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modality

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Journal Articles
19th-Century Music. 2013; 3713–36 doi: https://doi.org/10.1525/ncm.2013.37.1.3
Published: 01 July 2013
... modality—real and imagined—into a personalized form in his work. A striking example is the “double tonic” effect associated with many Scottish modal melodies: the rapid alternation between outlined triads a whole step apart. Though this tool could potentially create the type of exoticism the composer tried...
Journal Articles
19th-Century Music. 2013; 3713–36 doi: https://doi.org/10.1525/ncm.2013.37.3.3
Published: 01 July 2013
... modality—real and imagined—into a personalized form in his work. A striking example is the “double tonic” effect associated with many Scottish modal melodies: the rapid alternation between outlined triads a whole step apart. Though this tool could potentially create the type of exoticism the composer tried...
Journal Articles
19th-Century Music. 2008; 313217–227 doi: https://doi.org/10.1525/ncm.2008.31.3.217
Published: 01 March 2008
.../index.cfm? fuseaction=vids.individual&videoid=16559417. 10Letter to Halvorsen, 6 December 1901, Edvard Grieg: Letters to Colleagues and Friends, p. 349. 11See my Modal Subjectivities: Self-Fashioning in the Ital- ian Madrigal (Berkeley: University of California Press, 2004). Beethoven experimented with the...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
... chest voice was variously known as voce di petto, voce naturale, natural voice, Bruststimme, and voix du poitrine. Modern pedagogy has added modal register, strong register, speaking register, and many more. The falsetto (as this becomes highly controversial among vocal pedagogues, these terms are...
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
Journal Articles
19th-Century Music. 2012; 362159–171 doi: https://doi.org/10.1525/ncm.2012.36.2.159
Published: 01 November 2012
... irrefutable connection between music and dance through audiovisual irony in two scenes, where the dance conveys one message, but the music belies it, revealing the underlying ironic truth of the characters' situations. All three modalities are employed to shift time into and out of a reflective space, where...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
Journal Articles
19th-Century Music. 2017; 403223–238 doi: https://doi.org/10.1525/ncm.2017.40.3.223
Published: 01 March 2017
... loving.)26 In setting this lyric, Rimsky-Korsakov height- ens the images implicitly represented in Pushkin s text. The nochnaya mgla (dark- ness of night) is depicted in the modal minor tonalities of the song s opening measures, and the sound of the Aragva comes in the form of a 23Jim Samson, Little...
Journal Articles
19th-Century Music. 2017; 403301–305 doi: https://doi.org/10.1525/ncm.2017.40.3.301
Published: 01 March 2017
... of song composition. On subjectivity in the song repertoire of this period, see Susan McClary, Modal Subjectivities: Self-Fashioning in the Italian Madrigal (Berkeley: Univer- sity of California Press, 2004). 4Percy Bysshe Shelley, from Julian and Maddalo, ll. 543 46, in Shelley s Poetry and Prose...
Journal Articles
19th-Century Music. 2016; 402106–130 doi: https://doi.org/10.1525/ncm.2016.40.2.106
Published: 01 November 2016
... University Press, 1983), 167 89. 111 DANIEL M. GRIMLEY Grieg s Stemninger possible, contra Dale, to find convincing evi- dence of large-scale structural planning in the ordering of the set the individual numbers are arranged in tritonally related but modally mixed pairs, each of which is then spliced a third...
Journal Articles
19th-Century Music. 2006; 293240–260 doi: https://doi.org/10.1525/ncm.2006.29.3.240
Published: 01 March 2006
... suggests that the composer used the major-mode excursus as a topos, whose associations include the ideas of farewell, wandering, and distance (the latter both in the geographical and chronological sense, in accordance with the shift's quasi-modal--thus equally exotic and archaic--character). I suggest that...
Journal Articles
19th-Century Music. 2016; 40179 doi: https://doi.org/10.1525/ncm.2016.40.1.79
Published: 01 July 2016
... is a historical and analytical study of audiovisual modality in television. Daneen Wardrop is the recipient of a National Endowment for the Arts Fellowship and the Robert H. Winner Award from the Poetry Soci- ety of America. She has authored several books of literary history and poetry, including...
Journal Articles
19th-Century Music. 2016; 40156–78 doi: https://doi.org/10.1525/ncm.2016.40.1.56
Published: 01 July 2016
... of war. The montage finale [1:31:52] carries us from Ford s Theatre through a model forest in a thun- derstorm to a model log cabin, echoing the opening that brought us to the log cabin where Lincoln was being born (see plate 8). A slow version of the already minor-modal When Johnny Comes Marching...
Journal Articles
19th-Century Music. 2016; 393248–271 doi: https://doi.org/10.1525/ncm.2016.39.3.248
Published: 01 March 2016
Journal Articles
19th-Century Music. 2016; 393187–222 doi: https://doi.org/10.1525/ncm.2016.39.3.187
Published: 01 March 2016
Journal Articles
19th-Century Music. 2016; 393223–247 doi: https://doi.org/10.1525/ncm.2016.39.3.223
Published: 01 March 2016
Journal Articles
19th-Century Music. 2015; 39156–79 doi: https://doi.org/10.1525/ncm.2015.39.1.56
Published: 01 July 2015
... modalities. Lalo s 1902 re- 14See, e.g., David Code, Parting the Veils of Debussy s Voiles, Scottish Music Review 1 (2007): 43 67; Jean-Michel Nectoux, Harmonie en bleu et or: Debussy, la musique, et les arts (Paris: Fayard, 2005); Leon Botstein, Beyond the Illusions of Realism: Painting and Debussy s...
Journal Articles
19th-Century Music. 2015; 3913–34 doi: https://doi.org/10.1525/ncm.2015.39.1.3
Published: 01 July 2015