955), 151. A note on translations: in addi- tion to Bartos , I quote...
Journal Articles
19th-Century Music. 2012; 3613–23 doi: https://doi.org/10.1525/ncm.2012.36.1.003
Published: 01 July 2012
.... Scholars who have addressed this closing paragraph have focused almost entirely on Hanslick s motivations for deleting it.3 The standard explanation begins and ends with the figure of Robert Zimmermann (1824 98), Hanslick s lifelong friend. The two grew up together in Prague and then later became col...
Journal Articles
19th-Century Music. 2012; 36158–83 doi: https://doi.org/10.1525/ncm.2012.36.1.058
Published: 01 July 2012
..., vol. 4, A New Life Cut Short (1907 1911) (Oxford: Oxford University Press, 2008), p. 1277. Originally published as Josef Bohuslav Förster, Der Pilger (Prague: Artia, 1955), p. 705. 2De La Grange, A New Life Cut Short, p. 1277. 59 RYAN R KANGAS Mahler s Resurrection may encourage listeners to mourn...
Journal Articles
19th-Century Music. 2010; 3413–38 doi: https://doi.org/10.1525/ncm.2010.34.1.003
Published: 01 July 2010
Journal Articles
19th-Century Music. 2008; 32152–93 doi: https://doi.org/10.1525/ncm.2008.32.1.052
Published: 01 July 2008
... manuscript hitherto unconnected to the Dante Sonata, shows a sketch of the Sonata s characteristic major- chord progression written in the Stammbuch of a female admirer in Prague, suggesting that Liszt may have performed it there and, on re- quest, copied this music after the fact.20 Curi- ously, the...
Journal Articles
19th-Century Music. 2006; 301004–043 doi: https://doi.org/10.1525/ncm.2006.30.1.004
Published: 01 July 2006
... verdict spoken over him: The A-minor episode [m. 293, Reh. No. 20] is his graduation [exam] in front of the pedantic [philiströsen] Professors in Prague, I think where Till arouses a downright Babylonian confusion of languages (the so-called fugato) with his monstrous propositions [monströsen Thesen...