Search Results for leoncavallo
1-13 of 13 Search Results for
19th-Century Music. 2018; 413225–251 doi: https://doi.org/10.1525/ncm.2018.41.3.225
Published: 01 March 2018
...Andreas Giger In 1943 Allied bombs destroyed the archives of Leoncavallo's publisher, Sonzogno, and of the Teatro Dal Verme, where Pagliacci was first performed. As a result, many sources pertaining to the opera's compositional history were lost, and scholarship has relied almost exclusively on...
19th-Century Music. 2011; 343271–301 doi: https://doi.org/10.1525/ncm.2011.34.3.271
Published: 01 March 2011
... (Debussy, Prélude à L Après-midi d un faune ) to anger (Schubert, Erlkönig) and from despair (Leoncavallo, Vesti la giubba ) to delight (Schumann, Carneval [sic10 while the New York Dramatic Mirror film-music columnist Montiville Morris Hans- ford recommended Schumann in his shortlist of keyboard...
19th-Century Music. 2008; 313228–244 doi: https://doi.org/10.1525/ncm.2008.31.3.228
Published: 01 March 2008
.... In 1892 two operas that closely followed Cavalleria rusticana s model premiered: Umberto Giordano s Mala vita, set in Neapolitan slums, and Ruggero Leoncavallo s Pagliacci, which unfolds in the backwaters of Calabria. Before long the interest in low sub- jects extended to more exotic climes...
19th-Century Music. 2007; 312113–130 doi: https://doi.org/10.1525/ncm.2007.31.2.113
Published: 01 November 2007
... letters; letters and documents relating to individuals including Thomas Beecham, Emma Calvé, Jerome Kern, Lilli Lehmann, Ruggero Leoncavallo, Jules Massenet, and Victor Maurel; and a collection of photographs of fin-de-siècle singers that alone constitutes an important source for the history of nineteenth...
19th-Century Music. 2005; 291064–093 doi: https://doi.org/10.1525/ncm.2005.29.1.64
Published: 01 July 2005
... Creative Process main character, Hanserl, is seen pacing back and forth while unable to decide on an appro- priate style in which to compose: If I write Wagnerian; it s too old, If I write Verdian; it s not national enough, Mascagni and Leoncavallo aren t a draw anymore either, Puccini, however, wouldn t...
19th-Century Music. 2005; 283214–229 doi: https://doi.org/10.1525/ncm.2005.28.3.214
Published: 01 March 2005
19th-Century Music. 2001; 252-3296–312 doi: https://doi.org/10.1525/ncm.2001.25.2-3.296
Published: 01 November 2001
... Mahler, Reger, Schillings, Artur Nikisch, and Guido Adler, but also the farther- ung Sibelius, Glazunov, Debussy, Leoncavallo, Puccini, Grieg, MacDowell, and Elgar. Among the responses (received from about half of those contacted), to which Die Musik devoted al- most an entire issue, the metaphor...
19th-Century Music. 1996; 202167–184 doi: https://doi.org/10.2307/746906
Published: 01 October 1996
.... It was the age of Sonnenthal, Leopold Demuth, of Sigrid Arnoldson, Caruso, and Puccini. Leoncavallo brought out his operas into the light of this colorful daily confusion, from which Richard Strauss sounded even more The man who would subdue this flooding of culture in the intellectual sense, oversee...
19th-Century Music. 1994; 173220–236 doi: https://doi.org/10.2307/746567
Published: 01 April 1994
19th-Century Music. 1985; 83287–290 doi: https://doi.org/10.2307/746520
Published: 01 April 1985
... displays pretty shaky bibliographic control. For example, much of the information missing under Mascagni, Leoncavallo, and other accompanists could have been found in discographies devoted to the singers they ac- company. Place and date of recording for many of the early Gramophone Company issues for which...
19th-Century Music. 1979; 233519808 doi: https://doi.org/10.2307/3519808
Published: 01 March 1979
... PARK AVENUE SOUTH * NEW YORK, N.Y. 10016 I QU:ILITY IUSIC IEWJRINTS FROM ~,q~ qp o OPERA 8) The Golden Age of Opera Herman Klein Klein brings the Victorian era of opera to life with pungent accounts of Verdi, Wagner, Leoncavallo, Mascagni, Patti, and Puccini as well as-newer talents like Melba, Lehmann...
19th-Century Music. 1980; 42157–183 doi: https://doi.org/10.2307/746713
Published: 01 October 1980
... 1052 A. Cary Le Petit Duc. Opera-Comique en 3 Actes de Charles Lecocq. 3 vols. 34 x 26.5 cm. Copyist's manuscript of the full score. Cary LEONCAVALLO, Ruggiero, 1857-1919 Cortege de Pulcinella. 16 pp. 33 x 24 cm. Full score; for orchestra. Albrecht 1055 A. Cary Pagliacci. Atto I. 1 p. 19.5 x 29 cm. 4...
19th-Century Music. 1980; 4149–69 doi: https://doi.org/10.2307/3519813
Published: 01 July 1980
... (2), d'Indy (4), Luigi Illica (30), Joachim (10), Kalkbrenner (6), Klindworth (2), Kochel, Conradin Kreutzer (3), Lalo (2), Lecocq, Leoncavallo (4), Levi (2), Liadov, Jenny Lind (8), Liszt (48), Lortzing (2), Lvov (2), MacDowell (13), Alexander Mackenzie (80), Mahler (76), Maria Malibran (5...