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Journal Articles
19th-Century Music (2019) 42 (3): 157–183.
Published: 01 April 2019
... and even the early twentieth is scarce. Yet as the real-life practice of the amateur singing of Schubert’s Lieder in the home gradually dwindled after the nineteenth century, fictional representations of this nineteenth-century practice began to appear in period sound films across the twentieth. While...
Journal Articles
19th-Century Music (2011) 34 (3): 237–270.
Published: 01 March 2011
...Martin Marks Unfaithfully Yours , released in 1948, was the last major film to be written, produced, and directed by Preston Sturges. It ranks high in importance as a late example of “screwball” comedy from the genre's golden age, and as one of the funniest features about classical music ever made...
Journal Articles
19th-Century Music (2016) 40 (1): 56–78.
Published: 01 July 2016
...Robynn J. Stilwell Two musical trends of the 1930s—the development of a practice for scoring sound films, and the increasing concertization of the spiritual in both solo and choral form—help shape the soundscape of films based in the South and/or on Civil War themes in early sound-era Hollywood...
Journal Articles
19th-Century Music (2011) 34 (3): 316–340.
Published: 01 March 2011
...Marcia J. Citron I argue that Quantum of Solace , the 2008 James Bond movie, marks a change in the conception of the opera visit in film, which typically shows opera in an idealizing light. Quantum 's opera visit, which may be a “first” in an action film, signifies detachment and encapsulates the...
Journal Articles
19th-Century Music (2012) 35 (3): 204–223.
Published: 01 March 2012
... article by the Étude, op. 10, no. 12 (“Revolutionary”), the Nocturne, op. 15, no. 3, and the Funeral March from the Piano Sonata, op. 35. These traits have prompted recent films by Andrzej Zulawski and Zbig Rybczynski to adopt Chopin's music as a means of collective mourning in post-Communist Poland...
Journal Articles
19th-Century Music (2011) 34 (3): 211–236.
Published: 01 March 2011
...Nathan Platte In his first film score, Erich Wolfgang Korngold adapted the works of Felix Mendelssohn so that the music seemed to interact and respond with the visual editing of the film, A Midsummer Night's Dream (Warner Bros., 1935). By detailing the facets of this unusual production, which...
Journal Articles
19th-Century Music (2020) 44 (1): 60.
Published: 01 July 2020
... and include, but are not limited to, topics in composition, performance, social and cultural context, analy- sis, music theory, critical theory, hermeneutics, aesthetics, documentary, archival, and edito- rial study, gender and sexuality, history, historiography, and film music. Articles should be...
Journal Articles
19th-Century Music (2020) 44 (1): 3–18.
Published: 01 July 2020
... that she only played the first move- ment, for he could have paid no attention to the winding intricacies of the measures of nine- sixteen. [Forster elsewhere called the beginning of op. 111 a dive into the abyss. Interestingly enough the celebrated 1985 film version of the novel substitutes the...
Journal Articles
19th-Century Music (2020) 43 (3): 211.
Published: 01 March 2020
... and include, but are not limited to, topics in composition, performance, social and cultural context, analy- sis, music theory, critical theory, hermeneutics, aesthetics, documentary, archival, and edito- rial study, gender and sexuality, history, historiography, and film music. Articles should be...
Journal Articles
19th-Century Music (2020) 43 (3): 194–208.
Published: 01 March 2020
... only inso- far as it diverges from itself, is not reducible to the evidence of self-presence, multiplies its surfaces, and produces frames within frames. In Femmes Fatales: Feminism, Film Theory, and Psychoanalysis, Doane asserts that the deception of the femme fatale is unconscious, blind, and...
Journal Articles
19th-Century Music (2020) 43 (3): 170–193.
Published: 01 March 2020
... Challenges to Theories of Unreliable Narration, Journal of Narrative Technique 24/1 (1994): 23. 2As a technique for detecting literary unreliability, the collo- quial reading between the lines is fromSeymour Chatman, Story andDiscourse: Narrative Structure in Fiction and Film (Ithaca: Cornell University...
Journal Articles
19th-Century Music (2009) 33 (2): 81–109.
Published: 01 November 2009
Journal Articles
19th-Century Music (2019) 43 (2): 141.
Published: 01 November 2019
... in composition, performance, social and cultural context, analy- sis, music theory, critical theory, hermeneutics, aesthetics, documentary, archival, and edito- rial study, gender and sexuality, history, historiography, and film music. Articles should be submitted electronically as Word files; these...
Journal Articles
19th-Century Music (2019) 43 (1): 62.
Published: 01 July 2019
... not limited to, topics in composition, performance, social and cultural context, analy- sis, music theory, critical theory, hermeneutics, aesthetics, documentary, archival, and edito- rial study, gender and sexuality, history, historiography, and film music. Articles should be submitted electronically...
Journal Articles
19th-Century Music (2019) 43 (1): 3–16.
Published: 01 July 2019
... in the footsteps of the two- and four-hand arrangements of the work first pub- lished in 1870. One filmed performance (ca. 1999) lasts an astonishing 6:34 at a metronome mark of = 38.28 Similar in regarding Aus Liebe as a very deliberate piece is a symphonic metal arrangement (2013) by the ensemble...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music (2012) 36 (2): 122–135.
Published: 01 November 2012
... definitions appear unrelated, yet the melodramatic mode also seems to emerge frequently in musical contexts, such as opera and film—raising the question of whether the joining of words and music as such already tends toward, or attracts, a melodramatic impulse. This article first sketches the features of the...
Journal Articles
19th-Century Music (2019) 42 (3): 251.
Published: 01 April 2019
... and include, but are not limited to, topics in composition, performance, social and cultural context, analy- sis, music theory, critical theory, hermeneutics, aesthetics, documentary, archival, and edito- rial study, gender and sexuality, history, historiography, and film music. Articles should be...
Journal Articles
19th-Century Music (2011) 34 (3): 271–301.
Published: 01 March 2011
...Jeremy Barham Schumann's music took its place alongside that of many other nineteenth-century composers in the lexicon of silent-film accompaniment. Evidence of early-twentieth-century scoring practices indicates that “Träumerei” quickly proved to be an especially popular choice for scenes of...
Journal Articles
19th-Century Music (2018) 42 (2): 156.
Published: 04 December 2018
... in composition, performance, social and cultural context, analy- sis, music theory, critical theory, hermeneutics, aesthetics, documentary, archival, and edito- rial study, gender and sexuality, history, historiography, and film music. Articles should be submitted electronically as Word files; these...
Journal Articles
19th-Century Music (2011) 35 (1): 34–71.
Published: 01 July 2011