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pierre-lalo

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Journal Articles
19th-Century Music (2020) 43 (3): 194–208.
Published: 01 March 2020
... work other than physically [italics in original25 Reviewing a Parisian performance of Salome in 1910, Adolphe Aderer writes: [The music of Salome] entered us like a brutal invasion. 26 Similarly, Pierre Lalo complains of Salome that it creates the fever, the delirium, the fury which acts on the...
Journal Articles
19th-Century Music (2018) 42 (2): 96–122.
Published: 04 December 2018
... Wagnerian theater.69 Absent from Paris at the beginning of the Exposition universelle,70 Chabrier probably attended a performance of Esclarmonde in July,71 before or just after a concert of American music, given on 12 July, where Massenet, Bruneau, and Lalo were present as well.72 The casting at the Opéra...
Journal Articles
19th-Century Music (2017) 41 (1): 75–92.
Published: 01 July 2017
... gestures. Adolphe Jullien also compared the dancers to jointed puppets. 5 The reliably cranky Pierre Lalo echoed these pronouncements in his extended review for Le Temps. Like Vuillermoz, he contrasted Debussy s subtle and delicate music with Nijinsky s rigid, mechanical, and ultimately overwhelming...
Journal Articles
19th-Century Music (2017) 41 (1): 48–74.
Published: 01 July 2017
... Life, 1871 1891 (PhD diss., University of Illinois, 1998), 403 43. For Chausson s commentary on these events, see his letter to Pierre de Bréville, 10 No- vember 1886, reprinted in Écrits inédits, 193 96. 11Léon Carvalho, the director of the Opéra-Comique, had intended to stage a production of...
Journal Articles
19th-Century Music (2016) 39 (3): 248–271.
Published: 01 March 2016
.... D Indy s sentiments are echoed by another of the journal s founders, Pierre Lalo: A deep knowledge of the art of their ancestors and their people could inspire a na- tional sense in us, give them the ability to use their true language, and drive them to finally make music that is not Italian or...
Journal Articles
19th-Century Music (2015) 39 (1): 56–79.
Published: 01 July 2015
..., www.ucpressjournals.com/reprintInfo.asp . 2015 Claude Debussy Debussyism Louis Laloy Pierre Lalo Hermann von Helmholtz 56 19TH CENTURY MUSIC 19th-Century Music, vol. 39, no. 1, pp. 56 79 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2015 by the Regents of the University of California. All rights reserved...
Journal Articles
19th-Century Music (2014) 37 (3): 211–241.
Published: 01 March 2014
... httpwww.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2014.37.3.211. CHRISTOPHER MOORE The unearthing of major monuments at an- cient Delphi by the French Archeological School and Pierre de Coubertin s advocacy for the cre- ation of the modern Olympic Games were only the most visible signs of a fin-de-siècle...
Journal Articles
19th-Century Music (2013) 37 (2): 130–158.
Published: 01 November 2013
...: Cambridge University Press, 2004), x. 20Some critics were troubled by L Heure s mechanical me- nagerie of clocks, automata, and boldly ironic characters, a view summarized by Pierre Lalo, who complained that the opera lacked sentiment and suffered from a mechanical coldness. See Lalo s review of L Heure...
Journal Articles
19th-Century Music (2005) 28 (3): 214–229.
Published: 01 March 2005
... DAYAN Meaning in Debussy s Writing any answer to it; but it does seem to me, going by his correspondence, that they affected De- bussy s approach to composition, and indeed his ability to compose. On 15 October 1905, Pierre Lalo published a review of Debussy s La Mer in which he criti- cized the work...
Journal Articles
19th-Century Music (2004) 28 (1): 50–76.
Published: 01 July 2004
... /16 [June 1912], p. 11. Pierre Lalo was less generous in his assessment, quipping that the manner in which M. Bakst views and represents Greece is decidedly unintelligible: for him, it is a dismal, cold, and sunless place ( La Musique, Le Temps, 11 June 1912, p. 3). The backdrop of scenes 1 and 3...
Journal Articles
19th-Century Music (2001) 25 (2-3): 237–265.
Published: 01 November 2001
... dreamed of and com- pleted this work is the master; he is the one we were waiting for44 French critics followed suit. One was Pierre Lalo, son of the composer Édouard Lalo. Per- haps echoing his father s retreat from Wagner into French operatic forms and folk material in Le Roi d Ys (1888), Pierre, who...
Journal Articles
19th-Century Music (2003) 26 (3): 278–285.
Published: 01 March 2003
... autochthonous traditions through the case of Edouard Lalo (in operatic terms, the second tenor). Act/Part III presents heroic struggles for artistic survival (Chabrier and Ernest Chausson) and the grand scene of the villain in the guise of the bass (alias Vincent d Indy), while Act/ Part IV moves toward...
Journal Articles
19th-Century Music (1998) 22 (1): 20–53.
Published: 01 July 1998
.... London, 1966), pp. 62-63. Grillparzer 2 62 Beethoven:Letters, Journals and Conversations 1966 31 Victor Hugo, Les Orientales: Les Feuilles d'automne, ed. Pierre Albouy (Paris, 1964), p. 23 (from the preface to the original edition of 1829). Hugo 23 Les Orientales: Les Feuilles...
Journal Articles
19th-Century Music (1987) 10 (3): 243–264.
Published: 01 April 1987
..., Pelléstres, p. 25 Lorrain 25 Pelléstres Revue dorée (August 1902) August Revue dorée 1902 28 Jacques Riviére, études (Paris, 1944), p. 127. Riviére 127 études 1944 29 Vuillermoz, Debussy, p. 105 Vuillermoz 105 Debussy Koechlin, p. 86 86 31 Pierre Lalo, De Rameau á...
Journal Articles
19th-Century Music (1985) 9 (2): 156–160.
Published: 01 October 1985
... that dazzling period of French culture, a great deal was achieved in a short space of time to perform and discuss the best music of the period. The emphasis on chamber music and song was particularly wel- come, featuring relatively little-known works by Faur6, Delibes, Lalo, Bizet, Lekeu, Massenet...
Journal Articles
19th-Century Music (1981) 5 (1): 24–37.
Published: 01 July 1981
.... In addition to Faure, Dukas, Lalo, and Ropartz were not present at the meeting. Briefly, Tournemire was preferred to me. Once again this is very painful for me, and knowing that Carre continued to vote for me! (they had to vote twice) does not console me. I will make the best of it, just as I resign...
Journal Articles
19th-Century Music (1980) 4 (1): 49–69.
Published: 01 July 1980
... (2), d'Indy (4), Luigi Illica (30), Joachim (10), Kalkbrenner (6), Klindworth (2), Kochel, Conradin Kreutzer (3), Lalo (2), Lecocq, Leoncavallo (4), Levi (2), Liadov, Jenny Lind (8), Liszt (48), Lortzing (2), Lvov (2), MacDowell (13), Alexander Mackenzie (80), Mahler (76), Maria Malibran (5...
Journal Articles
19th-Century Music (1978) 1 (3): 233–245.
Published: 01 March 1978
... (Princeton, 1938), p. 204; and Horton, pp. 163-64. Ravel's statement is quoted in Monrad-Johansen, p. 149. 4For example, in 1895 Grieg wrote about Franck-see Grieg the Writer, ed. Bjarne Kortsen (Bergen, 1972), I, 119; in 1890, about Lalo-see Edvard Grieg: Briefe an die Verleger der Edition Peters 1866-1907...