1-8 of 8 Search Results for


Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
19th-Century Music. 2012; 36124–45 doi: https://doi.org/10.1525/ncm.2012.36.1.024
Published: 01 July 2012
... Heinrich Heine's poetry. In each of these venues, flowers served as imaginary conduits joining mundane and transcendent realms. Drawing on the work of Friedrich Kittler, I argue that Schumann's Blumenstück , with its conflicting imperatives of pleasure and instruction, congenial melody and motivic...
Journal Articles
19th-Century Music. 2005; 283185–213 doi: https://doi.org/10.1525/ncm.2005.28.3.185
Published: 01 March 2005
..., that of the Mother.1 For Friedrich Kittler, the Mother emerges during the nine- teenth century as a powerful agent of socializa- tion, acculturation, and transmission in Ger- Plate 1: Etching entitled Brahms: Cradle Song, by Marianne Hitschmann-Steinberger, in Melodien: Ein Cyclus von 10 Radierungen...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
..., and Instrument Mak- ers in Nineteenth-Century Germany (Cambridge, MA: MIT Press, 2006), 183 97. 24On Scheibler, ibid., 151 81. 25On such pedagogical devices, invented by Henri Herz, Friedrich Kalkbrenner, Johann Bernhard Logier, and Casimir Martin, among others, see Arthur Loesser, Men, Women, and...
Journal Articles
19th-Century Music. 2017; 412121–150 doi: https://doi.org/10.1525/ncm.2017.41.2.121
Published: 01 November 2017
..., see Andrea F. Bohlman and Peter McMurray, Tape: Or, Rewinding the Phonographic Regime, Twentieth-Century Music 14/1 (2017): 3 24. 122 19TH CENTURY MUSIC based on this interpretation, Friedrich Kittler argues that the phonograph could capture sonic data flows without human mediation, thus un...
Journal Articles
19th-Century Music. 2015; 392142–166 doi: https://doi.org/10.1525/ncm.2015.39.2.142
Published: 01 November 2015
Journal Articles
19th-Century Music. 2006; 302133–165 doi: https://doi.org/10.1525/ncm.2006.30.2.133
Published: 01 November 2006
...- semblance is necessary for this reading; the pen was a sym- bol of masculinity in the nineteenth century in the same sense as the needle and thread represented the feminine. See Friedrich A. Kittler, Gramophone, Film, Typewriter (1986), trans. Geoffrey Winthrop-Young and Michael Wutz (Stanford: Stanford...
Journal Articles
19th-Century Music. 1994; 18287–107 doi: https://doi.org/10.2307/746354
Published: 01 October 1994
..., "Bekanntmachung: Mösers Aka- demien," BamZ 5 [1828], 444 Marx 444 5 BamZ 1828 93 Friedrich A. Kittler, Discourse Networks: 1800/1900, trans. Michael Metteer, with Chris Cullens (Stanford, 1990), pp. 143-45 Kittler 143 Discourse Networks: 1800/1900 1990 Woodmansee, "Aesthetics and the...
Journal Articles
19th-Century Music. 1993; 17183–88 doi: https://doi.org/10.2307/746783
Published: 01 July 1993
... The Ideology of the Aesthetic 1990 Friedrich A. Kittler, Discourse Networks, 1800/ 1900, trans. Michael Metteer (Stanford, 1990) Kittler Discourse Networks, 1800/ 1900 1990 Franco Moretti, The Way of the World: The Bildungsroman in European Culture (London, 1987) Moretti The Way of...