1-20 of 557 Search Results for

nationalism

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
19th-Century Music. 2011; 352115–131 doi: https://doi.org/10.1525/ncm.2011.35.2.115
Published: 01 November 2011
... which composers were truly national, especially when we generalize that local color denotes any distinguishing device designed to evoke a specific time and place, as well as the social identity of a character. Thus Tchaikovsky's operas, often criticized for their lack of “Russianness,” display a subtle...
Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
... nineteenth-century Prague Mozart productions are particularly well documented in the previously overlooked collection of theater posters from the Czech National Museum and the mid-nineteenth-century manuscript scores of Le nozze di Figaro . Much sooner than elsewhere in Europe, Prague's critics, audiences...
Journal Articles
19th-Century Music. 2003; 263278–285 doi: https://doi.org/10.1525/ncm.2003.26.3.278
Published: 01 March 2003
... Huebner. French Opera at the Fin de Siècle: Wagnerism, Nationalism, and Style. Oxford: Oxford University Press, 1999. xvii, 526 pp. Richard Wagner still casts his powerful shadow. These two stimulating books on French opera of the mid- and late nineteenth century both signiŽ cant contributions to our...
Journal Articles
19th-Century Music. 1998; 213274–296 doi: https://doi.org/10.2307/746825
Published: 01 April 1998
... 75 Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna 1975 13 Sanna Pederson, "A. B. Marx, Berlin Concert Life, and German National Identity" and Stephen Rumph, "A King- dom Not of This World: The Political Context of E. T. A. Hoffmann's Beethoven...
Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
...Clinton D. Young This article examines the development of Wagnerism in late-nineteenth-century Spain, focusing on how it became an integral part of Catalan nationalism. The reception of Wagner's music and ideas in Spain was determined by the country's uneven economic development and the weakness of...
Journal Articles
19th-Century Music. 2016; 393223–247 doi: https://doi.org/10.1525/ncm.2016.39.3.223
Published: 01 March 2016
... kujawiak , as it is understood in relation to Chopin's mazurkas, is largely a creation of Polish nationalism after Chopin's time. In Chopin's own time, the term kujawiak is used only sporadically and appears to be interchangeable with mazur; by the end of the nineteenth century, however, the kujawiak...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... Robin Stowell (Cambridge: Cambridge University Press, 2012), 135 68, here 148. On the history of the Paris Conservatoire, see Le Conservatoire de Paris: Regards sur une institution et son histoire, ed. Emmanuel Hondré (Paris: Association du Bureau des Etudiants du Conservatoire National Supérieur...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
... Combinatorial Music Machine 89 second card, etc. With only two stacks there would have been eleven to the power of two combinations. With twenty-one stacks, there are eleven to the power of twenty-one combi- nations for each piece. This means that the number used by Clinton is, ironically, many orders of...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... Correspondence between Charles S. Peirce and Lady Victoria Welby (Bloomington: Indiana University Press, 1977), 110. 14Helmholtz, The Facts, 348 (emphasis added). The influ- ence of Helmholtz s thought on Charles Sanders Peirce, who wrote an obituary for Helmholtz in The Nation, is briefly explored in M. Gail...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... King Who Reigned Twice (New Haven: Yale University Press, 2001), 121 24, 159 60, 162 63, 178 79, 189 91. For the larger context of Felipe V s disordered predecessor Carlos II, see Vivian Green, The Madness of Kings: Personal Trauma and the Fate of Nations (NewYork: St. Martin s Press, 1993), 153 75...
Journal Articles
19th-Century Music. 2017; 403223–238 doi: https://doi.org/10.1525/ncm.2017.40.3.223
Published: 01 March 2017
... questions of representation with a focus on how music generates a sense of subjectivity. Three approaches facilitate a more subtle and variegated understanding of Rimsky-Korsakov's “soundscapes” than has been proposed so far. First, landscape is interpreted as a facet of Russian national identity in the...
Journal Articles
19th-Century Music. 2019; 43161 doi: https://doi.org/10.1525/ncm.2019.43.1.61
Published: 01 July 2019
... . 2019 61 Contributors Robert Crowe is a male soprano, the first in history to be a national winner of the Metropolitan Opera Competition, and has sung over eighty operatic and dramatic oratorio roles in Europe, North America, and India. He fin- ished his PhD in historical musicology at Boston...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
... Nationalism from Glinka to Stalin (New Haven: Yale University Press, 2007), 113 14. 189 KIRILL ZIKANOV Glinka s Three Models was not the first instantiation of this technique, and earlier manifestations of it can be located not only in Glinka s own works, such as Ruslan and Liudmila, but also in those of...
Journal Articles
19th-Century Music. 2019; 423225–248 doi: https://doi.org/10.1525/ncm.2019.42.3.225
Published: 01 April 2019
... Monarchie, 31 January 1864 Josef Viktor Widmann, Persönliches über Brahms, Die Nation, 10 April, 1897 Brahmsiana, Neue Zeitschrift für Musik, 21, 28 April 1897 Heinrich Reimann, Berühmte Musiker: Lebens- und Charakterbilder, 1897 Josef Viktor Widmann, Erinnerungen, 1898 Julius Spengel, Johannes Brahms...
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
... further than prais- This article draws on a paper given at the National Conference of the German Studies Association in 2013 and on lectures given at the University of Arkansas in 2013 and at the Kunstuniversität Graz in the summer of 2017; I thank those in attendance for their insightful comments...
Journal Articles
19th-Century Music. 2015; 383243–271 doi: https://doi.org/10.1525/ncm.2015.38.3.243
Published: 01 March 2015
... Violin Concerto that appeared in Berlin s National Zeitung in 1852: . . . with the first tones of his violin I forgot everything else the concert room, the public, even Herr Joachim. . . . During the Adagio I first looked towards the platform, but I could no longer perceive the figure of the player, for...
Journal Articles
19th-Century Music. 2017; 403257–282 doi: https://doi.org/10.1525/ncm.2017.40.3.257
Published: 01 March 2017
... contribution, as particular modes of singing and listening—and singing- as -listening—are figured and invited within the music's constitution. Composed as he was searching for an individual creative voice that simultaneously sustained a nascent commitment to the social utility and intelligibility of national...
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
.... This project was funded by a grant from the UK Arts and Humanities Research Council. 1Anne J. Kershen, Jacobs, Joseph (1854 1916 Oxford Dictionary of National Biography (Oxford: Oxford Univer- sity Press, 2004) (httpwww.oxforddnb.com/view/article/ 51106, accessed 1 June 2016). emigrate with his family...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
... universitaires de Saint-Étienne, 2015), 29 43. 10On this score, see Peter Lamothe, Questions of Genre: Massenet s Les Érinnyes at the Théâtre-national-Lyrique, in Music, Theatre, and Cultural Transfer: Paris, 1830 1914, ed. 97 JEAN- CHRISTOPHE BRANGER Massenet s Esclarmonde with his oratorio Marie-Magdeleine...