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folklore

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Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
.... Informed by colonialist epistemology, socialist radicalism, and literary Romanticism, what may be termed the “folkloric imagination” concealed the very thing it claimed to identify. Folk song, thus produced, represents the popular voice under erasure. Situated as the antidote to degeneration, burgeoning...
Journal Articles
19th-Century Music. 2019; 423250 doi: https://doi.org/10.1525/ncm.2019.42.3.250
Published: 01 April 2019
... . 2019 250 19th CENtURY MUSIC INDEX FOR VOLUME 42 (2018 19) Branger, Jean-Christophe A Reading of Massenet s Esclarmonde by Chabrier: How Should French Composers Respond to Wagnerian Music Drama? 96 Cole, Ross Vernacular Song and the Folkloric Imagination at the Fin de Siècle 73 Contributors 71, 155...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
... Glinka s ostinato variation technique, its pur- ported origin in Russian folkloric practice, its antithetical relationship to Austro-Germanic conceptions of thematic development, and the elegance of Kamarinskaia s sui generis overall form. For example, Richard Taruskin has argued that by taking its...
Journal Articles
19th-Century Music. 2016; 393223–247 doi: https://doi.org/10.1525/ncm.2016.39.3.223
Published: 01 March 2016
.... Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints . 2016 Chopin mazurka kujawiak nostalgia illness Poland folklore nationalism...
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
Journal Articles
19th-Century Music. 2017; 403257–282 doi: https://doi.org/10.1525/ncm.2017.40.3.257
Published: 01 March 2017
Journal Articles
19th-Century Music. 2016; 402159–181 doi: https://doi.org/10.1525/ncm.2016.40.2.159
Published: 01 November 2016
... poem lacked the same explicit pro- gram of the earlier four and was thus much less invested with a sense of the folkloric. Dvor ák s authorial statements regarding his music are fairly rare; Písen bohaty´rská is no exception. Only two letters discussing the piece survive. One was addressed to Robert...
Journal Articles
19th-Century Music. 2016; 402106–130 doi: https://doi.org/10.1525/ncm.2016.40.2.106
Published: 01 November 2016
... attracted more attention. Kurt von Fischer s remarkable 1937 thesis, Griegs Harmonik und die nordländische Folklore,40 for example, in- vokes Stimmung in a familiar guise as a means of relating Grieg s music to landscape and envi- ronment. Fischer s study is first and foremost an attempt to assemble an...
Journal Articles
19th-Century Music. 2016; 393248–271 doi: https://doi.org/10.1525/ncm.2016.39.3.248
Published: 01 March 2016
... calls distressing among other processes was a common rhetorical feature of folkloric movements from the seventeenth century on- ward, and the manipulation could serve ideo- logical functions.7 She suggests that distressed genres reveal a gap between past and present, and in doing so, require an...
Journal Articles
19th-Century Music. 2014; 373211–241 doi: https://doi.org/10.1525/ncm.2014.37.3.211
Published: 01 March 2014
... teachers like Vincent d Indy actively en- couraged the musical integration of regional folklore styles in genres like the symphony and the opera. Castelbon s festival, however, ini- tially presented an entirely different imagin- ing of community. 15 By presenting Greco-Ro- man-inspired works that...
Journal Articles
19th-Century Music. 2013; 3713–36 doi: https://doi.org/10.1525/ncm.2013.37.1.3
Published: 01 July 2013
... signaling a folk connec- tion was music that sought in folklore novelty for its own sake. In the early nineteenth cen- tury, the search for novel sounds led some com- posers to create a closed circle between their own self-confident pushing of establishment artistic boundaries and their vision of folk...
Journal Articles
19th-Century Music. 2013; 3713–36 doi: https://doi.org/10.1525/ncm.2013.37.3.3
Published: 01 July 2013
... signaling a folk connec- tion was music that sought in folklore novelty for its own sake. In the early nineteenth cen- tury, the search for novel sounds led some com- posers to create a closed circle between their own self-confident pushing of establishment artistic boundaries and their vision of folk...
Journal Articles
19th-Century Music. 2011; 352132–143 doi: https://doi.org/10.1525/ncm.2011.35.2.132
Published: 01 November 2011
... as Subjects and Citizens Russia was contrasted with the Czech and Moravian lands, with Smetana and Balakirev as the protagonists. The purpose there was chiefly to show how national character is assigned to music by audiences as well as com- posers sometimes in the presence of folklore but sometimes...
Journal Articles
19th-Century Music. 2011; 35172–89 doi: https://doi.org/10.1525/ncm.2011.35.1.72
Published: 01 July 2011
...); re- cent sources in folklore studies often refer to A.T.U. types, but since most of my sources for this article predate Uther s catalogue, I am continuing to refer to A.T. In any case, the type numbers remain unchanged, so The Singing Bone type is numbered 780 in both A.T. and A.T.U. See Uther...
Journal Articles
19th-Century Music. 2008; 32194–128 doi: https://doi.org/10.1525/ncm.2008.32.1.094
Published: 01 July 2008
Journal Articles
19th-Century Music. 2008; 313217–227 doi: https://doi.org/10.1525/ncm.2008.31.3.217
Published: 01 March 2008
... intel- lectuals. Nothing less than national autonomy was at stake, and some of Grieg s closest asso- ciates participated passionately in the debate over the forging of a standard language for Nor- way. Writers such as Ibsen drew on regional folklore, and collectors went out searching for the songs and...
Journal Articles
19th-Century Music. 2007; 312131–163 doi: https://doi.org/10.1525/ncm.2007.31.2.131
Published: 01 November 2007
Journal Articles
19th-Century Music. 2007; 303230–256 doi: https://doi.org/10.1525/ncm.2007.30.3.230
Published: 01 March 2007
... organization and took control, while Franck func- tioned as a sort of honorary president until he died in 1890. 40 Se procurer un poème simple, humain, expressif, conforme avant tout au génie de votre nation. Tout un folklore, riche trésor national est à votre disposition. Sur un poème vraiment français si...
Journal Articles
19th-Century Music. 2006; 301065–080 doi: https://doi.org/10.1525/ncm.2006.30.1.065
Published: 01 July 2006
... creates a meaningful narrative.5 I do not intend to vindicate the aesthetics of organicism or reinstate the paradigm of formal- ism. Still, the very claim to have found a coher- 2In German folklore, the Wegwarte ( ward at the way ) is a symbol of fidelity and trust. It refers to the story of a bride who...
Journal Articles
19th-Century Music. 2006; 301004–043 doi: https://doi.org/10.1525/ncm.2006.30.1.004
Published: 01 July 2006
... essay he insisted that more was at stake than charming an audience with the tale of the lovable rogue from German folklore. Seidl strove to go beyond the readings of those other com- mentators, such as Wilhelm Klatte in the Erläuterung that had appeared directly after the premiere...