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italy

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Journal Articles
19th-Century Music. 2004; 282133–159 doi: https://doi.org/10.1525/ncm.2004.28.2.133
Published: 01 November 2004
...-unification Italy: anxiety to instill a sense of nation into art and everyday life, nostalgia for a vanished golden age of Italian artistic history, and an ever more energetic revival of historical artistic forms and styles. These currents were stimulated by a nationalistic Catholic revivalism that, I argue...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
... Balestrieri, Kreutzer Sonata (1889). Civico Museo Revoltella, Gallery of Modern Art, Trieste, Italy, Inv. 139. 17This patch of Beethoven s shroud was snipped by one of the very bureaucrats who was supposed to guard his body from relic-nabbing intruders; the shroud was then given as a gift alongside some very...
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
... Bennett (Baltimore: Johns Hopkins University Press, 1980), 517, 522. 17François-Joseph Fétis, Biographie universelle des musiciens, Paris Tome 2ieme (Paris: Didot Frères, Fils et Cie , 1867), 390. Wellington befriended Velluti in Italy in 1822 and later protected him in London between 1825 and 1828 from...
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
Journal Articles
19th-Century Music. 2019; 423225–248 doi: https://doi.org/10.1525/ncm.2019.42.3.225
Published: 01 April 2019
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
..., conducted by Édouard Colonne with Pauline Viardot in the title role.11 Finally, his opera Le Roi de Lahore,12 which had its triumphant premiere at the Palais Garnier in 1877, was immediately taken up by the principal European houses, especially in Italy.13 The following year the young composer, considered a...
Journal Articles
19th-Century Music. 2010; 34139–60 doi: https://doi.org/10.1525/ncm.2010.34.1.039
Published: 01 July 2010
... contexts, the poetic content and musical style of the songs may have fostered favorable attitudes to Italy and to Unification, showing that even music composed for private and domestic uses could be politically influential. ““L'unitàà d'Italia fu preparata all'estero dagli esuli, chi ad essa...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
Journal Articles
19th-Century Music. 2018; 413225–251 doi: https://doi.org/10.1525/ncm.2018.41.3.225
Published: 01 March 2018
... known to have tried to expand his sphere of influence to other opera houses in northern Italy. For a brief assessment of his career in Venice, see Jutta Toelle, Oper als Geschäft: Impresari an italienischen Opernhäusern 1860 1900 (Kassel: Bärenreiter, 2007), 97 106. In an announcement of Piontelli s...
Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
... and Its Opera House: Hope and Despair at the Teatro la Fenice, 1866 1897, Journal of Musicological Research 26 (2007): 33 54; John Rosselli, Italy, The Decline of a Tradition, in The Late Romantic Era from the Mid-Nineteenth Century to World War I, ed. Jim Samson (London: Macmillan, 1991), 126 50...
Journal Articles
19th-Century Music. 2008; 313228–244 doi: https://doi.org/10.1525/ncm.2008.31.3.228
Published: 01 March 2008
... through a contemporary soundscape, assuming, rightly or wrongly, that the sounds of modern Rome (church bells and Latin choruses) provide un- mediated access to the past. This aural specificity departs from an earlier scale of operatic value, one that had persisted in Italy through much of the nineteenth...
Journal Articles
19th-Century Music. 2017; 412121–150 doi: https://doi.org/10.1525/ncm.2017.41.2.121
Published: 01 November 2017
... Performance in Italy from the Fifteenth Century to the Present: Essays in Honour of Richard Andrews, ed. Brian Richardson, Simon Gilson, and Catherine Keen (Leeds: Society for Italian Studies, 2004), 173 84, here 178. 46Samson, Virtuosity and the Musical Work, 35 36; David Trippett, Après une Lecture de...
Journal Articles
19th-Century Music. 2017; 4113–30 doi: https://doi.org/10.1525/ncm.2017.41.1.3
Published: 01 July 2017
... laureates returning from their sojourns in Italy and who found it difficult to gain access to either the Opéra or Opéra-Comique. In reality, the opera houses were all more concerned with broaden- ing their repertory well beyond these limits: in the case of the Odéon with public-domain opéra comique; and in...
Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
... musical talent had brought him to the attention of Spain s royal family, a result of the hymn he wrote for the wedding of King Alfonso XII in 1878.36 In 1881 he was awarded a pension from the Privy Purse in or- der to study music abroad. For the next three years he lived in Italy, with extended trips to...
Journal Articles
19th-Century Music. 2016; 402131–158 doi: https://doi.org/10.1525/ncm.2016.40.2.131
Published: 01 November 2016
... Spanish In- quisition is contrasted with the advent of the steamboat, electricity, the Suez Canal, and the drilling of the Mont Cenis tunnel (between Italy and France), thus outlining the titanic struggle sustained by Progress against Regression. 26 Alternating pantomimed and danced scenes, the ballet...
Journal Articles
19th-Century Music. 2015; 392167–183 doi: https://doi.org/10.1525/ncm.2015.39.2.167
Published: 01 November 2015
...), and deploying Miltonic rhetoric to meld geohistory with sacred history. In this way, they redirected biblical associations on a metaphorical rather 9He provided evidence from his trips to France, Italy, Spain, and Germany as well as from walking along the coast of Essex and Norfolk, observing modern...
Journal Articles
19th-Century Music. 2015; 3913–34 doi: https://doi.org/10.1525/ncm.2015.39.1.3
Published: 01 July 2015
... Holoman calls it a bonbon, being light and funny, one long essay in triplets and triple meters and guitars and the other joys of Italy, dominated from the opening bars by scherzo-like music. 9 Hugh Macdonald concurs: This short opera is anything but problemati- cal or puzzling. 10 I want to suggest...
Journal Articles
19th-Century Music. 2014; 382115–144 doi: https://doi.org/10.1525/ncm.2014.38.2.115
Published: 01 November 2014
... from America, England, Germany, France, and Italy. Extending Emily Dolan s theory of ethereal sounds back to Newton and forward to the mid-nineteenth-century har- monium, I propose that studying the discourse around ethereal mediums can help illuminate the emergence of the attitude that certain types...
Journal Articles
19th-Century Music. 2014; 382145–168 doi: https://doi.org/10.1525/ncm.2014.38.2.145
Published: 01 November 2014
... collaborative conversations. Thayer s Life of Beethoven, 95 99. Much scholarly work on opera production has focused on Italian opera. See John Rosselli, The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario (Cambridge: Cambridge University Press, 1984). For an interesting discussion of...