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Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
...Martin Nedbal After the enormous success of Le nozze di Figaro at Prague's Nostitz Theater in 1786 and the world premiere of Don Giovanni there in 1787, Mozart's operas became canonic works in the Bohemian capital, with numerous performances every season throughout the nineteenth century. These...
Journal Articles
19th-Century Music. 2001; 252-391–107 doi: https://doi.org/10.1525/ncm.2001.25.2-3.91
Published: 01 November 2001
...Peter Pesic Mozart's contemporaries often noted his childlike qualities, though later writers felt this denigrated his seriousness. The Romantics exalted the "gloomy" or daemonic Mozart, yet the spirit of play is an important element in many of his works and calls for deeper examination...
Journal Articles
19th-Century Music. 2010; 333195–231 doi: https://doi.org/10.1525/ncm.2010.33.3.195
Published: 01 March 2010
... may have followed from its no longer being able to share an evening with a ballet. Dance, which had been scattered widely within individual works from La Muette de Portici until the late 1830s, thereafter became more formalized. With the 1834 production of Mozart s Don Giovanni as Don Juan and Halévy...
Journal Articles
19th-Century Music. 2001; 252-3165–189 doi: https://doi.org/10.1525/ncm.2001.25.2-3.165
Published: 01 November 2001
... substantially to the ongoing nineteenth-century project of enshrining Mozart. ©© Regents of the University of California 165 MARK EVERIST Enshrining Mozart 19th-Century Music, XXV/2 3, pp. 165 89. ISSN: 0148-2076. © 2002 by The Regents of the University of California. All rights reserved. Send requests for...
Journal Articles
19th-Century Music. 2001; 252-3127–154 doi: https://doi.org/10.1525/ncm.2001.25.2-3.127
Published: 01 November 2001
.... Predecessors may be found in the slow movement of his Piano Trio in G, op. 1, no. 2, and the first movement of Mozart's Quartet in D Minor, K. 173. This article examines this procedure and its larger hermeneutic implications from a variety of angles, along the way introducing concepts of "Sonata Theory," a new...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
..., spurred by the popularity of such works as the Musikalisches Würfelspiel , a piece attributed to Mozart. In this article, I analyze the Quadrille Melodist against the background of the history of combinatorial music. I contrast its unique features with other predigital, as well as later digital, music...
Journal Articles
19th-Century Music. 1991; 15293 doi: https://doi.org/10.2307/746364
Published: 01 October 1991
... Copyright 1991 The Regents of the University of California Toward Mozart A journal devoted to the critical and historical agenda of the nineteenth century must begin with Mozart. Beneath its deceptive elegance, the music probes often the extremities of con- sciousness and feeling, touching...
Journal Articles
19th-Century Music. 1991; 15295–106 doi: https://doi.org/10.2307/746365
Published: 01 October 1991
...Maynard Solomon Copyright 1991 The Regents of the University of California [Footnotes] 1 Otto Erich Deutsch, Mozart: A Documentary Biography, trans. Eric Blom, Peter Branscombe, and Jeremy Noble (Stanford, 1965), p. 27. Deutsch 27 Mozart: A Documentary Biography 1965 2...
Journal Articles
19th-Century Music. 1991; 152116–131 doi: https://doi.org/10.2307/746367
Published: 01 October 1991
... Bach 165 Essay on the True Art of Playing Keyboard Instruments 1949 5 Eva and Paul Badura-Skoda, Inter- preting Mozart on the Keyboard, trans. Leo Black (London, 1962), p. 239 Badura-Skoda 239 Interpreting Mozart on the Keyboard 1962 Georg Sulzer's Allgemeine Theorie der schönen...
Journal Articles
19th-Century Music. 1987; 112175–193 doi: https://doi.org/10.2307/746730
Published: 01 October 1987
..., 1968) Cone Musical Form and Musical Performance 1968 15 Maynard Solomon, "Beethoven's Ninth Symphony: A Search for Order," this journal 10 (1986), 3- 23 Solomon 3 10 19th Century Music 1986 16 Hermann Abert, W. A. Mozart, 2 vols. (Leipzig, 1923-24), passim Abert W. A...
Journal Articles
19th-Century Music. 1982; 6131–38 doi: https://doi.org/10.2307/746229
Published: 01 July 1982
...William DeFotis Copyright 1982 The Regents of the University of California [Footnotes] 1 Otto Erich Deutsch, Mozart: A Documentary Biography (Stanford, 1965), p. 290. (Deutsch cites the 23 April 1787 issue of Magazin der Musik. ) Deutsch 290 Mozart: A Documentary Biography 1965...
Journal Articles
19th-Century Music. 2009; 332110–150 doi: https://doi.org/10.1525/ncm.2009.33.2.110
Published: 01 November 2009
... say, with what sublimity of lan- guage, he spoke of the Messiah of this immor- tal genius, wrote Schultz. Every one of us was moved when he said, I would uncover my head, and kneel down at his tomb! H. and I tried repeatedly to turn the conversation to Mozart, but without effect. I only heard him...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
... around 1800, when almanacs and Volkskalender began to publish the last words of artists among their pot- pourri of epigrams. As for unwritten music taken to the grave, Beethoven s mythic tenth symphony, the equiva- lent of Mozart s Requiem, haunted the public imagination after Schindler published the...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... take a violin and a bow and try to grasp what to do with them. This seems logical for a practical manual, but had been out of the question for, say, Leopold Mozart. His groundbreaking treatise Versuch einer gründlichen Violinschule (A Treatise on the Fundamental Principles of Violin Playing, 1756...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... appreciation of plant and animal anatomy).24 Certain theorists embraced a purely physical origin of the sense of beauty,25 while for others the answer lay in mathematics. It is indicative of Engel s desire for a numerate objectivity that in a later article, entitled A Mathematical- Harmonic Analysis of Mozart...
Journal Articles
19th-Century Music. 1991; 152107–115 doi: https://doi.org/10.2307/746366
Published: 01 October 1991
...Daniel Heartz Copyright 1991 The Regents of the University of California [Footnotes] 1 Thomas Mann, Briefe 1948-1955, ed. Erika Mann (Frank- furt, 1965), pp. 417-18 Mann 417 Briefe 1948-1955 1965 2 Alfred Einstein, Mozart: Sein Charakter, Sein Werk (Frankfurt, 1953; rev...
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
... remembered Hunt s tender treble, self- accompanied on the piano, singing the music of Mozart s Countess Almaviva at musical eve- nings in the late 1810s, attended by most of the leading Romantics.21 In 1815 Hunt wrote that in his leap from one [register] to the other [Incledon] slammed the larynx in his...
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
... biographie de Mozart (1843). At the core of the disagreement between Ulybyshev and Lenz was the quintessential nine- teenth-century argument regarding the rela- tionship between artistic individuality and the regulatory nature of conventions. According to Ulybyshev, composers were never justified in...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018