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Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
... . 2018 Chopin ballade narrative subjectivity fragmentation 30 19TH CENTURY MUSIC 19th-Century Music, vol. 42, no. 1, pp. 30 52 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2018 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to...
Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
...Erinn Knyt Relying on knowledge of Karl Engel's edition of the Volksschauspiel, Karl Simrock's version of the puppet play, Gotthold Lessing's Faust fragments, and versions of the Faust legend by Christopher Marlowe and Johann Wolfgang von Goethe, among others, Ferruccio Busoni crafted his own...
Journal Articles
19th-Century Music. 1997; 212134–148 doi: https://doi.org/10.2307/746895
Published: 01 October 1997
...Richard Kramer Copyright 1997 The Regents of the University of California [Footnotes] 1 "Fragmente" in the journal AthenÄum: Eine Zeitschrift von August Wilhelm Schlegel und Friedrich Schlegel, vol. I, part 2 (Berlin, 1798) Fragmente I AthenÄum: Eine Zeitschrift von August Wilhelm...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... semitonal fragment. His program specifies that his symphony descri- bes (as far as possible, using only instruments and without the help of words) the fixation of a madman [maniático] on one sole purpose or idea. This role is given to the solo cello. Other instruments assume the roles of friends pledged to...
Journal Articles
19th-Century Music. 1986; 93176–188 doi: https://doi.org/10.2307/746525
Published: 01 April 1986
... 299 Richard Strauss: The Man and his Work 1969 Strauss's Preliminary Opera Sketches: Thematic Fragments and Symphonic Continuity BRYAN GILLIAM In Wandlungen der Oper (1933), Paul Bekker first credits Wagner as Strauss's model for chan- neling the expressive impulse into purely sym- phonic music...
Journal Articles
19th-Century Music. 2019; 423250 doi: https://doi.org/10.1525/ncm.2019.42.3.250
Published: 01 April 2019
..., 249 Downes, Stephen Sentimentalism, Joseph Joachim, and the English 123 Fry, Katherine Not a Telephone to the Beyond : Nietzsche s Early Writings on Music 53 Klein, Michael Chopin Fragments: Narrative Voice in the First Ballade 30 McManus, Laurie Prostitutes, Trauma, and (Auto-)Biographical...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
... the melodic fragment: given that the voices actually belong to the Vienna Boys Choir, they do so masterfully. Before we know it, a fully harmonized arrange- ment in an a cappella performance emerges from the boys in the classroom. In relationship to the scene at the well and this additional choral...
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
... process in which a less powerful milieu is purified by an external authority and reduced to a series of fragments in a museum or mausoleum rendered like a dio- rama in trompe l oeil perspective. 29 The cus- toms of those unwittingly baptized as the folk only ever existed in the minds and imaginations...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
.... Musical Metaphysics contra Schopenhauer In an unpublished fragment on the subject of music and poetry, dating from 1871, Nietzsche refutes the idea that music s value lies in its ability to represent distinct and pre-defined emotions.18 In a reversal of Hegel s placement of poetry above music in the...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
... Despite Chopin s ultimate failure or re- fusal to enumerate the first principles of his art, the strangely reiterative fragments of the Projet de méthode expose telling epistemologi- cal assumptions concerning not only music s elements and properties, but also how they can be perceived and identified in...
Journal Articles
19th-Century Music. 2012; 362172–190 doi: https://doi.org/10.1525/ncm.2012.36.2.172
Published: 01 November 2012
... approached through an interchangeable series of fragments, thereby engaging Romantic ideals of the work. Maderna's Hyperion continually awaits its completion through performance. I would like to thank the people who have helped me write the many versions of this article: Margaret Notley, Butch Rovan...
Journal Articles
19th-Century Music. 2018; 413252 doi: https://doi.org/10.1525/ncm.2018.41.3.252
Published: 01 March 2018
... the late eighteenth and nineteenth centuries. IN OUR NEXT ISSUE (SUMMER 2018) ARTICLES Roger Moseley: Chopin s Aliases Michael Klein: Chopin Fragments: Narrative Voice in the First Ballade Katherine Fry: Music and Language in Early Nietzsche: Revisiting The Birth of Tragedy ...
Journal Articles
19th-Century Music. 2018; 413225–251 doi: https://doi.org/10.1525/ncm.2018.41.3.225
Published: 01 March 2018
... sources had been forgotten, misinterpreted, or ignored: these include letters to and from Leoncavallo, the Pagliacci contract, libretto fragments in- tended to enlarge the role of Tonio, and a manu- script copy of Tamayo y Baus s Un drama nuevo, a potential source for Pagliacci, all to be discussed below...
Journal Articles
19th-Century Music. 2012; 353238–260 doi: https://doi.org/10.1525/ncm.2012.35.3.238
Published: 01 March 2012
...-century notions of Orientalism (alterity), nationalism (nostalgia), coming to life (the automaton), tuberculosis (the boundary of life and death), and the uncanny (fragmentation of the body/mind). But just as Lacan argued that we can never reach a final meaning for a symptom, the article concludes that...
Journal Articles
19th-Century Music. 2017; 41295–120 doi: https://doi.org/10.1525/ncm.2017.41.2.95
Published: 01 November 2017
... assortment of musical markers, including minor keys, a slow tempo, high style, unusual instrumentation, extremes of range, dynamic contrasts, dotted rhythms, tremolo effects, flat keys, unusual modu- lations, chromaticism, diminished-seventh chords, Nea- politan and augmented-sixth chords, fragmented...
Journal Articles
19th-Century Music. 2017; 41175–92 doi: https://doi.org/10.1525/ncm.2017.41.1.75
Published: 01 July 2017
...: Compositional Theory in Post-War Europe (New York: Cambridge University Press, 2001), 120. 2Reprinted in Boulez, Stocktakings from an Apprentice- ship (New York: Oxford University Press, 1991), 274. 76 19TH CENTURY MUSIC Now, far from being feebly fragmented, the structure is rich in invention and shimmeringly...
Journal Articles
19th-Century Music. 2017; 41148–74 doi: https://doi.org/10.1525/ncm.2017.41.1.48
Published: 01 July 2017
..., Lamoureux (PhD diss., Université Paris I-Sorbonne, 1976), vols. II and III. 13In a journal entry from 5 May 1907, Romain Rolland recounts that he and Colonne shared this opinion about Wagner s music. See Romain Rolland, Richard Strauss et Romain Rolland; correspondance; fragments de journal (Paris: Albin...
Journal Articles
19th-Century Music. 2017; 4113–30 doi: https://doi.org/10.1525/ncm.2017.41.1.3
Published: 01 July 2017
... in 1860 were fragments from Die Meistersinger von Nürnberg, the over- ture to Rienzi and the Faust overture. See Appendix 1 for the frequency of these Wagner orchestral performances during Pasdeloup s tenure of the Thêâtre-Lyrique. 24Simon, Jules Pasdeloup, 142. Pasdeloup had already pro- gramed...
Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
... too diffi- cult to comprehend. The Sociedad de Conciertos s strategy of programming that jux- taposed fragments of Wagner against Haydn and Mozart was a program to acquaint Span- iards with music that had already been dis- seminated and digested in northern Europe.8 But the fact that Spanish audiences...