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Journal Articles
19th-Century Music. 2012; 3613–23 doi: https://doi.org/10.1525/ncm.2012.36.1.003
Published: 01 July 2012
...Mark Evan Bonds Eduard Hanslick's Vom Musikalisch-Schönen (1854) is the single most important document in the history of the construct known as absolute music, the idea that music functions as an entirely self-contained and self-referential art. Hanslick deleted—and did not replace—the final...
Journal Articles
19th-Century Music. 2006; 302166–181 doi: https://doi.org/10.1525/ncm.2006.30.2.166
Published: 01 November 2006
...Mark Burford In the mid-nineteenth century, materialist and empiricist modes of thought characteristic of natural science increasingly called into question the speculation of German idealist philosophy. Music historians have commonly associated Eduard Hanslick's Vom Musikalisch-Schšnen ( On the...
Journal Articles
19th-Century Music. 2015; 383193–218 doi: https://doi.org/10.1525/ncm.2015.38.3.193
Published: 01 March 2015
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
... it would seem is practically indistinguishable from what we might call the uninspired, but knowledgeable workofa routinecomposer,notdissimilar towhat Hanslick once termedmusical Fabriksarbeit. 6 From a practical point of view, the Quadrille Melodist is eminently suitable for application. Tapping...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... to the mass production of pianos, but a story of deskilling also returns in piano playing. It runs from the drill of the pupils hands in the first half of the century to the discourse that includes Eduard Hanslick s complaints about a piano epidemic and the heavy marketing for the player piano as...
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
... used their elevated ego to draw attention away from import- ant works, cited in Alexander Stefaniak, Poetic Virtuosity : Robert Schumann as a Critic and Composer of Virtuoso Instrumental Music (PhD diss., University of Rochester, 2012), 8 9; or Eduard Hanslick, Geschichte des Concertwesens in Wien...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
... gaze is diverted from the musical part of his notorious essay Judaism in Music, Wagner had casti- gated Joachim for turning against Liszt and associates him as a Jew with Mendelssohn and Hanslick. See Richard Wagner, Judaism in Music, in Judaism in Music and Other Essays, trans. W. Ashton Ellis...
Journal Articles
19th-Century Music. 2018; 413206–224 doi: https://doi.org/10.1525/ncm.2018.41.3.206
Published: 01 March 2018
... thirty years old. In a long review, Eduard Hanslick noted with pleasure that Stockhausen had avoided the usual hotchpotch of pieces, expressed his surprise at the high attendance, and noted that the evening would appeal to genuine devotees of German music (a patriotic strain that is fre- quently...
Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
Journal Articles
19th-Century Music. 2018; 413225–251 doi: https://doi.org/10.1525/ncm.2018.41.3.225
Published: 01 March 2018
Journal Articles
19th-Century Music. 2017; 41148–74 doi: https://doi.org/10.1525/ncm.2017.41.1.48
Published: 01 July 2017
Journal Articles
19th-Century Music. 2016; 402159–181 doi: https://doi.org/10.1525/ncm.2016.40.2.159
Published: 01 November 2016
... Term Absolute Music His- torically, Music & Letters 90, no. 2 (2009): 240 62; Mark Evan Bonds, Aesthetic Amputations: Absolute Music and the Deleted Endings of Hanslick s Vom Musikalisch- Schönen, this journal 36 (2012): 3 23; and Mark Evan Bonds, Absolute Music: The History of an Idea (Oxford...
Journal Articles
19th-Century Music. 2016; 393187–222 doi: https://doi.org/10.1525/ncm.2016.39.3.187
Published: 01 March 2016
...- lor, Mendelssohn, Time and Memory: The Romantic Con- ception of Cyclic Form (Cambridge: Cambridge University Press, 2011), 253. 5Equally, a long line of Wagner critics, from Hanslick and Nietzsche onwards, have insisted upon Wagner s own ar- tistic restriction to mimetic theatricality. The aesthetic...
Journal Articles
19th-Century Music. 2015; 392142–166 doi: https://doi.org/10.1525/ncm.2015.39.2.142
Published: 01 November 2015
... (including, for example, in Scruton s Aesthetics of Music); see The Music Between Us: Is Music a Universal Language? (Chicago: University of Chicago Press, 2012), 4. 27For Hanslick, Music . . . is a kind of language which we speak and understand yet cannot translate ; see On the Musically Beautiful, quoted...
Journal Articles
19th-Century Music. 2015; 383302 doi: https://doi.org/10.1525/ncm.2015.38.3.302
Published: 01 March 2015
... Moving Image (forthcoming), and book chapters in The Cambridge Companion to Ri- chard Strauss and Rethinking Hanslick: Mu- sic, Formalism and Expression. Karen Leistra-Jones is assistant professor of music at Franklin and Marshall College in Lancaster, Pennsylvania. Her research explores the culture of...
Journal Articles
19th-Century Music. 2015; 383243–271 doi: https://doi.org/10.1525/ncm.2015.38.3.243
Published: 01 March 2015
... this respect; he writes, Brahms seems to have projected his concerto through Joachim s image of modest, unadorned greatness [a quota- tion from Hanslick s famous review of Joachim from 1862 Certainly the Hungarian-style Finale is an homage to Joachim who had dedicated his Hungarian Concerto to Brahms...
Journal Articles
19th-Century Music. 2014; 3813–29 doi: https://doi.org/10.1525/ncm.2014.38.1.003
Published: 01 July 2014
... followed in her foot- steps: in Die moderne Oper, Eduard Hanslick indicates that the substitution was still in vogue in the mid-1870s and suggests that it was be- cause Giselda s cabaletta was introduced into Ernani that it gained wide popularity.4 The origi- nal piece, on the contrary, was not performed...
Journal Articles
19th-Century Music. 2013; 363265 doi: https://doi.org/10.1525/ncm.2013.36.3.265
Published: 01 March 2013
... © 2013 by the Regents of the University of California 2013 265 INDEX INDEX FOR VOLUME 36 (2012 13) Bonds, Mark Evan Aesthetic Amputations: Absolute Music and the Deleted Endings of Hanslick s Vom Musikalisch-Schönen 3 Contributors 84, 204, 264 Cormac, Joanne Liszt, Language, and Identity: A...
Journal Articles
19th-Century Music. 2013; 37291–112 doi: https://doi.org/10.1525/ncm.2013.37.2.91
Published: 01 November 2013