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perception

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Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
...David Trippett In 1878, at the height of his fame, Helmholtz asked what was objective in perception, declaring that—in contrast to empirical science—it is the “artist [who] has beheld the real.” His lecture sought to show how sensory perception can be law-like, and how the effects of art are...
Journal Articles
19th-Century Music. 2014; 382115–144 doi: https://doi.org/10.1525/ncm.2014.38.2.115
Published: 01 November 2014
Journal Articles
19th-Century Music. 2011; 352115–131 doi: https://doi.org/10.1525/ncm.2011.35.2.115
Published: 01 November 2011
... Gosudarstvennogo Izdatel stva, 1929), pp. 56 61. A Ukrainian Tune in Medieval France: Perceptions of Nationalism and Local Color in Russian Opera 116 19TH CENTURY MUSIC I would like to take stock, then, as far as possible, of the various situations in which we may define the music of an opera as national or...
Journal Articles
19th-Century Music. 2008; 32152–93 doi: https://doi.org/10.1525/ncm.2008.32.1.052
Published: 01 July 2008
Journal Articles
19th-Century Music. 2020; 433210 doi: https://doi.org/10.1525/ncm.2020.43.3.210
Published: 01 March 2020
... Introduction: Ideas and Matter 63 Trippett, David Sound as Hermeneutic, or Helmholtz and the Quest for Objective Perception 99 Weitz, Shaena Propaganda and Reception in Nineteenth-Century Music Criticism: Maurice Schlesinger, Henri Herz, and the Gazette musicale 36 19th Century Music, vol. 43, no. 3, pp. 210...
Journal Articles
19th-Century Music. 2020; 433194–208 doi: https://doi.org/10.1525/ncm.2020.43.3.194
Published: 01 March 2020
... has a positive sense; it denotes a character s acquisition of an awareness that lies outside the sphere of influence of the composer/author. The femme fatale manifests her materiality under imminent threats of erasure by manipulating the other characters voices and contorting their perceptions of the...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... production. Stumpf s philosophical research concerned the perception and cognition of tones in listening subjects, not in the musician while producing music. So it may be unsurprising that the violin is not particularly prominent in his writings. Yet while violin playing does occur as a reference, this did...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
... combinations than the 428million he advertised.43 On the other hand, here one also needs to discriminate between questions of com- binatorial enumeration and the perception of music. Given the tendency of the listener to hear larger phrase structures rather than individual elements, with only three cards per...
Journal Articles
19th-Century Music. 1994; 173262–273 doi: https://doi.org/10.2307/746569
Published: 01 April 1994
... Plate: Early Hearing Aids and Beethoven's Hearing Perception GEORGE THOMAS EALY He improvised for me during an hour, after he had mounted his ear-trumpet and placed it on the resonance-plate. -Friedrich Wieck (1826)1 Although Beethoven's hearing loss is arguably the most celebrated case of deafness in...
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
... age when the perception of virtue in a female performer was difficult to elicit, difficult to maintain, and easy to lose. (As an aside: I have sung these variations many times, in character. The moment of vocal unveiling, when I leave my normal falsetto production and plunge into the chest voice...
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
...; the 20th Biennial International Conference on Nineteenth-Century Music, Huddersfield 2018; and France: Musiques, Cultures, 1789 1918 (FMC), Paris 2018. I wish to thank Dana Gooley, Sarah Hibberd, Richard Kramer, Helena Kopchick Spencer, and the anonymous readers of this journal for their perceptive...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
... of Musicology 31, no. 3 (2014): 326. 193 KIRILL ZIKANOV Glinka s Three Models perception of it. A number of studies have explored the views of Stasov and Serov on the relative merits of Glinka s two operas, and these studies have demonstrated the critics vociferous disagreement on the subject mat...
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
Journal Articles
19th-Century Music. 2016; 393187–222 doi: https://doi.org/10.1525/ncm.2016.39.3.187
Published: 01 March 2016
... visual space that would appear central to the perception of landscape. This article explores Mendelssohn's archetypal example of the musical seascape in order to unravel these concerns. After briefly charting the philosophical reefs that encircle this issue, I examine how the aural may nevertheless...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
... an echo, are perceptible from the wings. The same doubt is expressed with the comment to be seen, voir; IV, 264) in relation to the a cappella trio Obéis! Esclarmonde! À l inflexible loi! (act IV), which is sung by Parséis, Énéas, and Phorcas, preceding Esclar- monde s declaimed resignation. On...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
... against Wagner and Schopenhauer from the period of Menschliches, Allzumenschliches (Human, All Too Human, 1878) onwards. In a new preface to the second edition of The Birth of Tragedy, Versuch einer Selbst-Kritik (Attempt at Self- Criticism), he lamented that he had spoiled his original perception of...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
... each from its iden- tical neighbors. From a distance, however, these reticulations converge and disappear, resulting in the impression of an indivisible whole, the structure, function, and selective permeability of which lie beyond the limits of perception. Apple has recently capitalized on this thresh...
Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
Journal Articles
19th-Century Music. 2017; 41295–120 doi: https://doi.org/10.1525/ncm.2017.41.2.95
Published: 01 November 2017
... earlier religions. Their banish- ment by Homer is therefore not the source of their uncan- niness, and indeed, they do not emerge into perception after this banishment. 42Schelling, The Philosophy of Art, trans. Douglas W. Stott (Minneapolis: University of Minnesota Press, 1989), §30, 37. Als eine...