1-13 of 13 Search Results for


Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
19th-Century Music. 2012; 362136–145 doi: https://doi.org/10.1525/ncm.2012.36.2.136
Published: 01 November 2012
...Naomi Perley One of the pivotal scenes of Proust's novel In Search of Lost Time takes place during a performance of the fictional composer Vinteuil's Septet in Mme Verdurin's salon. The narrator and protagonist of the novel, Marcel, finds himself caught off-guard by the beauty of Vinteuil's Septet...
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
... to understand all the contradictions and instabilities in the narra- tion of Proust s À la recherche du temps perdu. Genette s reader (this reader) is left to wonder if the literary critic simply could not abide uncertainty. And Proust s novel is not a special case. Why are there two narrators in...
Journal Articles
19th-Century Music. 2014; 38153–78 doi: https://doi.org/10.1525/ncm.2014.38.1.053
Published: 01 July 2014
Journal Articles
19th-Century Music. 2012; 362172–190 doi: https://doi.org/10.1525/ncm.2012.36.2.172
Published: 01 November 2012
...; neither essay refers to the primary figure of the other. Each essay in turn connects the author in question to other literary figures: in that on Helms, these are James Joyce and Marcel Proust, while the Hölderlin essay refers to Samuel Beckett many of Adorno s writings return to common themes and...
Journal Articles
19th-Century Music. 2012; 36158–83 doi: https://doi.org/10.1525/ncm.2012.36.1.058
Published: 01 July 2012
Journal Articles
19th-Century Music. 2012; 353224–237 doi: https://doi.org/10.1525/ncm.2012.35.3.224
Published: 01 March 2012
..., Liszt thus came upon the formula of a transcendentalizing union of grace and imper- tinence. A half-century later, so did Marcel Proust, whose description is worth quoting more fully: Chopin, this great sickly artist, nervous, egoist and dandy, who in his music smoothly deploys for an instant the...
Journal Articles
19th-Century Music. 2008; 322178–208 doi: https://doi.org/10.1525/ncm.2008.32.2.178
Published: 01 November 2008
... California 2008 Claude Debussy Vladimir Jankééléévitch time memory Marcel Proust transformational theory 178 19TH CENTURY MUSIC 19th-Century Music, vol. 32, no. 2, pp. 178 208. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2008 by the Regents of the University of California. All rights...
Journal Articles
19th-Century Music. 2007; 311028–052 doi: https://doi.org/10.1525/ncm.2007.31.1.028
Published: 01 July 2007
... exceeding those that Jean-Paul Sartre and Jacques Derrida later enjoyed. It seems hardly possible that a philosopher who lent his skills to the formation of the League of Nations, who influenced Marcel Proust s A la recherche du temps perdu, and whose writings earned the Nobel Prize for Literature in 1927...
Journal Articles
19th-Century Music. 2005; 292097–120 doi: https://doi.org/10.1525/ncm.2005.29.2.097
Published: 01 November 2005
... impressionnante du son). Marcel Proust, La Comtesse de Guerne, Le Figaro, 7 May 1905, rpt. in Proust, Contre Sainte-Beuve . . . Essais et articles, ed. Pierre Clarac and Yves Sandre (Paris: Gallimard, 1971), pp. 504 05. terpretive mastery would be immortalized in a 1905 article by Proust.25 She became the inspi...
Journal Articles
19th-Century Music. 1992; 16185–92 doi: https://doi.org/10.2307/746624
Published: 01 July 1992
... extraordinary passage in Proust's La prisonniere, in which the narrator Marcel speaks of every composer as "the citizen of an unknown homeland" and ponders the nature of authenticity and originality in music. Between Faure and Proust, Nectoux has identified deep ideological affinities grounded in their common...
Journal Articles
19th-Century Music. 1992; 162217–223 doi: https://doi.org/10.2307/746267
Published: 01 October 1992
... third essay, "Melody, Solitude, and Af- firmation," establishes Said as a first-rate struc- tural listener. He ruminates on his own mu- sical experiences as they are informed by Marcel's recollections in Proust's Le Temps Re- trouve. Music is of fundamental interest because it rep- resents the rarity...
Journal Articles
19th-Century Music. 1987; 103243–264 doi: https://doi.org/10.2307/746438
Published: 01 April 1987
... lettres franÇaises de Paul Bourget a' Marcel Proust 1884--1914 (Paris, 1966), pp. 38, 170. Carassus 38 Le Snobisme et les lettres franÇaises de Paul Bourget a' Marcel Proust 1884--1914 1966 15 Jean Lorrain, Pelléastres (Paris, 1910 Lorrain Pelléastres 1910 Le Journal, 22 January 1904...
Journal Articles
19th-Century Music. 1981; 5124–37 doi: https://doi.org/10.2307/746557
Published: 01 July 1981
... would sketch.54 Colette, with whom Br6ville maintained a friendship for many years, was but one of many literary friends.5s Others included Colette's first husband, Willy (Henri Gauthier-Villars, also a graduate of College Stanislas), Marcel Proust,56 and Andr6 Gide.57 Although Br6ville had little need...