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musical-landscape

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Journal Articles
19th-Century Music (2005) 29 (1): 031–041.
Published: 01 July 2005
... California. All rights reserved. 31 SCOTT BURNHAM Landscape as Music 19th-Century Music, XXIX/1, pp. 31 41. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2005 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article...
Journal Articles
19th-Century Music (2016) 39 (3): 187–222.
Published: 01 March 2016
...Benedict Taylor Mendelssohn's overture The Hebrides or Fingal's Cave is regularly considered the musical landscape (or seascape) painting par excellence . Scarcely another work has such an unerring capacity to suggest the wide horizons, delicate nuances of changing color and light, the ceaseless...
Journal Articles
19th-Century Music (2017) 40 (3): 223–238.
Published: 01 March 2017
... questions of representation with a focus on how music generates a sense of subjectivity. Three approaches facilitate a more subtle and variegated understanding of Rimsky-Korsakov's “soundscapes” than has been proposed so far. First, landscape is interpreted as a facet of Russian national identity in the...
Journal Articles
19th-Century Music (2014) 38 (1): 53–78.
Published: 01 July 2014
... essays on Schubert. Mimicking that which is dead may be understood as an elaboration of the idea of “the landscape of death” in Schubert's music, embodied in a “crystalline form” through which the wanderer moves aimlessly. Mimicking that which is living would resemble Schubert's landscapes in which...
Journal Articles
19th-Century Music (2010) 33 (3): 247–269.
Published: 01 March 2010
..., La Vie musicale (Dec. 1911); Richard Specht, Neue freie Presse (4 Dec. 1911); Arthur Neisser, Hamburger Fremdenblatt (25 Nov. 1911). Hefling high- lights Neisser s use of the word malerischen to character- ize Neisser s view of Mahler s graphic, and thus visual, approach. See Stephen E. Hefling...
Journal Articles
19th-Century Music (2005) 29 (1): 015–024.
Published: 01 July 2005
...-death in the midst of an apocalyptic landscape. A second aim of this paper is to respond to Adorno's stylistic provocation: do we need poetry in music criticism, or indeed criticism as poetry? Do we need allegories of death and Utopian landscapes to talk about music? As will be argued, "Schubert" is a...
Journal Articles
19th-Century Music (2017) 40 (3): 189–200.
Published: 01 March 2017
...Scott Burnham Carl Zelter, Carl Loewe, Franz Schubert, and Franz Liszt all composed settings of Goethe's famous Nachtlied “Über allen Gipfeln.” Gathering multiple layers of rhyme and rhythm, Goethe's poem achieves a rare cogency that invests every syllable with musical significance. Each of the...
Journal Articles
19th-Century Music (2017) 40 (3): 239–256.
Published: 01 March 2017
..., and the touch of the breeze. As the garden offers a metaphor for the contained space of music, so dreaming stands in for music s unloosening of linguistic order. The blurring of boundaries allows an exchange between interiority and a containing landscape in which presence is quite literally revoked...
Journal Articles
19th-Century Music (1997) 21 (1): 38–76.
Published: 01 July 1997
... of San Francesco Die Grenzen der Musik und Poesie (Leipzig, 1855), p. 176 176 Die Grenzen der Musik und Poesie 1855 23 Charles Rosen in his chapter on "Landscape and Music" in The Romantic Generation (Cambridge, Mass., 1995) Rosen Landscape and Music The Romantic Generation 1995...
Journal Articles
19th-Century Music (2020) 43 (3): 143–169.
Published: 01 March 2020
... Riehl, in RILM Perspectives 1: Music s Intellectual History (New York: Répertoire International de Littérature Musicale, 2009), 195 201. 47Even Beethoven used the word versöhnt in his Heiligenstadt Testament to describe making peace with his deafness in service of art. Examples of Versöhnung and...
Journal Articles
19th-Century Music (2020) 43 (3): 194–208.
Published: 01 March 2020
... (Minneapolis: University of Minnesota Press, 1988). 19th Century Music, vol. 43, no. 3, pp. 194 208. ISSN: 0148-2076, electronic ISSN: 1533-8606 © 2020 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content...
Journal Articles
19th-Century Music (2013) 36 (3): 248–263.
Published: 01 March 2013
...Sarah Hibberd Grand opera's love of all-consuming spectacle is evident in its cataclysmic eruptions, explosions, and shipwrecks, its magnificent processions and ceremonies, and its breathtaking reconstructions of sublime landscapes, from Auber's La Muette de Portici (1828), through Halévy's La...
Journal Articles
19th-Century Music (2019) 43 (2): 86–98.
Published: 01 November 2019
... in theMelodist s direc- tions for use and in the Melographicon. Both methods are also explicitly targeted toward non- professionals, much like theWürfelspiel (an ins- truction to compose without knowledge of music ) and the Gioco pitagorico musicale. Like Clinton, who compares his musical sys- tem...
Journal Articles
19th-Century Music (2005) 29 (1): 056–063.
Published: 01 July 2005
... more effectively to reveal the truth content of Schubert s music. Adorno s essay is evidently inorganic, at least as regards conventional scholarship; it surveys an acoustic landscape that is in turn internal- ized: philosophically, subjectively, formally. Adorno listens to the familiar otherness of...
Journal Articles
19th-Century Music (2019) 42 (3): 157–183.
Published: 01 April 2019
... performances of the song that a study of the 2Franz Liszt, Lettre d un Bachelier És-Musique; A M. Lambert Massart, Revue et gazette musicale de Paris 5/35 (2 September 1838): 345 52, at 352. Portions of this letter also appeared in German shortly thereafter. See Franz Liszt, Bruchstück eines Briefs von...
Journal Articles
19th-Century Music (2017) 41 (2): 121–150.
Published: 01 November 2017
... L Aulnaye, Mémoire sur un nouveau systême de notation musicale, Musée de Paris (1785/1): 89 109. 16Ernst Theodor Amadeus Hoffmann, Johannes Kreisler s Certificate of Apprenticeship, trans. Max Knight, this jour- nal 5/3 (1982): 189 92, here 192. 125 J. MACKENZIE PIERCE Music Stenography and...
Journal Articles
19th-Century Music (2017) 41 (1): 31–47.
Published: 01 July 2017
... singers, see 125 ( dominaban por com- plete sus partes musicales y comprendían á conciencia la psicología de los dos personajes respectivos 27De Moya Martínez, La música madrileña, 364 66. 28This paragraph is drawn from Borrell, Los Maestros Cantores, 127 ( El público quiere y pide que se representen Los...
Journal Articles
19th-Century Music (2017) 40 (3): 307.
Published: 01 March 2017
...´rská and the Historiography of Czech Music 159 Contributors 79, 182, 306 Cruz, Gabriela Sr. José, the Worker mélomane, or Opera and Democracy in Lisbon ca. 1850 81 Grimley, Daniel MIn the Mood : Peer Gynt and the Affective Landscapes of Grieg s Stemninger, Op. 73 106 Johnson, Julian Present Absence...
Journal Articles
19th-Century Music (2017) 40 (3): 257–282.
Published: 01 March 2017
... contribution, as particular modes of singing and listening—and singing- as -listening—are figured and invited within the music's constitution. Composed as he was searching for an individual creative voice that simultaneously sustained a nascent commitment to the social utility and intelligibility of national...
Journal Articles
19th-Century Music (2017) 40 (3): 185–188.
Published: 01 March 2017
.../journals.php?p=reprints . 2017 185 INTRODUCTION 19th-Century Music, vol. 40, no. 3, pp. 185 188 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2017 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through...