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Journal Articles
19th-Century Music. 2013; 372130–158 doi: https://doi.org/10.1525/ncm.2013.37.2.130
Published: 01 November 2013
...Jessie Fillerup When Claude Debussy called Ravel an “enchanting fakir ” in 1907, he anticipated a critical approach typified by Vladimir Jankélévitch's 1939 Ravel biography. In it, Jankélévitch evoked the rich language of theatrical magic, comparing Ravel to a sorcerer, conjurer, and illusionist...
Journal Articles
19th-Century Music. 2017; 403239–256 doi: https://doi.org/10.1525/ncm.2017.40.3.239
Published: 01 March 2017
... photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints . 2017 Verlaine Jankélévitch absence presence desire 239 JULIAN JOHNSON Debussy, Song, and Art of (Dis)appearing 19th-Century...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
... has termed philosophy s sonotropism has cen- tered particularly on the inheritance and trans- formation of nineteenth-century music aesthet- ics in the antimetaphysical writings of con- temporary European thinkers: from Theodor Adorno, Ernst Bloch, and Martin Heidegger to Vladimir Jankélévitch and...
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
Journal Articles
19th-Century Music. 2015; 383193–218 doi: https://doi.org/10.1525/ncm.2015.38.3.193
Published: 01 March 2015
Journal Articles
19th-Century Music. 2014; 38130–52 doi: https://doi.org/10.1525/ncm.2014.38.1.030
Published: 01 July 2014
Journal Articles
19th-Century Music. 2008; 322178–208 doi: https://doi.org/10.1525/ncm.2008.32.2.178
Published: 01 November 2008
... reactions to earlier written drafts of the paper. 1Vladimir Jankélévitch, Debussy et le mystère (Neuchâtel: Baconnière, 1949), pp. 9 12 (quote, p. 10). See also his later revision and expansion of the book, Debussy et le mystère de l instant (Paris: Librairie Plon, 1976), pp. 15 19. Re- maining citations in...
Journal Articles
19th-Century Music. 2008; 32152–93 doi: https://doi.org/10.1525/ncm.2008.32.1.052
Published: 01 July 2008
Journal Articles
19th-Century Music. 2003; 27174–93 doi: https://doi.org/10.1525/ncm.2003.27.1.74
Published: 01 July 2003
... the always unpredictable, always subjective vagaries of the body (ibid 84 19TH CENTURY MUSIC 15Abbate has recently translated one of Jankélévitch s ma- jor texts on music. See Music and the Ineffable (Princeton: Princeton University Press, 2003). 16 Pelléas and Pénélope, trans. Arnold I. Davidson...
Journal Articles
19th-Century Music. 2002; 26152–72 doi: https://doi.org/10.1525/ncm.2002.26.1.52
Published: 01 July 2002
Journal Articles
19th-Century Music. 1982; 6160–75 doi: https://doi.org/10.2307/746232
Published: 01 July 1982
... palpitation." Debussy 240 Monsieur Croche et autres écrits 1971 10 Stravinsky, Poetics, p. 36. Stravinsky 36 Poetics 11 Vladimir Jankélévitch, Debussy et le mystére de l'instant (Paris, 1976), pp. 136-38. Vladimir 136 Debussy et le mystére de l'instant 1976 12 Notebooks...
Journal Articles
19th-Century Music. 1979; 23231–244 doi: https://doi.org/10.2307/3519799
Published: 01 March 1979
... may be neither possible nor entirely necessary. What I hope to do in the following 'Philippe Faure-Fremiet, Gabriel Faure (Paris, 1929; 2nd edn. 1957). Vladimir Jankelevitch, Faure et l'inexprimable (Paris, 1974). 231 pages, then, is to observe some hitherto unnoticed thematic relationships in Faure's...