1-20 of 145 Search Results for

folk-song-society

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
...Ross Cole This article foregrounds discrepancies between vernacular singing in England and the work of London’s Folk-Song Society during the 1890s. Figures such as Lucy Broadwood, Kate Lee, and Hubert Parry acted as gatekeepers through whom folk culture had to pass in order to be understood as such...
Journal Articles
19th-Century Music. 2020; 433170–193 doi: https://doi.org/10.1525/ncm.2020.43.3.170
Published: 01 March 2020
... of generational disillusion. 42 We are urged to hear the savage irony with which the post-Romantic Heine mocks the out- worn conventions of the early Romantics. He adopts one of their central themes, the frustra- tions of unrequited love, by imitating their ideal- istic, nationalistic, folk-song...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... fourth some tones into my memory, for instance by thinking of a folk tune that is well known to me without its words, then I feel noth- ing in my organ of speech. Yet I do have a strange feeling in my vocal tract; I seem to be (inwardly) singing along with it. 26 While praising Stricker s writings...
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
... Eggerth in at least one other film instance treats a Schumann Lied more like a familiar folk song than art music. Two additional scenes in the film hammer this message home. Early on, Schubert begins to form a friendship with the daughter of the owner of a pawn shop, who helped him to earn a higher than...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
...-level phenomenon, but rather an integral part of Kamarinskaia s unconven- tional overall form (fig. 1). The fantasia con- sists of two large cycles, each composed of variations of a slow wedding song followed by variations of the fast dance tune. After a short introduction, the first cycle commences...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
..., Sounding Sentimental: American Popular Song from Nineteenth- Century Ballades to 1970s Soft Rock (PhD diss., Univer- sity of Virginia, 2014). refined aesthetic modes, which included those associated with the domestic but also had potential to inform important art more broadly and thereby encourage a sense...
Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
...: Cambridge University Press, 2008), esp. 213 14; and Mark Evan Bonds, Absolute Music: The History of an Idea (New York: Oxford University Press, 2014), esp. 287 88. 8Roger Parker, Remaking the Song: Operatic Visions from Berio to Handel (Berkeley: University of California Press, 2006), 3. 9See Katherine...
Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
... the Middle Ages was the fact that these operas helped to create a myth of a medieval German national- ism.12 The Minnesänger of Tannhäuser and the song contests of Die Meistersinger von Nürn- berg are Germanic versions of the troubadours and the Floral Games. Like the Renaixença, Wagner s historicism...
Journal Articles
19th-Century Music. 2017; 403257–282 doi: https://doi.org/10.1525/ncm.2017.40.3.257
Published: 01 March 2017
...Ceri Owen Vaughan Williams's celebrated set of Robert Louis Stevenson settings, Songs of Travel , has lately garnered liberal scholarly attention, not least on account of the vicissitudes of its publication history. Following the cycle's premiere in 1904 it was issued in two separate books, each...
Journal Articles
19th-Century Music. 2016; 402106–130 doi: https://doi.org/10.1525/ncm.2016.40.2.106
Published: 01 November 2016
... wistfully in act III: here, where one hears the fir tree whisper, / such silence and song! here I am at home. 5 As the curtain rises on the next act of Ibsen s play, however, the stage reveals a more unexpected and dis- concerting scene: rather than conjuring up an image of the sun rising ethereally over...
Journal Articles
19th-Century Music. 2016; 402159–181 doi: https://doi.org/10.1525/ncm.2016.40.2.159
Published: 01 November 2016
... polymath member of this group of awakeners; he not only composed poetry but also helped to create the legal lexicon of the Czech language in addition to ethnographically collecting a vast number of Czech folk songs, legends, and fairy tales. 14See John Clapham, Dvor ák (New York: W. W. Norton, 1979), 144...
Journal Articles
19th-Century Music. 2016; 402131–158 doi: https://doi.org/10.1525/ncm.2016.40.2.131
Published: 01 November 2016
... person, gently lull- ing it to sleep. The conflict between brother and sister climaxes with an abrupt musical con- trast. The frightful noise that Fritz and the other children produce with toy drums and trumpets interrupts the gentle melody of Clara s lullaby. 61 Clara s song, performed dolce...
Journal Articles
19th-Century Music. 2016; 393248–271 doi: https://doi.org/10.1525/ncm.2016.39.3.248
Published: 01 March 2016
...Sindhumathi Revuluri A favorite project of scholars in late-nineteenth- and early-twentieth-century France was to collect folk songs from various French provinces and to add new harmonic accompaniments before publishing them. This folk-song project, like so many others, has obvious nationalist...
Journal Articles
19th-Century Music. 2016; 393223–247 doi: https://doi.org/10.1525/ncm.2016.39.3.223
Published: 01 March 2016
...- rangements of folk songs with the piano, e.g., Kujawiaki w stylu gminnym of 1845. 20Oskar Kolberg, Kujawiaki w stylu gminnym (Warsaw: Sennewald-Spies-Klukowski [1860 Mus. III 72.771 Cim. (This is a later edition of the 1845 publication.) The one exception is no. 9, which is marked Andante and is in C minor...
Journal Articles
19th-Century Music. 2015; 392142–166 doi: https://doi.org/10.1525/ncm.2015.39.2.142
Published: 01 November 2015
... Telegrafische Depeschen by quoting the melody from a song Plate 1: Notice of performance by David Edward Hughes and his brothers; image supplied by Ivor Hughes. 147 INGE VAN RIJ A Living, Fleshy Bond that was widely popular in Vienna.21 As the cover page of the piano score suggests, Strauss s waltz functions...
Journal Articles
19th-Century Music. 2015; 383272–301 doi: https://doi.org/10.1525/ncm.2015.38.3.272
Published: 01 March 2015
... folk songs taken from Paul Eisner s Folkslieder der Slawen in Arabella. 2Philip Graydon, for example, titles his analysis of borrow- ing in Die ägyptische Helena Ton und Wort: synergy and semantic import : Between Moscow and New York : Ri- chard Strauss s Die ägyptische Helena in Cultural-Histori...
Journal Articles
19th-Century Music. 2015; 383219–242 doi: https://doi.org/10.1525/ncm.2015.38.3.219
Published: 01 March 2015
... E of the double bases) is accompanied by the first step of the Dutchman on the shore: his rolling gait, proper to sea folk upon first treading on dry land after a long voyage, is accompanied by a wave-like figure for the cellos and double bases:34 with the first crotchet of the third bar he makes...
Journal Articles
19th-Century Music. 2014; 38179–112 doi: https://doi.org/10.1525/ncm.2014.38.1.079
Published: 01 July 2014
... setting of Yeats s The Salley Gardens, the first song in Britten s first book of folk-song arrangements. 7It was not until 1953 54 that Vaughan Williams com- posed Hodie, a Christmas cantata featuring a variety of texts by different writers over the course of its sixteen movements, and therefore an...
Journal Articles
19th-Century Music. 2014; 373161–187 doi: https://doi.org/10.1525/ncm.2014.37.3.161
Published: 01 March 2014
... feminine elements, but rather to how various kinds of musical engagement in different social settings could be empowering for women: from Otto s first public recognition as an author at a song festi- val to the use of musical performance in soirées held by the women s organization she founded; from her...
Journal Articles
19th-Century Music. 2013; 372113–129 doi: https://doi.org/10.1525/ncm.2013.37.2.113
Published: 01 November 2013
... expressed this relationship with the crowd in vocal terms: Futurism was the mu- sic of the revolution meant to inspire crowds to great and beautiful acts, bringing about the destruction of tradition in both society and art.13 The collapse of tradition was also the fan- tasy that animated Futurist Umberto...