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mood

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Journal Articles
19th-Century Music. 2016; 402106–130 doi: https://doi.org/10.1525/ncm.2016.40.2.106
Published: 01 November 2016
...Daniel M. Grimley Edvard Grieg's prelude to the fourth act of Henrik Ibsen's “dramatic poem” Peer Gynt (1867/76), “Morning Mood,” is among the best-loved passages in the repertoire. Commonly assumed to invoke Norway's iconic western fjords, the prelude in fact sets the stage for Ibsen's eponymous...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... would lead to an allegro; instead, after a fermata on the dominant the strings put on their mutes and begin another slow movement, marked Andantino, with a rather dreamy pianissimo phrase, still in C minor and in the prevalent mood of sadness, ending with a sigh- ing semitone. At this point, a solo...
Journal Articles
19th-Century Music. 2019; 4313–16 doi: https://doi.org/10.1525/ncm.2019.43.1.3
Published: 01 July 2019
... consciousness, as only fantasy can convey in gentlest breath. Here there is not a hint of anything external; one must engage oneself completely with music like this; one must seek out and explore its atmospheric mood, in which, I might almost say, such musical still-life paintings are opened up to our inner...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
Journal Articles
19th-Century Music. 2013; 363248–263 doi: https://doi.org/10.1525/ncm.2013.36.3.248
Published: 01 March 2013
... narrative or mood. Auguste Pilati and Friedrich von Flotow's opera Le Naufrage de la Méduse (Théâtre de la Renaissance, 1839) incorporated an ambitious animated representation of Théodore Géricault's celebrated painting on the subject and generated critical discussion about the relationship between sound...
Journal Articles
19th-Century Music. 2012; 362159–171 doi: https://doi.org/10.1525/ncm.2012.36.2.159
Published: 01 November 2012
... adaptation from Chekhov's eponymous play and for application of musical selections borrowed from Tchaikovsky, Scriabin, Shostakovich, and Evelyn Glennie. Indeed, his choice to present a Chekhov play known for its subtle weaving of verbal dialogue to convey character, mood, and themes seems to force the...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
... same way. 1 De- spite its insistance on idiosyncrasy, Rubinstein s retort extended a tradition rooted in accounts of Chopin s own playing, which varied each [composition] according to the mood of the mo- ment, a mood that charmed by its very way- wardness. 2 Rubinstein s adherence to this tra- dition...
Journal Articles
19th-Century Music. 2017; 41148–74 doi: https://doi.org/10.1525/ncm.2017.41.1.48
Published: 01 July 2017
... to famous moments in Wagner s drama. A haunting unison passage for unaccompanied low strings echoes the pitch sequence, instrumentation, and mood of the closing measures of the Tristan prelude (ex. 5). A sequence several measures later recalls the Tristan chord and its resolution. As Wagner does in...
Journal Articles
19th-Century Music. 2017; 403307 doi: https://doi.org/10.1525/ncm.2017.40.3.307
Published: 01 March 2017
...´rská and the Historiography of Czech Music 159 Contributors 79, 182, 306 Cruz, Gabriela Sr. José, the Worker mélomane, or Opera and Democracy in Lisbon ca. 1850 81 Grimley, Daniel MIn the Mood : Peer Gynt and the Affective Landscapes of Grieg s Stemninger, Op. 73 106 Johnson, Julian Present Absence...
Journal Articles
19th-Century Music. 2017; 403223–238 doi: https://doi.org/10.1525/ncm.2017.40.3.223
Published: 01 March 2017
... century have tended to emphasize music s connections to literature, whether in the form of operatic adaptations of plays and prose works, or of songs, such as those of Mod- est Musorgsky, described by the composer as the reproduction in musical sounds not merely of the mood of feelings, but mainly of the...
Journal Articles
19th-Century Music. 2017; 403201–222 doi: https://doi.org/10.1525/ncm.2017.40.3.201
Published: 01 March 2017
... trajectory, often split into two smaller half-cycles, finding its fulfillment in the last song, Frühlingsnacht. Coherence may be found in general emotional movement whereby two balanced arches of emotion . . . transform the poetic mood from introverted melancholy to exuberant joy. 13 Apparently an...
Journal Articles
19th-Century Music. 2017; 403239–256 doi: https://doi.org/10.1525/ncm.2017.40.3.239
Published: 01 March 2017
...: Verlaine s Fêtes galantes are ekphrases of landscapes by Watteau. Both paintings and poems deal with the same series of images: courtiers in a garden, talking, singing, and playing, or listening to music. In Mandoline Verlaine adopted an ironic voice that reflects the belated mood of Watteau s...
Journal Articles
19th-Century Music. 2016; 402159–181 doi: https://doi.org/10.1525/ncm.2016.40.2.159
Published: 01 November 2016
... of feeling and mood. He nevertheless remains an important early source for Dvor ák s biographical reception. 36Sandra McColl s Music Criticism in Vienna 1896 1897: Critically Moving Forms (Oxford: Clarendon Press, 1996) traces a multitude of critics, performers, and composers through two years in...
Journal Articles
19th-Century Music. 2016; 40281–105 doi: https://doi.org/10.1525/ncm.2016.40.2.81
Published: 01 November 2016
Journal Articles
19th-Century Music. 2016; 402131–158 doi: https://doi.org/10.1525/ncm.2016.40.2.131
Published: 01 November 2016
... Tchaikovsky, Letters to His Family: An Au- tobiography, ed. Percy M. Young, trans. Galina von Meck (New York: Stein and Day, 1981), 523. 132 19TH CENTURY MUSIC burdensome to transmit the fantastic mood of the story ; after the heavy and wooden dance that concluded the evening festivities at the Silberhaus...
Journal Articles
19th-Century Music. 2016; 40147–55 doi: https://doi.org/10.1525/ncm.2016.40.1.47
Published: 01 July 2016
... in Union Camp Mu- sic show off their chops. As they go back and forth, the speaker of the poem, a Union soldier, becomes a little softened, but at the same time finds himself slightly irked because he realizes that his mood has been gentled specifically by Confederate players: A bit bothersome com...
Journal Articles
19th-Century Music. 2016; 40156–78 doi: https://doi.org/10.1525/ncm.2016.40.1.56
Published: 01 July 2016
Journal Articles
19th-Century Music. 2016; 393187–222 doi: https://doi.org/10.1525/ncm.2016.39.3.187
Published: 01 March 2016
Journal Articles
19th-Century Music. 2016; 393223–247 doi: https://doi.org/10.1525/ncm.2016.39.3.223
Published: 01 March 2016
... editions, the order of nos. 2 and 3 is reversed. 11 W Kujawiaku gpówny nacisk pada w takcie czwartym na którekolwiek czKsci; nastrój najczKsciej elegijny, liryczny, tempo powolne. (In the kujawiak the stress falls on any beat in the fourth measure; the mood [is] most often elegiac, lyrical, [and] the...