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Journal Articles
19th-Century Music. 2008; 313217–227 doi: https://doi.org/10.1525/ncm.2008.31.3.217
Published: 01 March 2008
...Susan McClary This piece was written as a keynote to a conference, Music and Identity , held in Bergen, Norway, in September 2007 to commemorate the centennial of Edvard Grieg's death. Its author, Susan McClary, both reflects on issues of identity politics then and now——including the ways in which...
Journal Articles
19th-Century Music. 2016; 402106–130 doi: https://doi.org/10.1525/ncm.2016.40.2.106
Published: 01 November 2016
...Daniel M. Grimley Edvard Grieg's prelude to the fourth act of Henrik Ibsen's “dramatic poem” Peer Gynt (1867/76), “Morning Mood,” is among the best-loved passages in the repertoire. Commonly assumed to invoke Norway's iconic western fjords, the prelude in fact sets the stage for Ibsen's eponymous...
Journal Articles
19th-Century Music. 1978; 13233–245 doi: https://doi.org/10.2307/746413
Published: 01 March 1978
...Mimi Segal Daitz Copyright 1978 The Regents of the University of California [Footnotes] 1 John Horton, Grieg (London, 1974), pp. 77-78. Horton 77 Grieg 1974 2 Dag Schjelderup-Ebbe, A Study of Grieg's Harmony, With Special Reference to his Contributions to Musical...
Journal Articles
19th-Century Music. 2017; 403307 doi: https://doi.org/10.1525/ncm.2017.40.3.307
Published: 01 March 2017
...´rská and the Historiography of Czech Music 159 Contributors 79, 182, 306 Cruz, Gabriela Sr. José, the Worker mélomane, or Opera and Democracy in Lisbon ca. 1850 81 Grimley, Daniel MIn the Mood : Peer Gynt and the Affective Landscapes of Grieg s Stemninger, Op. 73 106 Johnson, Julian Present Absence...
Journal Articles
19th-Century Music. 2017; 403306 doi: https://doi.org/10.1525/ncm.2017.40.3.306
Published: 01 March 2017
... Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form (Cam- bridge, 2011) and The Melody of Time: Music and Temporality in the Romantic Era (Oxford, 2016). His most recent book, Towards a Har- monic Grammar of Grieg s Late Piano Music: Nature and Nationalism, has just been pub- lished by RMA...
Journal Articles
19th-Century Music. 2017; 403223–238 doi: https://doi.org/10.1525/ncm.2017.40.3.223
Published: 01 March 2017
... illimitable sense of space. See Grieg: Music, Landscape and Norwegian Iden- tity (Woodbridge: Boydell Press, 2006), 58. See too Julian Johnson s observations on the relationship between time and space in nature music in Webern and the Transfor- mation of Nature (Cambridge: Cambridge University Press, 1999...
Journal Articles
19th-Century Music. 2017; 403283–300 doi: https://doi.org/10.1525/ncm.2017.40.3.283
Published: 01 March 2017
..., Strauss s decision to set Heine at all seems a little odd. From his near contemporaries the only other major com- posers to do so were Hugo Wolf and Edvard Grieg, both of whose songs date from earlier in the nineteenth century; Alban Berg included two Heine settings in his Jugendlieder of 1901 04; Mahler...
Journal Articles
19th-Century Music. 2016; 402182 doi: https://doi.org/10.1525/ncm.2016.40.2.182
Published: 01 November 2016
... Tech- nology (Bern, 2012) and Music in Print and Beyond: From Hildegard von Bingen to the Beatles (Rochester, 2013). Daniel M. Grimley is professor of music at the University of Oxford and tutorial fellow at Merton College. His books include Grieg: Mu- sic, Landscape and Norwegian Identity (Boydell...
Journal Articles
19th-Century Music. 2016; 40156–78 doi: https://doi.org/10.1525/ncm.2016.40.1.56
Published: 01 July 2016
Journal Articles
19th-Century Music. 2016; 393187–222 doi: https://doi.org/10.1525/ncm.2016.39.3.187
Published: 01 March 2016
... Cambridge Companion to Sibelius, ed. Grimley (Cambridge: Cambridge University Press, 2004), 95 116, and Grieg: Music, Landscape and Norwegian Identity (Woodbridge: Boydell and Brewer, 2006), for a broad background to the ideas of the northern musical landscape explored in this article. 8Moses Mendelssohn...
Journal Articles
19th-Century Music. 2011; 35293–114 doi: https://doi.org/10.1525/ncm.2011.35.2.93
Published: 01 November 2011
Journal Articles
Journal Articles
19th-Century Music. 2011; 343271–301 doi: https://doi.org/10.1525/ncm.2011.34.3.271
Published: 01 March 2011
..., Norma (overture), Grieg, Peer Gynt Suite ( In the Hall of the Mountain King Hérold, Zampa Overture, Mozart, Twelfth Mass in G Major ( Gloria Suppé, Light Cavalry Overture, Tchaikovsky, 1812 Overture, Wagner, Rienzi (overture) and Ride of the Valkyries, and Weber, Der Freischütz (overture) (ibid., pp...
Journal Articles
19th-Century Music. 2008; 313267 doi: https://doi.org/10.1525/ncm.2008.31.3.267
Published: 01 March 2008
... Falstaff: Twelve New Verdi Letters 113 Klein, Michael L. Debussy s L Isle joyeuse as Territorial Assemblage 28 McClary, Susan Playing the Identity Card: Of Grieg, Indians, and Women 217 Monahan, Seth Inescapable Coherence and the Failure of the Novel-Symphony in the Finale of Mahler s Sixth 53 Schwartz...
Journal Articles
19th-Century Music. 2007; 312176 doi: https://doi.org/10.1525/ncm.2007.31.2.176
Published: 01 November 2007
...: Matinee Mania, or the Regendering of Nineteenth-Century Concert Audiences in New York City Arman Raphael Schwartz: Tosca s Leap Charles Fisk: Nineteenth-Century Music? The Case of Rachmaninov Susan McClary: Playing the Identity Card: Of Grieg, Indians, and Women A Note from the Editor With this issue we...
Journal Articles
19th-Century Music. 2007; 303257–287 doi: https://doi.org/10.1525/ncm.2007.30.3.257
Published: 01 March 2007
... On the basis of a few passing references in the early reception, it has become common, in- stead, to emphasize more recent influences, notably Borodin, Grieg, and Fauré.20 No doubt such proposals contain some grain of validity. All progressive French composers of the time were inspired by recent...
Journal Articles
19th-Century Music. 2004; 28177–85 doi: https://doi.org/10.1525/ncm.2004.28.1.77
Published: 01 July 2004
... numerous other composers whose musical liaisons with Mendelssohn have been explored in other con- texts (among them Berlioz, Liszt, Bruckner, Grieg, Tchaikovsky, and Sibelius). And what of Beethoven, whose shadow loomed larger than any other over composers of Mendelssohn s generation? Not surprisingly, he...
Journal Articles
19th-Century Music. 2003; 272137–155 doi: https://doi.org/10.1525/ncm.2003.27.2.137
Published: 01 November 2003
...- ing William Mason, Arthur Foote, George Chadwick, and E. H. Krehbiel. Mathews lists Giuseppe Verdi, Charles Gounod, Camille Saint-Saëns, Carl Reinecke, and Edward Grieg among the eighteen foreign members.51 The committee produced a Tentative Classifica- tion of all aspects of music all of which were...
Journal Articles
19th-Century Music. 2003; 27148–73 doi: https://doi.org/10.1525/ncm.2003.27.1.48
Published: 01 July 2003
... while literature prospered in the hands of Hans Christian Andersen (1805 75) and others. In Norway Henrik Ibsen (1828 1906) and Bjørnstjerne Bjørnson (1832 1910) turned to in- digenous peasant culture as source material, and their compatriot Edvard Grieg (1843 1907) sought musical stimulus in folk...
Journal Articles
19th-Century Music. 2003; 263195–234 doi: https://doi.org/10.1525/ncm.2003.26.3.195
Published: 01 March 2003