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goethe

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Journal Articles
19th-Century Music. 2017; 403189–200 doi: https://doi.org/10.1525/ncm.2017.40.3.189
Published: 01 March 2017
...Scott Burnham Carl Zelter, Carl Loewe, Franz Schubert, and Franz Liszt all composed settings of Goethe's famous Nachtlied “Über allen Gipfeln.” Gathering multiple layers of rhyme and rhythm, Goethe's poem achieves a rare cogency that invests every syllable with musical significance. Each of the...
Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
...Erinn Knyt Relying on knowledge of Karl Engel's edition of the Volksschauspiel, Karl Simrock's version of the puppet play, Gotthold Lessing's Faust fragments, and versions of the Faust legend by Christopher Marlowe and Johann Wolfgang von Goethe, among others, Ferruccio Busoni crafted his own...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
... literary historian Gordon McMullan, have shown how lateness crystallized around cultural interpretations of Shakespeare, Goethe, and Beethoven.12 As scholars move beyond the discontents of lateness, a closer look at theoriginsof late style canhelp tocontextualize the dichotomies at the concept s heart...
Journal Articles
19th-Century Music. 2020; 433170–193 doi: https://doi.org/10.1525/ncm.2020.43.3.170
Published: 01 March 2020
..., Rilke, and the Poetics of Community, Signale: Modern German Letters, Cultures, and Thought, chap. 1: Skepticism and the Struggle Over Finitude: Stanley Cavell (Ithaca: Cornell University Press and Cornell University Library, 2015). Eldridge s work is reviewed by May Mergenthaler in Goethe Yearbook...
Journal Articles
19th-Century Music. 2004; 282160–182 doi: https://doi.org/10.1525/ncm.2004.28.2.160
Published: 01 November 2004
...- and major-third dyads, the role of the pitch-class Ab, the structure of the central "reanimation scene," and the dismal interplay of motives associated with the broom and the Apprentice. Close attention is given to Dukas's immediate literary source, Goethe's ballad "Der Zauberlehrling," whose use of...
Journal Articles
19th-Century Music. 2012; 3613–23 doi: https://doi.org/10.1525/ncm.2012.36.1.003
Published: 01 July 2012
... “connections to nature” points to the influence of Naturphilosophie , a mode of thought particularly prevalent in Germany in the first half of the nineteenth century that posited a basic unity of all nature. Proponents of Naturphilosophie , including such major figures as Schelling, Ritter, Goethe, and Ørsted...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... the device that finally freed music lovers from the necessity to acquire playing skills or knowl- edge in music theory.9 The violin tells quite a different story. String playingisportrayedashumanratherthanmechan- ical. Goethe s comparison of the string quartet to a conversation among four reasonable...
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
... Wolfgang von Goethe, still a compar- atively young man in the late 1780s, was entranced by the young Italian castrati who took it upon themselves to specialize in playing women s roles. He did not renounce his delight with them their learned artifice 7When writing about a period when there was not yet a...
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
Journal Articles
19th-Century Music. 2019; 423225–248 doi: https://doi.org/10.1525/ncm.2019.42.3.225
Published: 01 April 2019
Journal Articles
19th-Century Music. 2008; 322131–159 doi: https://doi.org/10.1525/ncm.2008.32.2.131
Published: 01 November 2008
... Goethe and Hegel, both of whom Mendelssohn knew personally. In its cyclical manipulations of musical time, Mendelssohn's Octet sets up a new formal and expressive paradigm for a musical work that would be of major significance for the instrumental music of the later nineteenth century. ©© 2008 by the...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
... artistic forms it is widely acknowledged Parts of this article were presented at the conferences Joseph Joachim at 185 (The Goethe Institute, Boston, MA, June 2016), Music in Nineteenth-Century Britain (University of Birmingham, June 2017), and the Annual Colloquium of the Centre for Victorian Studies...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
Journal Articles
19th-Century Music. 2008; 32194–128 doi: https://doi.org/10.1525/ncm.2008.32.1.094
Published: 01 July 2008
...Philip Ross Bullock This article considers a number of Tchaikovsky's songs——specifically those with texts by Apukhtin, Romanov, Heine, Goethe, and Tchaikovsky himself——to explore how silence constitutes a powerful yet elusive form of expression. It argues that Tchaikovsky's songs, an...
Journal Articles
19th-Century Music. 2006; 302097–132 doi: https://doi.org/10.1525/ncm.2006.30.2.097
Published: 01 November 2006
... serve as epitomes of transcendence in the aesthetic sphere. A case study of Beethoven's incidental music to Goethe's Egmont traces a metonymic chain linking the lead female character KlŠrchen to music, heroic overcoming, and authorship. Much of the music Beethoven composed for the play was for, or...
Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
Journal Articles
19th-Century Music. 2004; 282108–132 doi: https://doi.org/10.1525/ncm.2004.28.2.108
Published: 01 November 2004
... relationship within them between formal particularity and programmatic implication. This endeavor is especially appropriate to Mendelssohn's Meeresstille und gluckliche Fahrt, whose idiosyncratic formal dimension raises pressing hermeneutical questions. Mendelssohn based this work on two poems by Goethe that...
Journal Articles
19th-Century Music. 2017; 403307 doi: https://doi.org/10.1525/ncm.2017.40.3.307
Published: 01 March 2017
... 307 INDEX INDEX FOR VOLUME 40 (2016 17) Bullock, Philip Ross Lyric and Landscape in Rimsky-Korsakov s Songs 223 Burnham, Scott The Stillness of Time, the Fullness of Space: Four Settings of Goethe s Wandrers Nachtlied 189 Campo-Bowen, Christopher Bohemian Rhapsodist: Antonín Dvor ák s Písen bohaty...
Journal Articles
19th-Century Music. 2017; 403185–188 doi: https://doi.org/10.1525/ncm.2017.40.3.185
Published: 01 March 2017
.... Scott Burnham s opening article illuminates the ways in which different musical settings of the same Lied text may draw quite diverse im- plications from the original poem. Starting with an analysis of Goethe s Wandrers Nachtlied, Über allen Gipfeln ist Ruh a poem often described as the most perfect...