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mazurka

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Journal Articles
19th-Century Music. 2016; 393223–247 doi: https://doi.org/10.1525/ncm.2016.39.3.223
Published: 01 March 2016
...Halina Goldberg The traditional musicological perspective on Chopin's slow, minor-key mazurkas and mazurka sections—that he modeled these episodes on the kujawiak , a Polish folk dance from Kujawy region — is plagued by contradictory statements. Re-evaluation of source material reveals that the...
Journal Articles
19th-Century Music. 2012; 353238–260 doi: https://doi.org/10.1525/ncm.2012.35.3.238
Published: 01 March 2012
...Michael Klein This article views Chopin's Mazurka in C# Minor, op. 30, no. 4, as akin to a dream that is open to analysis from a Lacanian perspective. After a discussion of Jacques Lacan's famous orders of subjectivity (the imaginary, the symbolic order, and the Real), the article turns to his...
Journal Articles
19th-Century Music. 2012; 353224–237 doi: https://doi.org/10.1525/ncm.2012.35.3.224
Published: 01 March 2012
... aesthetic of three of Chopin's later Mazurkas (the op. 59 set) in the cult of the dandy, especially as described by Charles Baudelaire; to identify the musical means Chopin devised to realize that aesthetic, namely the “rogue pitches” of my title; and to illustrate how these rogue pitches and the persona of...
Journal Articles
19th-Century Music. 1999; 232113–135 doi: https://doi.org/10.2307/746919
Published: 01 October 1999
...), pp. 9-25 Kobylańska 9 Korespondencja Fryderyka Chopina z rodziną 1972 Mazurka op. 17, no. 4 Ferdynand Hoesick, Chopin: życie i twórczoŚć (Chopin: Life and Works), 3 vols. (Warsaow, 1910- 11) Hoesick 3 Chopin: życie i twórczoŚć 1910 4 vols. (rev. edn. Kraków, 1962-68), I, 76, 82...
Journal Articles
19th-Century Music. 2012; 353165–181 doi: https://doi.org/10.1525/ncm.2012.35.3.165
Published: 01 March 2012
... the composer at work and therefore—if we adopt the insight of Chopin's artistic interlocutor Eugène Delacroix—to his thinking presence. The Mazurka in C Minor, op. 56, no. 3, represents a reverse strategy. There an imagining mind is personified from the beginning, restlessly searching through a...
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
Journal Articles
19th-Century Music. 2016; 393291 doi: https://doi.org/10.1525/ncm.2016.39.3.291
Published: 01 March 2016
..., Céline Phrenologizing Opera Singers: The Scientific Proofs of Musical Genius 125 Goldberg, Halina Nationalizing the Kujawiak and Constructions of Nostalgia in Chopin s Mazurkas 223 Harper-Scott, J. P. E. Berlioz, Love, and Béatrice et Bénédict 3 Hibberd, Sarah Note from the Guest Editor 83 Hibberd...
Journal Articles
19th-Century Music. 2016; 40281–105 doi: https://doi.org/10.1525/ncm.2016.40.2.81
Published: 01 November 2016
...: uma luta atlética entre nove executantes, uma mazurka, jogos malabares; o volteio e trampolim com salto de cuas no fim; a segunda representação de um bailado campestre, forças herculeas, a dança pírrica, deslocações, um bailete mimico-jocoso; e a coluna girante, em que o actor Frutuoso executava, pela...
Journal Articles
19th-Century Music. 2015; 392142–166 doi: https://doi.org/10.1525/ncm.2015.39.2.142
Published: 01 November 2015
Journal Articles
19th-Century Music. 2012; 353262 doi: https://doi.org/10.1525/ncm.2012.35.3.262
Published: 01 March 2012
... Chopin s Duets and Mine 182 Frolova-Walker, Marina A Ukrainian Tune in Medieval France: Perceptions of Nationalism and Local Color in Russian Opera 115 Hallmark, Rufus The Literary and Musical Rhetoric of Apostrophe in Winterreise 3 Klein, Michael Chopin Dreams: The Mazurka in C Minor, Op. 30, No. 4...
Journal Articles
19th-Century Music. 2013; 372130–158 doi: https://doi.org/10.1525/ncm.2013.37.2.130
Published: 01 November 2013
... the nineteenth-century dandy in Chopin s Rogue Pitches: Artifice, Personification, and the Cult of the Dandy in Three Later Mazurkas, this journal 35 (2012), 224 25. Plate 4: Robert Houdin s salon : the theater at the Palais-Royal. 138 19TH CENTURY MUSIC Plate 5: Engraving of Robert-Houdin...
Journal Articles
19th-Century Music. 2012; 353204–223 doi: https://doi.org/10.1525/ncm.2012.35.3.204
Published: 01 March 2012
... coronation in his imagination made in connection with the three Mazurkas, op. 59, that Chopin had just finished. The coronation expression was an astute, self-mocking cultural reference to Poles who identified with a no longer extant Poland.27 In his book about his friend and rival pianist- composer...
Journal Articles
19th-Century Music. 2012; 353182–203 doi: https://doi.org/10.1525/ncm.2012.35.3.182
Published: 01 March 2012
... resonates in the air. A certain generic rhetoric helps to con- firm the plausibility of this narrative. Jim Samson likens the opening of this Waltz to the kujawiak, one of the forms of Polish mazurka, in its slow tempo with written-out rubato, its pedal points and its melodic contour. 10 He also...
Journal Articles
Journal Articles
19th-Century Music. 2011; 352115–131 doi: https://doi.org/10.1525/ncm.2011.35.2.115
Published: 01 November 2011
... story in aristocratic Poland, he bound himself to the dotted rhythms and triple-time meters of the polonaise and mazurka, which he took to be the appropriate courtly dances of the locality. This, however, was not so much an innovation as a return to the operatic Poland of Glinka s A Life for the Tsar...
Journal Articles
19th-Century Music. 2008; 313193–216 doi: https://doi.org/10.1525/ncm.2008.31.3.193
Published: 01 March 2008
Journal Articles
19th-Century Music. 2000; 233305 doi: https://doi.org/10.2307/746876
Published: 01 April 2000
... Creation 191 Kurth, Richard-On the Subject of Schubert's "Unfinished" Symphony: Was bedeutet die Bewegung? 3 McGuire, Charles Edward-Elgar, Judas, and the Theology of Betrayal 236 Milewski, Barbara-Chopin's Mazurkas and the Myth of the Folk 113 Notley, Margaret-Late-Nineteenth-Century Chamber Music and the...
Journal Articles
19th-Century Music. 2003; 272165–174 doi: https://doi.org/10.1525/ncm.2003.27.2.165
Published: 01 November 2003
... to follow and more problematic. In his view, the cycle opens with an interpolation, a quotation of the first two measures of Clara s Mazurka from the same Soirées musicales, expanded through another two measures to complete Schumann s brief introduction and introduce the initial B of a descending B C...