Search Results for neo-riemannian-analysis
1-10 of 10 Search Results for
19th-Century Music (2015) 39 (1): 3–34.
Published: 01 July 2015
... which the marriages in Much Ado and Béatrice et Bénédict, together with critical responses to them, frame the dif- ference between convention and resistance in social relations. Thereafter (in part II) I will turn to an extended analysis of the music. Convention, Resistance, and Surplus-Jouissance in...
19th-Century Music (2009) 32 (3): 211–234.
Published: 01 March 2009
... the Regents of the University of California 2009 interlace narrative neo-Riemannian analysis Schenkerian analysis self and consciousness 211 J.P.E. HARPER- SCOTT Medieval Romance in the Ring 19th-Century Music, vol. 32, no. 3, pp. 211 34. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2009...
19th-Century Music (2006) 30 (1): 065–080.
Published: 01 July 2006
...Berthold Hoeckner The article advances a new case for a coherent tonal and narrative structure of Schumann's Dichterliebe, op. 48. Based on a map of key relations by Gottfried Weber, the hermeneutic analysis follows Dichterliebe's tonal path along a double trajectory of major keys and their...
19th-Century Music (2005) 29 (1): 049–055.
Published: 01 July 2005
... might argue that Adorno s reticence says it all, and that assimilating this aspect of his thought would require us ultimately to give up our shiny tools Schenkerian, semiotic, set- theoretic, transformational, neo-Riemannian and turn to poetry and philosophy. Even further to the right from an...
19th-Century Music (2004) 28 (1): 15–49.
Published: 01 July 2004
... select numbers of the cycle. Analysis reveals that the affective aspect is not the only significant element operative. Alongside remnants of the realist style, there is evidence, of varying degrees of subtlety, for a knowing use of symmetrical pitch organization. Mussorgsky not only adapted the usual...
19th-Century Music (2004) 27 (3): 208–229.
Published: 01 March 2004
... shares a common fifth, and the R (for Relative) operation transforms one triad into another that shares a common major third. See Richard Cohn, Neo-Riemannian Operations, Parsimonious Trichords, and Their Tonnetz Representations, Journal of Music Theory 41 (1997), 1 66, for an overview. 212 19TH...
19th-Century Music (2001) 25 (2-3): 127–154.
Published: 01 November 2001
... Progressions, Music Analysis 15 (1996), 9 40; Cohn, As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert, this journal 22 (1999), 213 32; and the entire issue of Journal of Music Theory 42 (1998), devoted to Neo-Riemannian theory. The transfor- mation-labels L (Leittonwechsel, or...
19th-Century Music (2000) 23 (3): 301–304.
Published: 01 April 2000
..., to "subsume" it, to efface its "Fremdigkeit." On this basis he rejects a neo- Riemannian/chromatic approach to harmonic syn- tax in favor of the familiar diatonic one. Yet subsumption to four functional categories is no dif- ferent in kind than subsumption to seven diatonic ones. And his worry can be...
19th-Century Music (1999) 22 (3): 300–302.
Published: 01 April 1999
... neo-Riemannian approaches to chromatic harmony will appear in forthcoming issues of the Journal of Music Theory and Mu- sic Theory Spectrum. Stephen Downes is lec- turer in music at the University of Surrey. His research on the music of Karol Szymanowski has won prizes in North America and Poland. He...
19th-Century Music (1999) 22 (3): 213–232.
Published: 01 April 1999
...- prehensive Theory of Chromatic Mediant Relations in Mid- Nineteenth-Century Music (Ph.D. diss., Brandeis Univer- sity, 1995) Richard Cohn, "Introduction to Neo- Riemannian Theory: A Survey and a Historical Perspec- tive," Journal of Music Theory 42 (1998), 167-80 10.2307/843871 167 "Richard Wagner...