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Journal Articles
19th-Century Music. 2019; 432140 doi: https://doi.org/10.1525/ncm.2019.43.2.140
Published: 01 November 2019
... Humanities and Sciences of the University of Amsterdam. Her book Epistemology of Hearing: Hermann von Helmholtz s Foundations of Music Theory came out with Fink/Brill in 2018. Peter Pesic is musician-in-residence and director of the Science Institute at St. John s College in Santa Fe, New Mexico. In recent...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... is subject to laws and rules dependent on the nature of human intelligence. . . . The principal difficulty in pursuing this object is to understand how regularity can be apprehended by intuition without being consciously felt to exist. Hermann von Helmholtz, 1863 Sound is a finely attenuated...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... Self-Portrait, in Carl Stumpf, The Origins of Music, ed. and trans. David Trippett (Oxford: Oxford University Press, 2012), 189 252; Helga Sprung and Lothar Sprung, Carl Stumpf: Eine Biografie: Von der Philosophie zur Experimentellen Psychologie (Munich: Profil, 2006). 3On Stumpf as philosopher, see...
Journal Articles
19th-Century Music. 2015; 39156–79 doi: https://doi.org/10.1525/ncm.2015.39.1.56
Published: 01 July 2015
..., www.ucpressjournals.com/reprintInfo.asp . 2015 Claude Debussy Debussyism Louis Laloy Pierre Lalo Hermann von Helmholtz 56 19TH CENTURY MUSIC 19th-Century Music, vol. 39, no. 1, pp. 56 79 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2015 by the Regents of the University of California. All rights reserved...
Journal Articles
19th-Century Music. 2013; 363248–263 doi: https://doi.org/10.1525/ncm.2013.36.3.248
Published: 01 March 2013
...- bridge, MA: MIT, 1990). 20In 1844 Hermann von Helmholtz was to publish his On the Sensations of Tone, in which he synthesized the un- derstandings of anatomists and physiologists in a tripar- tite schema of stimulus, sense and sensory perception; Sterne, The Audible Past, pp. 63 64. Sterne also discusses...
Journal Articles
19th-Century Music. 2012; 3613–23 doi: https://doi.org/10.1525/ncm.2012.36.1.003
Published: 01 July 2012
... Ideen. Eine vollständig zur Erscheinung gebrachte musikalische Idee aber ist bereits selbstständiges Schöne, ist Selbstzweck und keineswegs erst wieder Mittel oder Material zur Darstellung von Gefühlen und Gedanken; wenn sie gleich in hohem Grad jene symbolische, die großen Weltgesetze wiederspiegelnde...