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german-nationalism

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Journal Articles
19th-Century Music. 1994; 18287–107 doi: https://doi.org/10.2307/746354
Published: 01 October 1994
..., I, 269. Heister 269 I Das Konzert A. B. Marx, Berlin Concert Life, and German National Identity SANNA PEDERSON Why does one go to a symphony concert? Not so long ago, the answer seemed self-evident: to listen to the music on the program. But as a number of recent writers have argued...
Journal Articles
19th-Century Music. 1998; 213274–296 doi: https://doi.org/10.2307/746825
Published: 01 April 1998
... 75 Music and the Middle Class: The Social Structure of Concert Life in London, Paris and Vienna 1975 13 Sanna Pederson, "A. B. Marx, Berlin Concert Life, and German National Identity" and Stephen Rumph, "A King- dom Not of This World: The Political Context of E. T. A. Hoffmann's Beethoven...
Journal Articles
19th-Century Music. 2006; 293261–288 doi: https://doi.org/10.1525/ncm.2006.29.3.261
Published: 01 March 2006
... national culture of festivity in late-nineteenth-century Germany. For one, the title of Brahms's motets-- Spruche --references the contemporary collections of sayings that sought to capture and disseminate the multiplicity of the Volk in the new German Kaiserreich. This emphasis on national identity as a...
Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
... tastes, were closely linked to national politics in nineteenth-century Prague. As the city's population became more and more divided into ethnic Czechs and Germans, both groups appropriated Mozart for their own narratives of cultural uniqueness and cultivation. The attempts at historic authenticity...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
... Zeitung 30 (1842); trans. H. C. Robbins Landon, Beethoven: A Documentary Study (New York: Macmillan, 1970), 391. See also the compari- son of these accounts by Elizabeth Kramer, The Idea of Kunstreligion in German Musical Aesthetics of the Early Nineteenth Century (PhD diss., University of North Carolina...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... arguments followed calls for “a science of beauty” based on number, and was motivated, in part, by Helmholtz's attempt to distance himself from the “weaknesses of Romanticism.” This articles argues that Helmholtz's bold claims were only possible on the basis of the writings of German materialists during the...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... Luigi Boccherini, his rival as court composer. By presenting a subversive reimagining of the “normal” symphonic world, Brunetti characterized the mannerisms of classical style as monomania writ large. In the following decades, the term fixe Idee emerged in German literature and usage considerably before...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
..., 2013). 11W. A. Mozart [attributed], Instruction to compose without the least knowledge of Music so much German Walzer or Schleifer as one pleases, by throwing a certain Number with two Dice (Bonn: N. Simrock, n.d.) httpimslp.org/wiki/ Musikalisches_W%C3%BCrfelspiel,_K.516f_%28Mozart,_ Wolfgang_Amadeus...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... of Brentano s phi- losophy, phenomenology, Gestalt theory; for further nuan- ced views in this matter, see Mitchell G. Ash, Gestalt Psychology in German Culture, 1890 1967: Holism and the Quest for Objectivity (Cambridge: Cambridge 19th Century Music, vol. 43, no. 2, pp. 121 139. ISSN: 0148-2076...
Journal Articles
19th-Century Music. 2013; 363231–247 doi: https://doi.org/10.1525/ncm.2013.36.3.231
Published: 01 March 2013
...: Liszt's national identity. Writers have come down on all sides, declaring Liszt was “really” Hungarian, French, German, or “cosmopolitan,” yet the role of language in projecting these identities has so far been overlooked. This article maps Liszt's fluctuating proficiency and frequency of use of a variety...
Journal Articles
19th-Century Music. 2019; 423225–248 doi: https://doi.org/10.1525/ncm.2019.42.3.225
Published: 01 April 2019
... critical realm as the anti- pode to composers of the New German School, increasingly during the 1860s and 1870s to Richard Wagner. As both composers careers flourished over the following decades, the public attacks on Brahms by Wagnerian 29Josef Viktor Widmann, Persönliches über Brahms, Die Nation, 10...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
... in the major English- and German-language surveys of Russian music history. In English, see Francis Maes, A History of Russian Music: From Kamarinskaya to Babi Yar, trans. Arnold J. Pomerans and Erica Pomerans (Berkeley: University of California Press, 2002), 27 28. In German, see Dorothea...
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
... further than prais- This article draws on a paper given at the National Conference of the German Studies Association in 2013 and on lectures given at the University of Arkansas in 2013 and at the Kunstuniversität Graz in the summer of 2017; I thank those in attendance for their insightful comments...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
...-bolstered binaries of gender and nation: in 1857 The Musical World, for example, described Ernesto Camillo Sivori s elegant, lady-like per- formance of the Mendelssohn concerto and con- fessed: we prefer (as more correct and genial) the vigorous German conception of Ernst, Sainton, and Joachim, to the...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
..., would be given success- fully in several German cities in 1889 and 1890 (Karlsruhe, Leipzig, Dresden, Munich), and then in Lyon and at the Palais Garnier in 1893.30 Shortly before the Parisian premiere of Gwendoline, in other words a year before his demise, Chabrier revealed the difficulties he...
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
... between vernacu- lar singing and the work of those affiliated with London s Folk-Song Society, founded in 1898. It offers a revisionist account critical not just of expropriative mediation but also of the conceptual framework motivating the very idea of folk song.8 The term Volkslied entered German...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
... supe- riority of German music and culture in explicit celebration of national unification. Without denying the ideology of Nietzsche s initial Ro- manticism and defence of Wagner, however, the following analysis focuses on the gradual emergence of his critical outlook on metaphysi- cal aesthetics and...
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
..., Fragments on Recent German Literature; Jacques Lacan, Écrits. 40On the significance of this thesis in Condillac s output, see M. W. Beal, Condillac as Precursor of Kant, Studies on Voltaire and the Eighteenth Century 102 (1973): 193. The literature on the rationalist and empiricist schools of thought...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
... the Enlight- enment: Mechanics, Artisans, and Cultures of the Self [Chi- cago: University of Chicago Press, 2013], esp. 201 30); Katherine Hirt (When Machines Play Chopin: Musical Spirit and Automation in Nineteenth-Century German Lit- erature [Berlin: De Gruyter, 2010 and Terrance Riley ( Composing...
Journal Articles
19th-Century Music. 2018; 413206–224 doi: https://doi.org/10.1525/ncm.2018.41.3.206
Published: 01 March 2018
... Schubert s Winterreise as the nature of German Romantic being and art and praised Schubert as a German composer through and through. Ibid., 243. On the topic of German symphonic repertoire, see, for ex- ample, Sanna Pederson, A. B. Marx, Berlin Concert Life, and German National Identity, this journal...