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Journal Articles
19th-Century Music (2012) 35 (3): 204–223.
Published: 01 March 2012
... fascination with the morbid. References to corpses and allusions to ghosts in the diary reflect a profound trauma caused by the uncertainty of his personal situation and his awareness of the political crisis. The Stuttgart crisis is only one of numerous instances in which Chopin mapped his personal losses...
Journal Articles
19th-Century Music (2010) 33 (3): 195–231.
Published: 01 March 2010
Journal Articles
19th-Century Music (1999) 22 (3): 281–299.
Published: 01 April 1999
.... 248) Walker 248 Chopin and Musical Structure Rosen (Romantic Gen- eration, p. 294) Rosen 294 Romantic Generation 47 "Einer Sphinx gleich mit spöttischem LÄcheln" Schumann "Neue Sonaten," p. 207 Schumann 207 Neue Sonaten Chopin and the Ghost of Beethoven WAYNE C. PETTY...
Journal Articles
19th-Century Music (2020) 44 (1): 3–18.
Published: 01 July 2020
...., 1905), 76. Via Google Books. 12Translated by Paul V. Cohn, httpswww.gutenberg.org/ files/37841/37841-h/37841-h.html. LAWRENCE KRAMER Beethoven at 250 9 alone enables them to speak to us. The real his- toric discourse would talk ghostly speech to ghosts. We honor the great artists less by that barren...
Journal Articles
19th-Century Music (2020) 43 (3): 143–169.
Published: 01 March 2020
... composer s ghost (plates 6 and 7).41 One striking example is a caricature where Beethoven looms behind Joseph Joachim, who is positioned as if playing with his string quartet, a musical séance with Joachim as medium (plate 8).42 By 1900, the market was so flooded with Beethoven s face that visual tropes...
Journal Articles
19th-Century Music (2019) 43 (1): 38–60.
Published: 01 July 2019
Journal Articles
19th-Century Music (2019) 42 (3): 225–248.
Published: 01 April 2019
Journal Articles
19th-Century Music (2019) 42 (3): 157–183.
Published: 01 April 2019
Journal Articles
19th-Century Music (2018) 42 (1): 30–52.
Published: 01 July 2018
... figure of Lucille at the piano, both withheld and excessive (the crimson gown), suggests something more. Lucille resembles an otherworldly visitant, a ghost in the machine that regulates desire by its own peculiar inscru- tability, drawing the fascination of the name- less men and igniting the fear of...
Journal Articles
19th-Century Music (2018) 41 (3): 183–205.
Published: 01 March 2018
... Prague correspondent of the Wiener Zeitschrift complains that although Prague s admirers of classical art would like to hear the scena ultima, Stöger left it out.25 The reporter also discusses the spectacular elements of the 1834 second-act finale ending: after the departure of the Commendatore s ghost...
Journal Articles
19th-Century Music (2017) 41 (2): 95–120.
Published: 01 November 2017
..., or rather, in the mind: mir ist zu zeiten wie dem menschen, der in nacht wandelt, und an gespenster glaubt, jeder winkel ist ihm heimlich und schauerhaft (for me it is at times as it is for the man who strolls in the night and believes in ghosts: every nook becomes heimlich and shudder-induc- ing...
Journal Articles
19th-Century Music (2017) 41 (1): 93.
Published: 01 July 2017
...-Century Paris (2005), Mozart s Ghosts: Haunting the Halls of Musical Culture (2013) as well as editor of three volumes of the Magnus Liber Organi for Editions de l Oiseau- Lyre (2001 2003). In addition, he has published over sixty articles in peer-reviewed journals and collections of essays. The recipient...
Journal Articles
19th-Century Music (2017) 41 (1): 3–30.
Published: 01 July 2017
... otherworldly: . . . this spectre, so cleverly invented, of a music of the future. This spectre has become so popular that it has been seen running like a ghost as far as French criticism . . ce spectre, si bien inventé, d une musique de l avenir. Ce spectre est devenu si populaire qu on l a vu courir...
Journal Articles
19th-Century Music (2016) 40 (2): 106–130.
Published: 01 November 2016
Journal Articles
19th-Century Music (2016) 40 (2): 131–158.
Published: 01 November 2016
Journal Articles
19th-Century Music (2016) 40 (1): 3–5.
Published: 01 July 2016
... four songs that I composed to poems, including Song Panel, from Cyclo- rama. (The ghost of Foster s song, Hard Times Come Again No More, gets in there.) The impact of Civil War songs on American popular music was incalculable, as all the ar- ticles in this issue acknowledge. The war s im- pact on...
Journal Articles
19th-Century Music (2016) 40 (1): 47–55.
Published: 01 July 2016
..., too, understands poetry as having a communal function, but more subtly: Communal life, whether explicitly included or not, is present implicitly in the cadences and syntax of language: a somatic ghost. See Robert Pinsky, Democracy, Culture, and the Voice of Po- etry (Princeton: Princeton University...
Journal Articles
19th-Century Music (2016) 40 (1): 56–78.
Published: 01 July 2016
... Coquette and Gone with the Wind. Most of these films are explicitly about the Civil War; in others, the War hovers as either a ghost or a storm on the horizon. They partici- pate in, and perhaps culminate, the larger cul- tural phenomenon of the Lost Cause. The term appeared immediately after the war s...
Journal Articles
19th-Century Music (2016) 39 (3): 187–222.
Published: 01 March 2016
Journal Articles
19th-Century Music (2015) 39 (2): 142–166.
Published: 01 November 2015
...: Germer Baillière, 1848 49). 52Steven Connor, The Machine in the Ghost: Spiritual- ism, Technology, and the Direct Voice, in Ghosts: Deconstruction, Psychoanalysis, History, ed. Peter Buse and Andrew Stott (London: Macmillan, 1999), 212. 53On the growth of the canon in Paris, including the rise of the...