Search Results for helmholtz
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19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
...David Trippett In 1878, at the height of his fame, Helmholtz asked what was objective in perception, declaring that—in contrast to empirical science—it is the “artist [who] has beheld the real.” His lecture sought to show how sensory perception can be law-like, and how the effects of art are...
19th-Century Music. 2020; 433210 doi: https://doi.org/10.1525/ncm.2020.43.3.210
Published: 01 March 2020
... Introduction: Ideas and Matter 63 Trippett, David Sound as Hermeneutic, or Helmholtz and the Quest for Objective Perception 99 Weitz, Shaena Propaganda and Reception in Nineteenth-Century Music Criticism: Maurice Schlesinger, Henri Herz, and the Gazette musicale 36 19th Century Music, vol. 43, no. 3, pp. 210...
19th-Century Music. 2019; 432140 doi: https://doi.org/10.1525/ncm.2019.43.2.140
Published: 01 November 2019
... Humanities and Sciences of the University of Amsterdam. Her book Epistemology of Hearing: Hermann von Helmholtz s Foundations of Music Theory came out with Fink/Brill in 2018. Peter Pesic is musician-in-residence and director of the Science Institute at St. John s College in Santa Fe, New Mexico. In recent...
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
19th-Century Music. 2015; 39156–79 doi: https://doi.org/10.1525/ncm.2015.39.1.56
Published: 01 July 2015
..., www.ucpressjournals.com/reprintInfo.asp . 2015 Claude Debussy Debussyism Louis Laloy Pierre Lalo Hermann von Helmholtz 56 19TH CENTURY MUSIC 19th-Century Music, vol. 39, no. 1, pp. 56 79 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2015 by the Regents of the University of California. All rights reserved...
19th-Century Music. 2013; 363248–263 doi: https://doi.org/10.1525/ncm.2013.36.3.248
Published: 01 March 2013
...- bridge, MA: MIT, 1990). 20In 1844 Hermann von Helmholtz was to publish his On the Sensations of Tone, in which he synthesized the un- derstandings of anatomists and physiologists in a tripar- tite schema of stimulus, sense and sensory perception; Sterne, The Audible Past, pp. 63 64. Sterne also discusses...
19th-Century Music. 2012; 3613–23 doi: https://doi.org/10.1525/ncm.2012.36.1.003
Published: 01 July 2012
19th-Century Music. 1989; 132168–178 doi: https://doi.org/10.2307/746654
Published: 01 October 1989
... musical experience. Even nineteenth- century acoustic theory (e.g., L. A. Zellner's Vortrage fiber Akustik of 1892), music theory, and historical narratives are slighted, BujiC's se- lection from Helmholtz, Chrysander, and Kretzschmar notwithstanding. Few influential authors who are not regarded as being...