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liszt

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Journal Articles
19th-Century Music. 2013; 363231–247 doi: https://doi.org/10.1525/ncm.2013.36.3.231
Published: 01 March 2013
...Joanne Cormac Throughout his life Liszt projected diverse identities, which were sometimes embraced by the public, and sometimes questioned. These “contradictions” in his character have been the subject of much confusion and debate, and one aspect in particular still has scholars perplexed...
Journal Articles
19th-Century Music. 2008; 32152–93 doi: https://doi.org/10.1525/ncm.2008.32.1.052
Published: 01 July 2008
...David Trippett The European press of the late 1830s indicates a glaring disparity between Liszt's questionable status as a composer and his eminence as a virtuoso performer. The staggered compositional history of one particular piano work, Aprèès une lecture du Dante——Fantasie quasi Sonata (1839...
Journal Articles
19th-Century Music. 2015; 383193–218 doi: https://doi.org/10.1525/ncm.2015.38.3.193
Published: 01 March 2015
...David Larkin Despite its popularity with pianists, Liszt's first Mephisto Waltz (pub. 1862) has been largely glossed over in musicological studies. In this article, I reconsider the relationship between the piano piece and the excerpt from Lenau's Faust (pub. 1836) that inspired it, and I explore...
Journal Articles
19th-Century Music. 2002; 26123–51 doi: https://doi.org/10.1525/ncm.2002.26.1.23
Published: 01 July 2002
...Paul A. Bertagnolli Liszt's reliance on copyists throughout his career and in every stage of the compositional process aroused controversly only after his death, when published letters impugned his authorship by suggesting others had orchestrated his symphonic works. Thereafter, compelling...
Journal Articles
19th-Century Music. 2002; 262130–154 doi: https://doi.org/10.1525/ncm.2002.26.2.130
Published: 01 November 2002
...Anna Harwell Celenza The writings of Hans Christian Andersen shed important light on Liszt's years in Weimar and his relationship with the city's most powerful patron, Grand Duke Carl Alexander. Andersen shared a strong friendship with Carl Alexander, and from 1844 to 1857 he visited Weimar on...
Journal Articles
19th-Century Music. 2000; 242173–192 doi: https://doi.org/10.2307/746841
Published: 01 October 2000
..., Componisten und Virtuosen der letzen fünfzehn jahre, 1870-85 [Berlin, 1886], p. 316) Hanslick Anyone who has heard this [the Sonata in B Minor] and finds it beautiful is beyond help 316 Concerte, Componisten und Virtuosen der letzen fünfzehn jahre, 1870-85 1886 Kenneth Hamilton, Liszt: Sonata in B...
Journal Articles
19th-Century Music. 2000; 24162–88 doi: https://doi.org/10.2307/746872
Published: 01 July 2000
...- tra as a Metaphor," Musical Quarterly 80 (1996), 238-45. 10.2307/742364 238 8 Allgemeine musikalische Zeitung (February 1844) Allgemeine musikalische Zeitung 1844 Michael Saffle, Liszt in Germany: 1840-1845 (Stuyvesant, N.Y., 1994), p. 166 Saffle 166 Liszt in Germany: 1840-1845 1994...
Journal Articles
19th-Century Music. 1994; 18146–63 doi: https://doi.org/10.2307/746601
Published: 01 July 1994
...: Rezeptionsgeschichte eines Klassikers 1773 6 Heinrich Heine, Der Tannhäuser, Sämtliche Schriften, ed. Klaus Briegleb (Munich, 1971), IV, 354. Heine 354 IV Der Tannhäuser, Sämtliche Schriften 1971 8 Non pas Delendo [sic] Carthago, mais Aedificanda Vimaria Franz Liszt-Marie d'Agoult...
Journal Articles
19th-Century Music. 1995; 183211–235 doi: https://doi.org/10.2307/746685
Published: 01 April 1995
... Hiller (23 and 31 Jan. 1831), ibid., I, 407 and 409 Cairns's discussion in Berlioz, pp. 400-01 Cairns 400 Berlioz 45 Ralph Locke suggests, on the basis of a letter by the Saint-Simonian "Father" Enfantin of 26 October 1830 Locke Father 1830 "Liszt's Saint-Simonian Adven- ture...
Journal Articles
19th-Century Music. 1994; 1811–2 doi: https://doi.org/10.2307/746597
Published: 01 July 1994
... Copyright 1994 The Regents of the University of California Brahms-Liszt-Wagner The world of musicology likes to think of itself as international. In an age of faxes and e-mail, of conferences in many parts of the globe, we send messages, listen to papers, and read ar- ticles and books in each...
Journal Articles
19th-Century Music. 2002; 26152–72 doi: https://doi.org/10.1525/ncm.2002.26.1.52
Published: 01 July 2002
...Alexander Rehding The music topic of "apotheosis" is examined in the context of Liszt's artistic biography. While the effect of the final apotheosis is familiar as a standard procedure in his symphonic poems, a prominent critical strand suggests that the overwhelming effect of the apotheosis may...
Journal Articles
19th-Century Music. 2001; 252-3190–211 doi: https://doi.org/10.1525/ncm.2001.25.2-3.190
Published: 01 November 2001
...Lawrence Kramer The first descriptive progam for the Prelude to Richard Wagner's Romantic opera Lohengrin was written, not by Wagner himself, but by Franz Liszt, shortly after Liszt conducted the premiere of the opera in the summer of 1850. Thus began a complex reception history that raises key...
Journal Articles
19th-Century Music. 1988; 122116–131 doi: https://doi.org/10.2307/746736
Published: 01 October 1988
... Artist 1979 3 Kris, Legend, Myth, and Magic, p. 14. Kris 14 Legend, Myth, and Magic 4 Lina Ramann, Franz Liszt, Artist and Man, trans. E. Cow- dery, 2 vols. (London, 1882), I, 25 and 24. Ramann I Franz Liszt, Artist and Man 1882 5 Joseph d'Ortigue, "Franz Liszt: Étude...
Journal Articles
19th-Century Music. 1988; 122132–147 doi: https://doi.org/10.2307/746737
Published: 01 October 1988
... Der du von dem Himmel bist, Wieder möcht ich dir begegnen, Ich liebe dich, and variants to Drei Zigeuner Pilgerchor from Tannhäuser Liszt's 1827 diary (recently published in facs. and ed. Detlef Altenburg and Rainer Kleinert, 2 vols. [Vienna, 1986]) 3 Franz Liszts musikalische Werke VII...
Journal Articles
19th-Century Music. 1988; 12293–115 doi: https://doi.org/10.2307/746735
Published: 01 October 1988
...R. Larry Todd Copyright 1988 The Regents of the University of California [Footnotes] 1 Bence Szabolcsi, The Twilight of F. Liszt, trans. A. Deák (Budapest, 1959), p. 40. Szabolcsi 40 The Twilight of F. Liszt 1959 2 "Liszt's Experimental Idiom and Music of the Early...
Journal Articles
19th-Century Music. 2017; 403189–200 doi: https://doi.org/10.1525/ncm.2017.40.3.189
Published: 01 March 2017
...Scott Burnham Carl Zelter, Carl Loewe, Franz Schubert, and Franz Liszt all composed settings of Goethe's famous Nachtlied “Über allen Gipfeln.” Gathering multiple layers of rhyme and rhythm, Goethe's poem achieves a rare cogency that invests every syllable with musical significance. Each of the...
Journal Articles
19th-Century Music. 1988; 122148–162 doi: https://doi.org/10.2307/746738
Published: 01 October 1988
...Donna M. Di Grazia Copyright 1988 The Regents of the University of California [Footnotes] 2 Eösze Liszlá's 119 Római Liszt-Dokumentum (Budapest, 1980) Liszlá 119 Római Liszt-Dokumentum 1980 3 appendix, pp. 159-62 fol. 142r reads 26 (January (O. S.), i.e., 7 February (N. S...
Journal Articles
19th-Century Music. 1984; 82142–152 doi: https://doi.org/10.2307/746759
Published: 01 October 1984
...Richard Kaplan; Franz Liszt Copyright 1984 The Regents of the University of California [Footnotes] 2 Felix Weingartner, The Symphony Since Beethoven, trans. Maude Barrows Dutton (Boston, 1904), pp. 74-75. Weingartner 74 The Symphony Since Beethoven 1904 3 Hermann...
Journal Articles
19th-Century Music. 1982; 62151–158 doi: https://doi.org/10.2307/746273
Published: 01 October 1982
... nervalienne 1968 ŒEuvres complémentaires de Gérard de Nerval, III, ed. Jean Richer (Paris, 1965) Richer III ŒEuvres complémentaires de Gérard de Nerval 1965 5 my doctoral dissertation, "Nerval and Opéra-Comique" (Eastman School of Music, 1982) 6 Nerval-Liszt correspon- dence (one, from...
Journal Articles
19th-Century Music. 1981; 43250–261 doi: https://doi.org/10.2307/746698
Published: 01 April 1981
...," Musical Quarterly 61 (1975), 128-29 10.2307/741687 128 2 "Robert Schumann's Klavierkompositionen Opus 5, 11, 14," in Gesammelte Schriften von Franz Liszt, ed. and trans. L. Ramann, vol. II (Leipzig, 1881), pp. 105-06 Ramann Robert Schumann's Klavierkompositionen Opus 5, 11, 14 105 II...