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franz-schubert

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Journal Articles
19th-Century Music. 1989; 123193–206 doi: https://doi.org/10.2307/746501
Published: 01 April 1989
... 8 September 1816, Deutsch 1816 Deutsch, SDB, p. 121, letter of 13 July 1819 Deutsch 121 letter of 13 July 1819 1819 Deutsch, SDB, pp. 109, 466 109 17 Kreissle von Hellborn, The Life of Franz Schubert, trans. Arthur Duke Coleridge (London, 1869), 1, 35, n. 1 von Hellborn 35...
Journal Articles
19th-Century Music. 2018; 413206–224 doi: https://doi.org/10.1525/ncm.2018.41.3.206
Published: 01 March 2018
...Natasha Loges Franz Schubert's song cycle Die schöne Müllerin makes enormous demands not only on the performers but also on its audience, a factor that shaped the early performance history of the work. In this article, the pioneering complete performances of Die schöne Müllerin by the baritone...
Journal Articles
19th-Century Music. 2014; 38153–78 doi: https://doi.org/10.1525/ncm.2014.38.1.053
Published: 01 July 2014
...Dragana Jeremić Molnar; Aleksandar Molnar In Aesthetic Theory Adorno refers to Schubert as “the mimic par excellence.” The connection between Adorno's conception of mimesis and his notion of Schubert has remained unexplored. In his essays “Schubert” and “Franz Schubert: Grand Rondo in A Major for...
Journal Articles
19th-Century Music. 2004; 2813–14 doi: https://doi.org/10.1525/ncm.2004.28.1.3
Published: 01 July 2004
...Maynard Solomon Certain anomalous events in the history of Franz Schubert's family raise the possibility that he and his family inhabited a more tumultuous and conflict-ridden domestic universe than has been suspected. Among these are a series of painful losses in his mother's early life, the out...
Journal Articles
19th-Century Music. 2017; 403189–200 doi: https://doi.org/10.1525/ncm.2017.40.3.189
Published: 01 March 2017
...Scott Burnham Carl Zelter, Carl Loewe, Franz Schubert, and Franz Liszt all composed settings of Goethe's famous Nachtlied “Über allen Gipfeln.” Gathering multiple layers of rhyme and rhythm, Goethe's poem achieves a rare cogency that invests every syllable with musical significance. Each of the...
Journal Articles
19th-Century Music. 2003; 27297–115 doi: https://doi.org/10.1525/ncm.2003.27.2.97
Published: 01 November 2003
...David Gramit Franz Schubert's "Du liebst mich nicht" (D. 756) has often been discussed as an extreme example of chromatic harmony, but one important possible motivator of the song's extravagance--its representation of one of the most exotic of the Orientalizing texts that Schubert set--has largely...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
...: Princeton University Press, 2000), 227 85, and Silke Bettermann, Die Beschäftigung mit Beethovens Lebendmaske, in Franz von Stuck und Beethoven: Musik in der Kunst des Münchner Jugendstils (Bonn: Beethoven-Haus Verlag, 2013), 35 78. 19th Century Music, vol. 43, no. 3, pp. 143 169. ISSN: 0148-2076...
Journal Articles
19th-Century Music. 2020; 433170–193 doi: https://doi.org/10.1525/ncm.2020.43.3.170
Published: 01 March 2020
... account of the work of Gérard Genette, Franz K. Stanzel, Dorrit Cohn, Philippe Lejeune, Lubomír Dole el, Nomi Tamir, and Gerald Prince. 8EdwardT.Cone,TheComposer sVoice (Berkeley:University of California Press, 1974). JANET SCHMALFELDT Schumann and Unreliable Narrative 171 dare I advance the notion of an...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... practiced music, and I even meant to find in it my voca- tion, the philosopher wrote.1 He hastened to add that Franz Brentano s lectures soon took him elsewhere. Brentano s rigorous thought about sensation attracted Stumpf, and he even- tually saw an opportunity to combine his philo- sophical interests and...
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
.... 12Arthur Schopenhauer, Die Reisetagebücher, 27 June 1804, cited in Franz Haböck, Die Kastraten und ihre Gesangskuns: Eine gesangsphysiologische, kultur- und musikhistorische Studie, ed. Martina Haböck (Stuttgart: Deutsche Verlag, 1927), 370. His supernaturally beautiful voice cannot be compared to any...
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
... the University of California Press s Reprints and Permissions web page, httpswww.ucpress.edu/journals/ reprints-permissions. httpsdoi.org/10.1525/ncm.2019.42.3.157. In 1838 Franz Liszt described what it was like to listen to the amateur Baron Karl von Schönstein, the singer to whom Franz Schubert had...
Journal Articles
19th-Century Music. 2018; 413253 doi: https://doi.org/10.1525/ncm.2018.41.3.253
Published: 01 March 2018
.... Flowers over the Abyss: A Musical Uncanny in Nineteenth-Century Criticism 95 Loges, Natasha Julius Stockhausen s Early Performances of Franz Schubert s Die schöne Müllerin 206 Nedbal, Martin Mozart s Figaro and Don Giovanni, Operatic Canon, and National Politics in Nineteenth-Century Prague 183 Pierce, J...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
Journal Articles
19th-Century Music. 2017; 412121–150 doi: https://doi.org/10.1525/ncm.2017.41.2.121
Published: 01 November 2017
... précieux, où les idées se présentent dans toute leur fraîcheur et leur originalit 21August Baumgartner, Kurz gefasste Anleitung zur musikalischen Stenographie oder Tonzeichenkunst (Munich: Franz, 1853), 1: im Augenblicke der Begeisterung 126 19TH CENTURY MUSIC oes that of mid-eighteenth-century attempts...
Journal Articles
19th-Century Music. 2017; 41295–120 doi: https://doi.org/10.1525/ncm.2017.41.2.95
Published: 01 November 2017
... symphonic music. The article concludes with the reception of the opening of Beethoven's Ninth Symphony and the finale of Schubert's Octet, D. 803, using critics’ comments as a basis for extrapolating, through new analyses, as to the features that might make the particular works remarkable as examples of...
Journal Articles
19th-Century Music. 2017; 403185–188 doi: https://doi.org/10.1525/ncm.2017.40.3.185
Published: 01 March 2017
..., Song, Music and Poetry: The Nineteenth Century and After (Berkeley: Uni- versity of California Press, 1984), revised for publication in Song Acts: Writings on Words and Music (Leiden: Brill, 2017), and Franz Schubert: Sexuality, Subjectivity, Song (Cambridge: Cambridge University Press, 1998), esp. 28...
Journal Articles
19th-Century Music. 2017; 403239–256 doi: https://doi.org/10.1525/ncm.2017.40.3.239
Published: 01 March 2017
Journal Articles
19th-Century Music. 2017; 403283–300 doi: https://doi.org/10.1525/ncm.2017.40.3.283
Published: 01 March 2017
... from the more Mama-friendly version by Robert Franz (op. 39, no. 1; 1867). The varied strophic form of Franz s song, with its incessant compound rhythms, modest vocal line, and melancholic minor key, seems to emphasize the vernal, even the virginal (ex. 1). Strauss, by contrast, har- nesses the lust...
Journal Articles
19th-Century Music. 2016; 402159–181 doi: https://doi.org/10.1525/ncm.2016.40.2.159
Published: 01 November 2016
Journal Articles
19th-Century Music. 2016; 393187–222 doi: https://doi.org/10.1525/ncm.2016.39.3.187
Published: 01 March 2016
... noth- ing much happens, there may be a sense of a subject moving through the landscape (as in Schubert) or a changing subject-position in re- lation to it.28 24Indeed, at the broadest level, it is actually extremely hard to conceive of time and the temporal without resort- ing to spatial metaphors, as...