1-20 of 767 Search Results for

new-york

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
19th-Century Music (2008) 31 (3): 193–216.
Published: 01 March 2008
...Adrienne Fried Block New York by 1850 was the leading U.S. city in population, trade, industry, and culture. Its many public musical offerings took place in the evenings, requiring women to have escorts for safety and respectability, and limiting their attendance opportunities. Beginning in 1847...
Journal Articles
19th-Century Music (2020) 44 (1): 3–18.
Published: 01 July 2020
... the score into the trunk. You are taking that with you? Surely I am. I haven t so many keepsakes that I can afford to leave that. I haven t got many that I value so highly. 6Life of George Eliot: As Related in Her Letters and Journals, ed. John Walter Cross (New York: T. Y. Crowell, 1884), 315 and...
Journal Articles
19th-Century Music (2020) 44 (1): 36–58.
Published: 01 July 2020
... the Construction of Reputation (New York: Oxford University Press, 2017), espe- cially 11 12. Concerning Les Apaches, Jane Bathori names him as a member of this group, although Michel-Dmitri Calvocoressi does not mention Caplet among the members of the musical circle that met first at Ravel s home and...
Journal Articles
19th-Century Music (2020) 44 (1): 19–35.
Published: 01 July 2020
... in France, 1760 1905 (Cambridge: Cambridge University Press, 1994); Sofie Lachapelle, Conjuring Science: A History of Scientific Entertainment and Stage Magic in Modern France (New York: Palgrave Macmillan, 2015); John McCormick, Popular Theatres of Nineteenth-Century France (New York: Routledge...
Journal Articles
19th-Century Music (2020) 43 (3): 209.
Published: 01 March 2020
... and PhD candidate in his- torical musicology at New York University. His research centers on depictions of femmes fatales in French andGerman fin-de-siècle opera, intersections of gender and sexuality, voice studies, continental philosophy, and African American lives and music. Janet Schmalfeldt is...
Journal Articles
19th-Century Music (2020) 43 (3): 194–208.
Published: 01 March 2020
... in opera regain auton- omy within narratives that render their bodies partial.2 The body-in-pieces, instead, becomes 1Roland Barthes, The Pleasure of the Text, trans. Richard Miller (New York: Hill and Wang, 1975 [1973 9 10. 2Catherine Clément, Opera, or the Undoing of Women, trans. Betsy Wing...
Journal Articles
19th-Century Music (2020) 43 (3): 143–169.
Published: 01 March 2020
... Zeitung 30 (1842); trans. H. C. Robbins Landon, Beethoven: A Documentary Study (New York: Macmillan, 1970), 391. See also the compari- son of these accounts by Elizabeth Kramer, The Idea of Kunstreligion in German Musical Aesthetics of the Early Nineteenth Century (PhD diss., University of North Carolina...
Journal Articles
19th-Century Music (2020) 43 (3): 170–193.
Published: 01 March 2020
... when he does not. Booth, The Rhetoric of Fiction, 2nd edn. (Chicago: University of Chicago Press, 1983), 158 59. 4James Wood, How Fiction Works (New York: Picador; Farrar, Straus and Giroux, 2008), 3 4; my emphasis. Wood s comments continue as follows, with my interpolations: On one side, Tolstoy...
Journal Articles
19th-Century Music (2019) 43 (2): 99–120.
Published: 01 November 2019
... from: Hermann von Helmholtz, On the Sensations of Tone, 4th edn., trans. Alexander Ellis (New York: Dover, 1954), 235; Alexander Wilford Hall, The Problem of Human Life: Embracing the Evolution of Sound and Evolution Evolved (New York: Hall & Co., 1877), 76 77. This research was made possible by a...
Journal Articles
19th-Century Music (2019) 43 (2): 63–66.
Published: 01 November 2019
... Zukunft, Zeitschrift für Musik (February 1930): 94. 8George Berkeley, Siris: A Chain of Philosophical Reflexions and Inquiries Concerning the Virtues of Tar-Water (London: C. Hitch and C. Davis, 1744), § 311. 9Peter Sloterdijk, Philosophical Temperaments: From Plato to Foucault (New York: Columbia...
Journal Articles
19th-Century Music (2019) 43 (2): 67–85.
Published: 01 November 2019
... of Chicago Press, 2008); Mike Dash, Tulipomania: The Story of the World s Most Coveted Flower & the Extraordinary Passions It Aroused (New York: Three Rivers Press, 1999). 22The second edition (1718) includes only maniaque as furieux, possedé de quelque manie (2:21). The third edi- tion (1740...
Journal Articles
19th-Century Music (2019) 43 (2): 86–98.
Published: 01 November 2019
... the Royal Academy of Music in the 1840s and in 1848 registered the first of his four patents for flutes. Born in 1809, Clinton died in London in 1864: httpsdoi.org/10.1093/ gmo/9781561592630.article.L2290772. 2Immanuel Kant, Critique of Judgment [1791], trans. J. H. Bernard (New York: Haffner, 1951...
Journal Articles
19th-Century Music (2019) 43 (2): 121–139.
Published: 01 November 2019
... Psychology (New York: The Century Co., 1929), especially chap. 11, British Associationism in the Nineteenth Century, 206 36. 24In 1926 Stumpf published Die Sprachlaute, cf. n. 4. See Julia Kursell, Carl Stumpf and the Beginnings of Research in Musicality, in The Origins of Musicality, ed. Henkjan Honing...
Journal Articles
19th-Century Music (2019) 43 (1): 61.
Published: 01 July 2019
... and the Christmas Oratorio, was published in 2018 by Oxford University Press. Shaena B. Weitz holds a PhD in musicology from the City University of New York (CUNY) Graduate Center, and she specializes in cultural studies of late-eighteenth- and early-nine- teenth-century France, including music...
Journal Articles
19th-Century Music (2019) 43 (1): 3–16.
Published: 01 July 2019
... history of the debate is summarized in Daniel R. Melamed, Hearing Bach s Passions, revised edn. (New York: Oxford University Press, 2016), 100 04. text they probably lie with us, not with Bach or Picander. We probably misunderstand this aria, and by we I mean the inheritors of a nineteenth-century...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music (2019) 43 (1): 38–60.
Published: 01 July 2019
... excoriating critique of something trivial delights us whereas a negative review of an artist in our pantheon confuses us. Nicolas Slonimsky s Lexicon of Musical Invective: Critical Assaults on Composers since Beethoven s Time [1953] (New York: W.W. Norton, 2000), as an example, finds humor in insults toward...
Journal Articles
19th-Century Music (2019) 43 (1): 17–37.
Published: 01 July 2019
.... 2Anthony Heilbut, The Male Soprano, in The Fan Who Knew Too Much: Aretha Franklin, the Rise of the Soap Opera, Children of the Gospel Church, and Other Meditations (New York: Knopf, 2012), 253. tures, starting with the more or less contempo- raneous phenomena of Alfred Deller and the boy bands of the...
Journal Articles
19th-Century Music (2019) 42 (3): 225–248.
Published: 01 April 2019
... anecdote that has 1Robert Haven Schauffler, The Unknown Brahms: His Life, Character and Works (New York: Dodd, Mead and Company, 1933), 226. 2See Jan Swafford, Johannes Brahms (New York: Random House, 1999). Peter F. Ostwald suggests, His habitual cau- tion if not abhorrence in regard to physical intimacy...
Journal Articles
19th-Century Music (2019) 42 (3): 157–183.
Published: 01 April 2019
... star both sings and oth- erwise portrays the amateur onscreen. This par- adox can engender additional insight into 4Robert Rosenstone, Inventing Historical Truth on the Silver Screen, in J. E. Smyth, Hollywood and the American Historical Film (New York: Palgrave Macmillan, 2012), 183 91, at 184...
Journal Articles
19th-Century Music (2019) 42 (3): 184–224.
Published: 01 April 2019
... as on their broader roles in Russian musical culture, see Stephen Walsh, Musorgsky and His Circle: A Russian Musical Adventure (New York: Alfred A. Knopf, 2013). For Serov s letters to Stasov, see A. N. Serov. Pis ma k V. V. i D. V. Stasovym, in Muzykal noe nasledtsvo, ed. Abram Gozenpud and V. A...