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massenet

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Journal Articles
19th-Century Music (2018) 42 (2): 96–122.
Published: 04 December 2018
...Jean-Christophe Branger At the time of the 1889 world premiere of Massenet’s Esclarmonde , Emmanuel Chabrier copiously annotated a copy of the piano-vocal score of this opera, which is considered, despite its unique features, one of the most Wagnerian works of the author. This remarkable and little...
Journal Articles
19th-Century Music (2020) 43 (3): 194–208.
Published: 01 March 2020
... Jochanaan. 42 The portrayals of Salome in the Romantic era, some bleeding into the post-Romantic/modern- ist era, depict Salome as the virtuous little Immaculate Conception who innocently asks that John the Baptist be absolved and not exe- cuted by Herod.43 In Massenet s Hérodiade (1881),44 Salome admits...
Journal Articles
19th-Century Music (2019) 42 (3): 250.
Published: 01 April 2019
... . 2019 250 19th CENtURY MUSIC INDEX FOR VOLUME 42 (2018 19) Branger, Jean-Christophe A Reading of Massenet s Esclarmonde by Chabrier: How Should French Composers Respond to Wagnerian Music Drama? 96 Cole, Ross Vernacular Song and the Folkloric Imagination at the Fin de Siècle 73 Contributors 71, 155...
Journal Articles
19th-Century Music (2018) 42 (2): 155.
Published: 04 December 2018
... . 2018 Jean-Christophe Branger, professor of musicol- ogy at the Université de Lorraine (Metz), has devoted most of his work to the history of music in France during the Third Republic, especially Massenet, Debussy, and Bruneau. He is author of monographs (on Bruneau and Massenet), numer- ous...
Journal Articles
19th-Century Music (2018) 42 (2): 123–154.
Published: 04 December 2018
Journal Articles
19th-Century Music (2018) 42 (1): 30–52.
Published: 01 July 2018
Journal Articles
19th-Century Music (2017) 41 (1): 48–74.
Published: 01 July 2017
Journal Articles
19th-Century Music (2014) 37 (3): 211–241.
Published: 01 March 2014
...-century hybrid theatrical genres that combined spoken drama and aspects of operatic spectacle. Jules Massenet s Les Érinnyes, based on Aeschylus s Eumenides and performed in 1876 at the an- cient Roman theater at Orange, was regarded as a particularly important precedent, but simi- lar works by Gounod...
Journal Articles
19th-Century Music (2012) 36 (2): 101–121.
Published: 01 November 2012
... Verdi, Puccini, Bizet, Saint-Saëns, or the verismo compos- ers, and only on occasions (though often striking ones) in the operas of Massenet and Delibes. 21One of Berlioz s specific gripes about the craze for high notes and coloratura was that so many sopranos attempted, but failed to reach the high...
Journal Articles
19th-Century Music (2011) 35 (2): 115–131.
Published: 01 November 2011
Journal Articles
19th-Century Music (2011) 34 (3): 271–301.
Published: 01 March 2011
..., Nabucodonozar by G. Verdi, Sinfonia, Giovanna d Arco by G. Verdi, First Symphony by L. V. Beethoven, Unfinished Symphony by F. Schubert, Les Huguenots by Meyerbeer, Rienzi by R. Wagner, Le Jongleur de Notre Dame by J. Massenet, L Arlésienne (Prelude and Carillon) by G. Bizet, Silent Woe and...
Journal Articles
19th-Century Music (2010) 34 (1): 87–105.
Published: 01 July 2010
Journal Articles
19th-Century Music (2010) 33 (3): 195–231.
Published: 01 March 2010
Journal Articles
19th-Century Music (2009) 33 (1): 62–78.
Published: 01 July 2009
... historical figures with whom Christine, Raoul, and the rest of his cast can rub shoulders and thereby accrue a kind of realness themselves. The gala performance in chapter 2, for example, at which Christine first distinguishes herself, includes works by Gou- nod, Reyer, Saint-Saëns, Massenet, Guiraud, and...
Journal Articles
19th-Century Music (2008) 32 (2): 178–208.
Published: 01 November 2008
Journal Articles
19th-Century Music (2008) 31 (3): 228–244.
Published: 01 March 2008
... Suor Angelica (1918). A good indication of the importance of bells for the style can be found by glancing at Jules Massenet s opera La Navarraise: the 1894 opera, written for Covent Garden, was widely considered to be a shame- less imitation of the Italian style (Shaw quipped that Massenet had less...
Journal Articles
19th-Century Music (2007) 31 (2): 113–130.
Published: 01 November 2007
... letters; letters and documents relating to individuals including Thomas Beecham, Emma Calvé, Jerome Kern, Lilli Lehmann, Ruggero Leoncavallo, Jules Massenet, and Victor Maurel; and a collection of photographs of fin-de-siècle singers that alone constitutes an important source for the history of nineteenth...
Journal Articles
19th-Century Music (2007) 30 (3): 230–256.
Published: 01 March 2007
... cast a long shadow over d Indy s earlier accomplish- ments (pp. 344 47). 3This was especially the case after 1878, when Franck put himself up for professor of composition at the Conservatoire only to lose to Massenet. 232 19TH CENTURY MUSIC personal taste for struggle, as if it was an em- blem of...
Journal Articles
19th-Century Music (2007) 30 (3): 257–287.
Published: 01 March 2007
... is the paeans that predominate as, for ex- ample, the belittling of Massenet as a composer for whom music was not la voix universelle qu entendirent Bach et Beethoven (ibid., p. 59); or the assertion that Berlioz, Mozart, Beethoven sont de grands maîtres que je vénère, les deux derniers surtout...
Journal Articles
19th-Century Music (2005) 29 (2): 097–120.
Published: 01 November 2005
... contest on the libretto La Coupe du roi de Thulé, by Édouard Gallet and Louis Blau, sponsored by the Ministry of Fine Arts (among the other runners-up were Massenet and Bizet). In 1877 Polignac s opéra-comique, Don Juan et Haydée, was awarded a first prize in another composition contest (besting a score...