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george-sand

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Journal Articles
19th-Century Music (2012) 35 (3): 165–181.
Published: 01 March 2012
...James Parakilas What George Sand characterized as the prevalence of “the unforeseen” in Chopin's music can be understood as his programmatic predilection. Within works whose generic titles promise nothing programmatic, he regularly introduces disruptions that announce a previously unsuspected...
Journal Articles
19th-Century Music (2006) 29 (3): 211–239.
Published: 01 March 2006
... the period to diagnose himself with the symptoms of mental fixation. Musset, Janin, and Georges Sand also described themselves in monomaniacal terms in autobiographical "confessions" permeated with references to hallucination, fixation, and emotional pathology. Indeed, we can draw clear parallels...
Journal Articles
19th-Century Music (2019) 43 (1): 17–37.
Published: 01 July 2019
Journal Articles
19th-Century Music (2018) 42 (1): 53–70.
Published: 01 July 2018
... culture. 33KSA, I, 873 90; EN, 253 64. 34KSA, VII, 434; EN, 108. 35The German physicist Ernst Chladni (1756 1823) experi- mented in the 1780s with producing visual sound waves by spreading sand over glass plates. When he stroked a vio- lin bow across the edges of the plates, the vibrations would result in...
Journal Articles
19th-Century Music (2017) 41 (2): 121–150.
Published: 01 November 2017
Journal Articles
19th-Century Music (2016) 40 (2): 106–130.
Published: 01 November 2016
... discors: Ästhetiken der Stimmung zwischen Literaturen, Künsten und Wissenschaften, ed. Hans-Georg von Arburg and Sergej Rickenbacher (Würzburg: Königshausen & Neumann, 2012), and Stimmung und Methode, ed. Friederike Reents and Burkhard Meyer-Sickendiek (Tübingen: Mohr Siebeck, 2013). For musicological...
Journal Articles
19th-Century Music (2014) 37 (3): 161–187.
Published: 01 March 2014
...), which had around 11,000 members by 1880.14 More radical women, on the other hand, demanded a complete breakdown of the sys- tem. The extremes of the women s movement were represented by individuals who dared to defy social convention publicly. The French feminist George Sand, active in Paris in the...
Journal Articles
19th-Century Music (2014) 37 (3): 211–241.
Published: 01 March 2014
... in the foreground, but also Arcadian vistas and even mountains in the background, all of which seemed to fuse with the natural horizon in the distance. This el- evated décor, which employed over five thou- sand square meters of painted canvas, was stra- tegically positioned to take advantage of the...
Journal Articles
19th-Century Music (2012) 36 (2): 101–121.
Published: 01 November 2012
...- amples include George Sand, who retired to her country estate in Nohant to advocate for non- violent revolution through several literary works, some autobiographical in nature, and Victor Hugo, whose self-imposed exile allowed him to pursue his political agenda, which in- cluded scathing attacks on the...
Journal Articles
19th-Century Music (2012) 35 (3): 204–223.
Published: 01 March 2012
.... My heartfelt thanks to Raymond Knapp, Brooks Toliver, Stephanie Vander Wel, and Tamara Levitz for their input and conversation. © 2012 by the Regents of the University of California 2012 Chopin George Sand Poland ghosts morbidity film 204 19TH CENTURY MUSIC 19th-Century Music, vol...
Journal Articles
19th-Century Music (2012) 36 (1): 3–23.
Published: 01 July 2012
... Baumgarten, Georg Friedrich Meier, Karl Philipp Moritz, Goethe, August Wilhelm Schlegel, Jean Paul, Schelling, and Hegel.9 It also figures promi- nently in the Aesthetik der Tonkunst (1837 41) by Ferdinand Hand, the first extended study devoted exclusively to the aesthetics of music and a work cited...
Journal Articles
19th-Century Music (2012) 35 (3): 238–260.
Published: 01 March 2012
... poetry of Mickiewicz, or the novels of George Sand is simultaneously a prob- lem in the symbolic and in the personal history of Chopin, or Mickiewicz, or Sand. This is one of the things that Lacan means when he writes that the analyst teaches the subject to recog- nize that his unconscious is his...
Journal Articles
19th-Century Music (2012) 35 (3): 182–203.
Published: 01 March 2012
Journal Articles
19th-Century Music (2011) 35 (2): 144–161.
Published: 01 November 2011
... charitable enough to think nothing harsher of them than of having added to the gaiety of nations. And so we can afford to smile at these puritans who offer to guide Art, to purge and purify her of her ills. Well, well; life is short, Art is long. H. George Farmer The Standard Musical Encyclopedia, A Com...
Journal Articles
19th-Century Music (2011) 35 (1): 34–71.
Published: 01 July 2011
Journal Articles
19th-Century Music (2011) 34 (3): 237–270.
Published: 01 March 2011
... Remember, about Chopin (Cornel Wilde) and his relation- ship with Georges Sand (Merle Oberon), with a score deftly adapted from Chopin s music by Miklos Rozsa (Columbia, directed by Charles Vidor, 1945); (2) Deception, a fictional melodrama concerning a love triangle between a music teacher (Bette Davis...
Journal Articles
19th-Century Music (2011) 34 (3): 271–301.
Published: 01 March 2011
... lure: hundreds and thou- sands of [adults] at all kinds of extraordinary ages, fell right into his open trap. . . . They couldn t get away from it. And they, too, sud- denly, hated being grown up ; when the play was performed all the audience are children. 30 If the nineteenth century can justly be...
Journal Articles
19th-Century Music (2010) 34 (2): 168–185.
Published: 01 November 2010
..., The Romantic Fantastic (Ithaca: Cornell University Press, 1984); and José B. Monleón, A Specter Is Haunting Europe: A Sociohistorical Approach to the Fantastic (Princeton: Princeton University Press, 1990). One of the earliest studies of the fantastic is that by Pierre-Georges Castex, which, though...
Journal Articles
19th-Century Music (2010) 34 (1): 3–38.
Published: 01 July 2010
... meditated on every note and drew from those most learned scores the essence of true musical grandeur. 7 The lessons Haydn learned were not confined to the scores he studied: in Lon- don he witnessed firsthand the powerful equa- tion of greatness and orchestral effect. The thou- sand musicians performing in...
Journal Articles
19th-Century Music (2008) 32 (1): 52–93.
Published: 01 July 2008
... Liszt, Lettres d un bachelier ès musique; Liszt to George Sand, Paris, 12 February 1837, Gazette musicale, pp. 53 56. Quoted and translated in Charles Suttoni, An Artist s Journey: Lettres d un bachelier ès musique 1835 1841 (Chicago: University of Chicago Press, 1989), pp. 17 18. 5This second...