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intratextuality

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Journal Articles
19th-Century Music. 2012; 362136–145 doi: https://doi.org/10.1525/ncm.2012.36.2.136
Published: 01 November 2012
... scene is one of the most deeply intratextual passages of the novel. But just as Marcel gives pride of place to the “profound similarities” between Vinteuil's compositions over musicologists' “analogies ingeniously discovered by reasoning,” so too can the reader distinguish between more superficial...
Journal Articles
19th-Century Music. 2013; 363265 doi: https://doi.org/10.1525/ncm.2013.36.3.265
Published: 01 March 2013
... The Language of an Unknown Country: Intratextuality in Proust s In Search of Lost Time 136 Pruett, Laura Moore Mon triste voyage : Sentimentality and Autobiography in Gottschalk s The Dying Poet 146 Wang, Dan Melodrama, Two Ways 122 Watkins, Holly The Floral Poetics of Schumann s Blumenstück, Op. 19...
Journal Articles
19th-Century Music. 2012; 36185 doi: https://doi.org/10.1525/ncm.2012.36.1.085
Published: 01 July 2012
... Revision: The Tale of Enoch Arden Naomi Perley: The Language of an Unknown Country: Intratextuality in Proust s In Search of Lost Time Laura Moore Pruett: Mon triste voyage : Sentimentality and Autobiography in Gottschalk s The Dying Poet Emily Erken: A Dialogue between Chekhov, Tchaikovsky, and...
Journal Articles
19th-Century Music. 2012; 362204–206 doi: https://doi.org/10.1525/ncm.2012.36.2.204
Published: 01 November 2012
... s Revision: The Tale of Enoch Arden Polina Dimova (Oberlin College) Decadent Senses: The Dissemination of Oscar Wilde s Salomé across the Arts Naomi Perley (CUNY Graduate Center) The Language of an Unknown Country: Intratextuality in Proust s In Search of Lost Time Edgardo Salinas (Columbia Society...
Journal Articles
19th-Century Music. 2012; 36124–45 doi: https://doi.org/10.1525/ncm.2012.36.1.024
Published: 01 July 2012
... Conversations (Berke- ley: University of California Press, 2004). 5Daverio, Robert Schumann, p. 177. 6Reiman writes that Blumenstück is connected by a tis- sue of intratextual references that mark the work as typi- cal 1830s Schumann, despite its comparative harmonic and textural simplicity. See her Schumann...
Journal Articles
19th-Century Music. 2005; 283276–295 doi: https://doi.org/10.1525/ncm.2005.28.3.276
Published: 01 March 2005
..., comparing a series of intratextual allusions to the impres- sion of chaos and vivid colour characteristic 7For a recent, detailed essay on these associations as drawn by Schumann in his own copy of Flegeljahre, see Eric Frederick Jensen, Explicating Jean Paul: Robert Schu- mann s Program for Papillons...