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hebrides-overture

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Journal Articles
19th-Century Music (1979) 2 (3): 197–213.
Published: 01 March 1979
... Nachlass deposited in the Deutsche Staatsbibliothek, East Berlin (Band XVIII) 37 fns. 19 and 21 38 "parallel fifths" at the beginning of the composition Of Sea Gulls and Counterpoint: the Early Versions of Mendelssohn's Hebrides Overture R. LARRY TODD "But the Hebrides I can't release here...
Journal Articles
19th-Century Music (2006) 29 (3): 240–260.
Published: 01 March 2006
... this topos may have influenced the tonal structure of at least three large-scale Mendelssohn compositions, all of which are closely related to the same exotic and historical ideas. In the Hebrides Overture the relationship between the primary B minor and the secondary D major is (for a sonata-form...
Journal Articles
19th-Century Music (2016) 39 (3): 187–222.
Published: 01 March 2016
...Benedict Taylor Mendelssohn's overture The Hebrides or Fingal's Cave is regularly considered the musical landscape (or seascape) painting par excellence . Scarcely another work has such an unerring capacity to suggest the wide horizons, delicate nuances of changing color and light, the ceaseless...
Journal Articles
19th-Century Music (2015) 39 (2): 142–166.
Published: 01 November 2015
Journal Articles
19th-Century Music (2013) 37 (1): 3–36.
Published: 01 July 2013
... and more fundamentally different in its overall process than the folk-influenced works of many of his contemporaries. The composer s major works most closely inspired by his 1829 trip to Scotland, the Hebrides Overture, op. 26, and especially the Scottish Symphony in A Mi- nor, op. 56, stand as the...
Journal Articles
19th-Century Music (2013) 37 (1): 3–36.
Published: 01 July 2013
... and more fundamentally different in its overall process than the folk-influenced works of many of his contemporaries. The composer s major works most closely inspired by his 1829 trip to Scotland, the Hebrides Overture, op. 26, and especially the Scottish Symphony in A Mi- nor, op. 56, stand as the...
Journal Articles
19th-Century Music (2004) 28 (2): 183.
Published: 01 November 2004
... screen shot samples and to print the downloadable order form, go to the Career Services pages on the Conservatory s website: www.newengland conservatory.edu/career and click on Job Bulletin. New View on The Hebrides. The third in their series of critical editions of Mendelssohn s great overtures, the new...
Journal Articles
19th-Century Music (2006) 30 (2): 133–165.
Published: 01 November 2006
... tones of a melody, consider the open- ing motive of Mendelssohn s 1830 Hebrides, or Fingal s Cave Overture, shown in ex. 2. If all tones are played at the same volume through- out (fig. 5a), there are slight breaks in the emerg- ing melodic stream between F and D and be- tween D and B because, before...
Journal Articles
19th-Century Music (2004) 28 (2): 108–132.
Published: 01 November 2004
... the increasingly well-known Midsummer Night s Dream, Hebrides, and Meeresstille und glückliche Fahrt Overtures (ops. 21, 26, and 27). A fourth, the Overture to Das Märchen 109 JOEL HANEY Sonata Space in Mendelssohn von der schönen Melusine (op. 32), would ap- pear the following year.3 And scarcely...
Journal Articles
19th-Century Music (1997) 21 (1): 38–76.
Published: 01 July 1997
... Wolf's Glen Scene Opera and the Enlightenment 50 R. Larry Todd, "Of Sea Gulls and Counterpoint: The Early Versions of Mendelssohn's Hebrides Overture," this jour- nal 2 (1979), 205 Todd 205 2 Nineteenth-Century Music 1979 Todd discusses some of the Ossianic background to the piece in...
Journal Articles
19th-Century Music (1998) 21 (3): 247–273.
Published: 01 April 1998
... Todd returns to the relationship between Mendelssohn and Gade in Mendelssohn: The Hebrides and Other Overtures (Cambridge, 1993), pp. 82, 102-03 Mendelssohn 82 Mendelssohn: The Hebrides and Other Overtures 1993 16 Todd, "Mendelssohn's Ossianic Manner," pp. 140, 142, 146, 156-60. Todd...
Journal Articles
19th-Century Music (1997) 20 (3): 300–320.
Published: 01 April 1997
... Instruments) (Charlotte Greenspan) III:72 Of Ear Trumpets and a Resonance Plate: Early Hearing Aids and Beethoven's Hearing Perception (George Thomas Ealy) XVII:262 Of Sea Gulls and Counterpoint: The Early Versions of Mendelssohn's Hebrides Overture (R. Larry Todd) II:197 Of Unity and Passion: The Aesthetics...
Journal Articles
19th-Century Music (1992) 15 (3): 169–187.
Published: 01 April 1992
... Society of London that he would bring "a new symphony, a new overture (the Hebrides), and a new piano concerto" with him from Italy, and that Smart might wish "to provide the opportunity to per- form the pieces publicly3 Clearly, composi- tion of the A-Major Symphony was no longer in progress at this...
Journal Articles
19th-Century Music (1979) 2 (3): 3519795.
Published: 01 March 1979
... Counterpoint: the Early Versions of 245 Mendelssohn's Hebrides Overture Viewpoint (Kerman, Brandenburg, 1,-C Drabkin, Johnson, Holoman) 186, 27( O9, 13) Von Canon, Claudia-Zwimknaulerl: A 92 Note on the Performance of Johann Strauss et al. Webster, James-Schubert's Sonata Form 85 and Brahms's First Maturity (I...
Journal Articles
19th-Century Music (1979) 2 (3): 3519796.
Published: 01 March 1979
... TODD GERALD A. MENDELSOHN JEAN-MICHEL NECTOUX ROBERT WILLIAM OLDANI REVIEWS VIEWPOINT COMMENT & CHRONICLE Of Sea Gulls and Counterpoint: the Early Versions of Mendelssohn's Hebrides Overture 197 Verdi the Man and Verdi the Dramatist (II) 214 Works Renounced, Themes Rediscovered: Elements pour une...
Journal Articles
19th-Century Music (1987) 10 (3): 297–307.
Published: 01 April 1987
... Maturity (James Webster) II:18; III:52 Schubert's Unfinished Business (Edward T. Cone) VII:222 Schumann's Revisions in the First Movement of the Piano Sonata in G Minor, Op. 22 (Linda Correll Roesner) I:97 Sea Gulls and Counterpoint: the Early Versions of Mendelssohn's Hebrides Overture, Of (R. Larry Todd...
Journal Articles
19th-Century Music (1981) 4 (3): 281–283.
Published: 01 April 1981
... Arizona. R. Larry Todd is Assistant Professor of Music at Duke University. His article on the Hebrides Overture of Mendelssohn appeared in the March 1979 issue of this journal. He is cur- rently preparing a study of Mendelssohn's composition exercises with C. F. Zelter. Sha- ron Winklhofer is Mellon...
Journal Articles
19th-Century Music (1982) 6 (2): 174–180.
Published: 01 October 1982
...-Gulls and Counterpoint: the Early Versions of Mendelssohn's Hebrides Overture," this journal 2 (1979), 197-213 10.2307/3519797 197 Carolyn Abbate, "Tristan in the Com- position of Pelléas," ibid. 5 (1981), 117-41 10.2307/746402 117 13 Gossett, p. 261. 261 14 Leo Treitler, "On...
Journal Articles
19th-Century Music (1984) 8 (2): 142–152.
Published: 01 October 1984
..., Waverley, and Roi Lear; to these may be added Mendelssohn's A Midsummer Night's Dream, Hebrides, Ruy Blas, Meeresstille, and Die sch6ne Melusine. All of these overtures were composed a decade or more before Liszt began his series of symphonic poems, and he was cer- tainly familiar with many if not all of...
Journal Articles
19th-Century Music (1978) 2 (2): 186–191.
Published: 01 November 1978
... Wagner's Der Junge Siegfried and Siegfried R. Larry Todd: Of Sea-Gulls and Counterpoint: Mendelssohn's Hebrides Overture Robert William Oldani: Boris and the Censor Malcolm H. Brown: Skriabin and Russian "Mystic" Symbolism REVIEWS By John Hollander, James McCalla, Jay Nicholaisen, Patrick J. Smith, George...