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Journal Articles
19th-Century Music (2018) 41 (3): 183–205.
Published: 01 March 2018
... tastes, were closely linked to national politics in nineteenth-century Prague. As the city's population became more and more divided into ethnic Czechs and Germans, both groups appropriated Mozart for their own narratives of cultural uniqueness and cultivation. The attempts at historic authenticity...
Journal Articles
19th-Century Music (2016) 40 (2): 131–158.
Published: 01 November 2016
... conclusion. This article offers an alternative reading that reconstructs the dramatic disruptions and turnabouts and relates them to the first production's aesthetics and politics. The ballet's composer and choreographers, using music, action, and dance, repeatedly placed the audience in a position of wonder...
Journal Articles
19th-Century Music (2019) 42 (3): 225–248.
Published: 01 April 2019
...Laurie McManus Unlike Wagner, Mahler, or Schoenberg, Johannes Brahms is often absent from discussions of Viennese fin-de-siècle psychological theories and their intersections with musical culture. The privileged context depicting an aging Brahms resistant to new trends in politics and the arts...
Journal Articles
19th-Century Music (2013) 37 (2): 113–129.
Published: 01 November 2013
...) distinction between “audience” and “crowd.” Russolo's clamorously received premiere forced its listeners and performers to attend to off- (rather than on-) stage noises, thus raising still-vital questions about where to locate Futurism's noise, influence, and politics. © 2013 by the Regents of the...
Journal Articles
19th-Century Music (2020) 43 (3): 194–208.
Published: 01 March 2020
... 3Brandon LaBelle, Lexicon of the Mouth: Poetics and Politics of Voice and the Oral Imaginary (New York: Bloomsbury, 2014), 1. 4Gary Tomlinson, Metaphysical Song: An Essay on Opera (Princeton: Princeton University Press, 1999), 116. 5Friedrich Nietzsche, The Will to Power, trans. Walter Kaufmann and R. J...
Journal Articles
19th-Century Music (2020) 43 (3): 143–169.
Published: 01 March 2020
Journal Articles
19th-Century Music (2018) 42 (2): 73–95.
Published: 04 December 2018
... mass consumer culture, and escalating urbanization, the folk proved to be the perfect tabula rasa upon which the historiographical, political, and ethnological fantasies of the fin de siècle could be inscribed. Positioned as a restorative bulwark against the shifting tides of modernity, the talismanic...
Journal Articles
19th-Century Music (2013) 36 (3): 209–230.
Published: 01 March 2013
... autocracy. © 2013 by the Regents of the University of California 2013 Chaikovsky Pushkin Evgeny Onegin reflection reception literary politics 209 EMILY FREY Evgeny Onegin 19th-Century Music, vol. 36, no. 3, pp. 209 30 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2013 by the Regents of the...
Journal Articles
19th-Century Music (2019) 43 (2): 63–66.
Published: 01 November 2019
...), 14. 4Here I allude, of course, to Jane Bennett, Vibrant Matter: A Political Ecology of Things (Durham, NC: Duke University Press, 2009). 19th Century Music, vol. 43, no. 2, pp. 63 66. ISSN: 0148-2076, electronic ISSN: 1533-8606 © 2019 by The Regents of the University of California. All rights...
Journal Articles
19th-Century Music (2019) 43 (2): 67–85.
Published: 01 November 2019
... beyond what is available to the med- ical gaze. 4 In contrast to the political dangers of discussing the varieties of royal insanity verbally, Brunetti s musical depiction of ob- session (as we would call it) could be direct and detailed with less risk of incurring royal ire. As we will see, Brunetti...
Journal Articles
19th-Century Music (2019) 43 (2): 99–120.
Published: 01 November 2019
... pantheon or rogue s gallery of German idealists, Helmholtz associated it above all with Johann Gottlieb Fichte, his predecessor (as the university s second rector), whom he politely, if wryly, cre- dits with moral inspiration and bold intel- lectual flights of . . . idealism, 6 even as he consoled...
Journal Articles
19th-Century Music (2019) 43 (1): 38–60.
Published: 01 July 2019
... to casually mimic dismissive nine- teenth-century descriptions of piano virtuosos because these ideas are now widely accepted. The enterprise of examining music criticism is 3See, for example, Karen Leistra-Jones, Staging Authenticity: Joachim, Brahms, and the Politics of Werktreue Performance...
Journal Articles
19th-Century Music (2019) 43 (1): 17–37.
Published: 01 July 2019
... Sassaroli.15 Mary Shelley, writing under the pseudonym Anglo Italicus, praised Velluti as an artist in 1826 and, in private letters, described her fondness for him.16 In the political sphere, the two titans of the early nineteenth century antagonists who, in their way, defined heroic Romanticism as much...
Journal Articles
19th-Century Music (2019) 42 (3): 157–183.
Published: 01 April 2019
... playing along, here Eyre apologizes for being rude, eliciting a similar apology in Rochester. The next portion of the conversation proceeds awkwardly but politely. In a continuation of this new Hollywood polite- ness, Rochester asks Eyre Would you sing for me? Once she is seated at the piano, Rochester...
Journal Articles
19th-Century Music (2014) 38 (1): 53–78.
Published: 01 July 2014
... connections are reconstructed in some detail in sections VI and VII.) Although Adorno had championed what he called a Schoenbergian politics 10 as early as his 1928 essay on Schubert, the link he was trying to forge between the two composers was tenuous. It is therefore hardly surprising that Adorno s views...
Journal Articles
19th-Century Music (2010) 34 (1): 39–60.
Published: 01 July 2010
...Mary Ann Smart Among a community of Italian political leaders and artists who settled in Paris after the failed Italian revolutions of 1831 was Count Carlo Pepoli, author of the libretto for Bellini's I puritani . During his years in Paris, Pepoli also wrote the poetry for two song collections...
Journal Articles
19th-Century Music (2014) 37 (3): 211–241.
Published: 01 March 2014
... friendlier to regionalists and local audiences alike (Rabaud and de Séverac). Finally, this article highlights the crucial role of the Félibres, a cultural and political group dedicated to valorizing southern regional identity, in advocating these changes and examines the unique nature of the works performed...
Journal Articles
19th-Century Music (2017) 41 (1): 31–47.
Published: 01 July 2017
... its musical and political institutions—the same weaknesses that were responsible for the rise of Catalan nationalism. Lack of a symphonic culture in Spain meant that audiences were not prepared to comprehend Wagner's complexity, but that same complexity made Wagner's ideas acceptable to Spanish...
Journal Articles
19th-Century Music (2017) 41 (1): 3–30.
Published: 01 July 2017
... skein of Wagner-reception in the 1860s are tangled in a narrative of increasingly tense Franco-German cultural and political relationships in which Wagner, his works, and his writings, played a key role. The performance of Rienzi in 1869 was embedded in responses to the Prussian-Austrian War of 1866...
Journal Articles
19th-Century Music (2018) 42 (2): 123–154.
Published: 04 December 2018
..., Sentimental Men: Masculinity and the Politics of Affect in American Cul- ture (Berkeley: University of California Press, 1999). On later developments, see Jennifer A. Williamson, Twentieth-Century Sentimentalism: Narrative Appropri- ation in American Literature (New Brunswick, NJ: Rut- gers University Press...