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jeux

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Journal Articles
19th-Century Music. 2017; 41175–92 doi: https://doi.org/10.1525/ncm.2017.41.1.75
Published: 01 July 2017
...Rachana Vajjhala Pierre Boulez, in his characteristic oracular fashion, once declared the ballet Jeux to be “a sort of Afternoon of a Faune in sports clothes.” In this article, I contend that his pithy observation—characterizing the difference between Faune and Jeux in sartorial terms—has diverted...
Journal Articles
19th-Century Music. 1982; 6160–75 doi: https://doi.org/10.2307/746232
Published: 01 July 1982
... 1956 "Debussy," in his Relévés d'Apprenti (Paris, 1966), pp. 327-47 Debussy 327 Relévés d'Apprenti 1966 Herbert Eimert, "Debussy's Jeux," Die Reihe 5 (1959), 3-20 Eimert 3 5 Die Reihe 1959 Karlheinz Stockhausen, "Von Webern zu Debussy, Bemerkungen zur statistischen Form," Texte zur...
Journal Articles
19th-Century Music. 1980; 33225–238 doi: https://doi.org/10.2307/746487
Published: 01 March 1980
... Debussy 4 Ibid., p. 175 175 Debussy composed Jeux at what must be considered fever-pitch for him. He seems to have written it in less than a month, between mid-August and the second week of September 1912 Debussy Jeux 1912 5 Ibid., p. 171 171 6 Debussy's article is reprinted in...
Journal Articles
19th-Century Music. 2018; 413253 doi: https://doi.org/10.1525/ncm.2018.41.3.253
Published: 01 March 2018
.... Mackenzie Writing at the Speed of Sound: Music Stenography and Recording beyond the Phonograph 121 Seto, Mark Ernest Chausson s Viviane, Déwagnérisation, and the Problem of Descriptive Music 48 Vajjhala, Rachana Mixed Doubles: Debussy and Nijinsky s Jeux 75 Young, Clinton D. The Southern Slope of...
Journal Articles
19th-Century Music. 2017; 403283–300 doi: https://doi.org/10.1525/ncm.2017.40.3.283
Published: 01 March 2017
Journal Articles
19th-Century Music. 2015; 39135–55 doi: https://doi.org/10.1525/ncm.2015.39.1.35
Published: 01 July 2015
... include the artists collabo- ration on Jeux in 1913, Orledge employs it to introduce remarks on Nijinsky s 1912 staging of Prélude à L Après-midi d un faune, sug- gesting that the choreographer s reimagination of music written eighteen years earlier was es- pecially abusive. At least that is how...
Journal Articles
19th-Century Music. 2015; 383193–218 doi: https://doi.org/10.1525/ncm.2015.38.3.193
Published: 01 March 2015
Journal Articles
19th-Century Music. 2014; 38153–78 doi: https://doi.org/10.1525/ncm.2014.38.1.053
Published: 01 July 2014
Journal Articles
19th-Century Music. 2009; 33125–61 doi: https://doi.org/10.1525/ncm.2009.33.1.025
Published: 01 July 2009
Journal Articles
19th-Century Music. 2008; 322178–208 doi: https://doi.org/10.1525/ncm.2008.32.2.178
Published: 01 November 2008
... in the same environment as such a philosophy, and vice versa. Quoted in Jann Pasler, Debussy, Jeux: Playing with Time and Form, this journal 6 (1982), 74. Pasler also notes that Bergson himself expressed an affinity for Debussy s music. For a recent discussion of the relevance of Bergsonian durée...
Journal Articles
19th-Century Music. 2007; 311028–052 doi: https://doi.org/10.1525/ncm.2007.31.1.028
Published: 01 July 2007
Journal Articles
19th-Century Music. 2007; 303257–287 doi: https://doi.org/10.1525/ncm.2007.30.3.257
Published: 01 March 2007
Journal Articles
19th-Century Music. 1997; 203300–320 doi: https://doi.org/10.2307/746860
Published: 01 April 1997
... Afternoon of a Faun and Jeux: Debussy's Summer Rites 111:225 -see Reviews (Debussy) (New Grove) Bernard, tlisabeth-A Glance at the Archives of Some Parisian Orchestral Societies VII:104 Between Anarchism and the Box Office: Gustave Charpentier's Louise (Steven Huebner) XIX:136 Between Past and Future: The...
Journal Articles
19th-Century Music. 1996; 202190–201 doi: https://doi.org/10.2307/746908
Published: 01 October 1996
... (1980), 202. Both with respect to formal ingenuity and expres- sive intention, Jeux, and not the prelude, seems to be the true musical counterpart of Mallarm6's poem [The Afternoon of a Faun]. It is as if Debussy, twenty years after his first effort, finally realized in musical terms the open shapes and...
Journal Articles
19th-Century Music. 1990; 133746455 doi: https://doi.org/10.2307/746455
Published: 01 April 1990
... works (4 vol.) Recently published Jeux (vol. 8, V), edited by Pierre Boulez and Myriam Chimrnes (subscription price : 544 FF/83 $ Already published : Preludes (I and II) (vol. 5, I), edited by Roy Howat in collaboration with Claude Helffer (subscription price : 368 FF/56 $ ) Works for two pianos (vol. 8...
Journal Articles
19th-Century Music. 1990; 133207–229 doi: https://doi.org/10.2307/746448
Published: 01 April 1990
... received relatively little critical scrutiny during the century since its publica- tion in 1883. Of its seven pieces, whose titles are listed in table 1, Les Jeux d'eaux a' la Villa d'Este has been commented upon most often: writers describe its streams of ninth chords and atmospheric textures as an...
Journal Articles
19th-Century Music. 1990; 141746681 doi: https://doi.org/10.2307/746681
Published: 01 July 1990
...: theatrical works (4 vol.) Recently published : Jeux (vol. 8, V), edited by Pierre Boulez and Myriam Chimrnes (subscription price : 544 FF/83 $ Already published : Preludes (I and II) (vol. 5, I), edited by Roy Howat in collaboration with Claude Helffer (subscription price : 368 FF/56 $ ) Works for two pianos...
Journal Articles
19th-Century Music. 1990; 133257–261 doi: https://doi.org/10.2307/746451
Published: 01 April 1990
... would concur with his view of Debussy's Jeux as the closer syntactic equivalent of Mallarm6's eclogue.5 It should be clear that Hertz is primarily con- cerned with convergences between poetry and music; but even if this approach tends toward the tautological, since those equally notewor- thy moments of...
Journal Articles
19th-Century Music. 1989; 132746656 doi: https://doi.org/10.2307/746656
Published: 01 October 1989
... information on the origi- nation of the pieces and condition of the source material. I: piano works (10 vol.) IV :choral works (3 vol.) II : songs (4 vol.) V: orchestral works (10 vol.) III :chamber music (3 vol.) VI: theatrical works (4 vol.) Recently published Jeux (vol. 8, V), edited by Pierre Boulez and...
Journal Articles
19th-Century Music. 1990; 133243–257 doi: https://doi.org/10.2307/746450
Published: 01 April 1990
... nature represent the com- poser's final intentions? In some pieces, like Jeux, it appears as if Debussy began sketching a revised version by means of a layer of emenda- tions but failed to carry it through systemati- cally. Can such a hybrid be said to constitute a '"version," let alone Debussy's final...