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Journal Articles
19th-Century Music. 2010; 3413–38 doi: https://doi.org/10.1525/ncm.2010.34.1.003
Published: 01 July 2010
... perspective of instrumentation. The transformation of the orchestra created the possibility for new styles of orchestration that engaged in precise and nuanced ways with instrumental sonority; no longer was the orchestra a blunt force, but rather an autonomous community of ““envoiced”” instruments capable of...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
...Kirill Zikanov This article challenges the privileged position that Glinka’s Kamarinskaia (1848) has assumed in accounts of Russian instrumental music. The first half of the article investigates nineteenth-century reception of Glinka’s orchestral works and demonstrates that his Jota Aragonese (1845...
Journal Articles
19th-Century Music. 2007; 311003–027 doi: https://doi.org/10.1525/ncm.2007.31.1.003
Published: 01 July 2007
... for permission to photocopy or reproduce article content through the University of California Press s Rights and Permissions Web site, at httpwww.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2007.31.1.003. The Struggle for Orchestral Control: Power, Dialogue, and the Role of the Orchestra in...
Journal Articles
19th-Century Music. 1997; 21138–76 doi: https://doi.org/10.2307/746831
Published: 01 July 1997
..., "Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie" (cf. n. 49) Castle Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie Tableaux vivants. Landscape, History Painting, and the Visual Imagination in Mendelssohn's Orchestral Music THOMAS S. GREY TABLEAUX...
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
..., the events surrounding the coverage such as a pistol duel and a libel case, contemporary correspondence, and Herz’s publishing record indicate that the Gazette ’s negative treatment of Herz was not an organic assessment of his output, but rather a revenge scheme orchestrated by the Gazette ’s owner...
Journal Articles
19th-Century Music. 2017; 403283–300 doi: https://doi.org/10.1525/ncm.2017.40.3.283
Published: 01 March 2017
...Laura Tunbridge Strauss's song “Frühlingsfeier,” op. 56, no. 5, was originally composed for voice and piano in 1906 and orchestrated in 1933. Its choice of poet—Heinrich Heine—–is unusual in the context of the literary trends and political attitudes in Germany at the contemporaneous moments...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
... Bayreuth. This new source also enriches our knowledge of two composers who, each in his own way, sought to respond to Wagnerian theater, all the while being inspired by it: from Wagner’s example both composers drew subjects based on legends, used reminiscence motifs or enriched their orchestral and...
Journal Articles
19th-Century Music. 1984; 82142–152 doi: https://doi.org/10.2307/746759
Published: 01 October 1984
... Die Faust-Symphonie von Franz Liszt Sonata Form in the Orchestral Works of Liszt: The Revolutionary Reconsidered RICHARD KAPLAN Almost a hundred years after his death, Franz Liszt's position with regard to crucial music- historical issues of his time remains inade- quately established. In...
Journal Articles
19th-Century Music. 1983; 72106–118 doi: https://doi.org/10.2307/746341
Published: 01 October 1983
... much the better, and bonne chance! Orchestral Material from the Library of the Societ6 des Concerts D. KERN HOLOMAN On 25 March 1863, Berlioz wrote to the Societe des Concerts du Conservatoire-that brilliant and historic Paris orchestra that had done so lit- tle to further his own career-in the...
Journal Articles
19th-Century Music. 1983; 72104–106 doi: https://doi.org/10.2307/746340
Published: 01 October 1983
...Élisabeth Bernard Copyright 1983 The Regents of the University of California A Glance at the Archives of Some Parisian Orchestral Societies ELISABETH BERNARD The Archives of the Louvre, approached from the quai du Louvre entry to the offices of conser- vation, seemed to me to need some...
Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
... fantasia, recitatives, a lyrical ballad, and orchestral variations, with impressionistic symphonic writing, and experimental passages. While stylistic heterogeneity can be heard throughout many of his mature instrumental and vocal works, Busoni also used this heterogeneity in a descriptive way in Doktor...
Journal Articles
19th-Century Music. 2020; 433194–208 doi: https://doi.org/10.1525/ncm.2020.43.3.194
Published: 01 March 2020
... breaches can, at times, present itself falsely, disassociated (disembodied) from and incongruent with the orchestra. She contends that the noumenal is represented by the orchestral music in the opera, which is usually unheard by the opera s characters. Drawing on Kantian metaphysics, Abbate descri- bes the...
Journal Articles
19th-Century Music. 2015; 383219–242 doi: https://doi.org/10.1525/ncm.2015.38.3.219
Published: 01 March 2015
... comprehensible when we consider his way of creating a drama. To put it simply: the vocal lines—especially those exhibiting Sprechgesang —resemble the actor's speech very closely, while the orchestral part often has the function of determining the rhythm and expression of the gestures, attitudes, and actions on...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... byplay of the expo- sition, but now in the tonic major. The move- ment ends on this inconclusive note after having briefly opened the possibility of some deeper rapport between the solitary obsessive and his orchestral milieu. Throughout, we can read this thematic byplay in terms of widely used...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... also marks the transition from a basso continuo to orchestral setting. In an orchestra, the piano is seldom needed; enriching the pal- ette of timbres, it re-enters only in the late nineteenth century. Parallel to this shift in function in keyboard instruments, the career of the piano also offers a...
Journal Articles
19th-Century Music. 2019; 4313–16 doi: https://doi.org/10.1525/ncm.2019.43.1.3
Published: 01 July 2019
... undeniable contrast between the aria s delicate scoring and the 28httpswww.youtube.com/watch?v=K5b5Y-Uv7Ac. 29httpswww.youtube.com/watch?v=Jl-Mtu67FRE. tutti rendition of the crucifixion choruses by some forty-odd performers. But modern choral/orchestral renditions of the Passion scale the choruses up to the...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music. 2019; 423249 doi: https://doi.org/10.1525/ncm.2019.42.3.249
Published: 01 April 2019
.... Kirill Zikanov recently received his PhD with highest distinction from Yale University. His research focuses on nineteenth-century Russian orchestral music, particularly in the areas of reception, aesthetics, and history of theory. IN OUR NEXT ISSUE (SUMMER 2019) ARTICLES Daniel R. Melamed: How Did Aus...
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
Journal Articles
19th-Century Music. 2002; 26123–51 doi: https://doi.org/10.1525/ncm.2002.26.1.23
Published: 01 July 2002
...Paul A. Bertagnolli Liszt's reliance on copyists throughout his career and in every stage of the compositional process aroused controversly only after his death, when published letters impugned his authorship by suggesting others had orchestrated his symphonic works. Thereafter, compelling...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018