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legacy

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Journal Articles
19th-Century Music (2013) 36 (3): 231–247.
Published: 01 March 2013
Journal Articles
19th-Century Music (2018) 41 (3): 225–251.
Published: 01 March 2018
... Leoncavallo's unpublished autobiographical manuscript, “Appunti.” Contextual sources such as notifications in the press, eyewitness accounts, and a large body of mostly unpublished correspondence now suggest that Leoncavallo cloaked the opera's genesis to protect its legacy. Leoncavallo was twice charged with...
Journal Articles
19th-Century Music (1994) 18 (1): 46–63.
Published: 01 July 1994
... Asthetik der 70 Neudeutschen Schule Franz Liszt and the Legacy of the Classical Era DETLEF ALTENBURG During his lifetime Franz Liszt, whose sym- phonic poems established a new genre for sym- phonic literature and prepared the way for Ri- chard Wagner's music drama, was regarded by many of his...
Journal Articles
19th-Century Music (2020) 44 (1): 36–58.
Published: 01 July 2020
... Jacques Maritain, 3For a very detailed study on Caplet s life and career, focused on his connection with Debussy, see Denis Huneau, André Caplet (1878 1925): Debussyste indépendant (Weinsberg: Lucie Galland, 2007). 4With respect to his status as a Debussyist, see Marianne Wheeldon, Debussy s Legacy and...
Journal Articles
19th-Century Music (2020) 43 (3): 194–208.
Published: 01 March 2020
Journal Articles
19th-Century Music (1988) 12 (1): 54–63.
Published: 01 July 1988
...Lawrence Archbold Copyright 1988 The Regents of the University of California César Franck et l'orgue Franck César Studien zur Orgelmusik der Schüler César Francks Scherers Bernd Performers and Instruments Franck's Organ Music and Its Legacy LAWRENCE ARCHBOLD Franqois...
Journal Articles
19th-Century Music (2019) 43 (2): 63–66.
Published: 01 November 2019
.../reprints-permissions . 2019 Introduction: Ideas and Matter DAVID TRIPPETT The legacy of idealism has been a guiding doc- trine for the study of nineteenth-century music, fromanemphasis onneo-Platonicmusicalworks, acousmatic voices and intangible forms, to listen- ing experiences disembodied, ineffable...
Journal Articles
19th-Century Music (1977) 1 (2): 142–162.
Published: 01 November 1977
... Rossii, vol. 2, no. 3, [Moscow, 1969], pp. 333-61) Glinka's Ambiguous Legacy and the Birth Pangs of Russian Opera RICHARD TARUSKIN Everyone knows that the history of Russian opera as a living tradition begins with Glinka, mounting interest in his predecessors and con- temporaries notwithstanding.1...
Journal Articles
19th-Century Music (2019) 43 (1): 3–16.
Published: 01 July 2019
... performing tradition that made the movement what it is today: tragic, transcendent, and time-suspending. The publi- cation and critical interpretation of the Passion in the second half of the nineteenth century established a particular view of the aria, and the legacy of recordings beginning in the early...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music (2015) 39 (1): 35–55.
Published: 01 July 2015
... adaptation, Nijinsky's ballet creates a context that affords a fresh encounter with Debussy's work in a different medium, resetting our understanding, making new interpretations possible, and thus continuing the music's narrative legacy by varying its appearance. Nijinsky's notation of the dance reflects his...
Journal Articles
19th-Century Music (2019) 42 (3): 184–224.
Published: 01 April 2019
...). instrumental music, while Jota and Madrid have been relegated to passing mentions. Thus David Brown has suggested that the two Spanish fantasias are naïve exercises in the- matic decoration, whereas Kamarinskaia is completely original in structure and a great legacy to later Russian symphonic music. 8...
Journal Articles
19th-Century Music (2015) 38 (3): 193–218.
Published: 01 March 2015
... which period such scenes were commonplace. Written long after he had ceased his tours as a virtuoso to concentrate on composition, the Waltz may use Liszt's own remembered experiences, but more importantly it is part of the legacy whereby he hoped to ensure his own lasting place in the cultural memory...
Journal Articles
19th-Century Music (2018) 42 (2): 73–95.
Published: 04 December 2018
... University Press, 2007). 10G. R. Searle, A New England? Peace and War, 1886 1918 (Oxford: Clarendon Press, 2004). Interdisciplinary litera- ture on the fin de siècle is expansive, with recent third wave studies adopting a global perspective. See Fin de siècle and Its Legacy, ed. Mikulá Teich and Roy...
Journal Articles
19th-Century Music (2018) 42 (1): 53–70.
Published: 01 July 2018
Journal Articles
19th-Century Music (2013) 37 (2): 130–158.
Published: 01 November 2013
... connection between these narratives of mechanism, enchantment, and artifice. I begin with the French illusionist Robert-Houdin (1805–71), whose enduring legacy furnishes a forgotten background for Ravel criticism. Robert-Houdin claimed that he was not a mere juggler but “an actor playing the part of a...
Journal Articles
19th-Century Music (2018) 41 (3): 183–205.
Published: 01 March 2018
... monuments were usually established in the cities of birth or long-time residence of famous composers, Prague was the place where Mozart s music was celebrated earlier than else- where and therefore represented the logical cen- ter for the future cultivation of Mozart s legacy.37 Müller also explained that...
Journal Articles
19th-Century Music (2018) 41 (3): 206–224.
Published: 01 March 2018
... was centrally important to Ger- man song, transforming it into a concert-wor- thy genre, laying the foundations for a song canon, and through his considerable teaching practice, training the next generation to de- velop this legacy.7 This consideration of his recital practices is based primarily on an...
Journal Articles
19th-Century Music (2017) 41 (2): 95–120.
Published: 01 November 2017
... in early-nineteenth-cen- tury thought the legacy of the eighteenth-century becomes displaced and estranged. Cherlin, Schoenberg and Das Unheimliche, 361 62. Similarly, Lawrence Kramer sug- gests that Freud s work is in part a codification of nine- teenth-century expressive and discursive...
Journal Articles
19th-Century Music (2017) 41 (1): 48–74.
Published: 01 July 2017
Journal Articles
19th-Century Music (2017) 41 (1): 3–30.
Published: 01 July 2017
... printed material (both periodical and monograph sources). Thomas Grey, Richard Wagner and the Legacy of French Grand Opera, in The Cambridge Companion to Grand Opera, ed. David Charlton (Cambridge: Cambridge University Press, 2003), 321 43, contextualizes the entire Wagner canon within the domains of...