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donizetti

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Journal Articles
19th-Century Music. 2014; 3813–29 doi: https://doi.org/10.1525/ncm.2014.38.1.003
Published: 01 July 2014
...Claudio Vellutini Gaetano Donizetti's L'elisir d'amore was subjected to a series of substantial modifications after its premiere in 1832. In this article I focus on the performing tradition of the opera in Vienna. The history of these performances and their reception allow us to examine the...
Journal Articles
19th-Century Music. 2009; 33281–109 doi: https://doi.org/10.1525/ncm.2009.33.2.081
Published: 01 November 2009
... Venetian reviewer of Donizetti's gory Maria de Rudenz to plead ““exhaustion”” with the ever-present ““daggers, poisons, and tombs”” of the contemporary stage. Based on the French melodrama La Nonne sanglante , Donizetti's sensational opera is almost a litany of gothic tropes. The most disturbing of these...
Journal Articles
19th-Century Music. 2008; 3213–25 doi: https://doi.org/10.1525/ncm.2008.32.1.003
Published: 01 July 2008
... ——prose as well as operatic——inflected the meanings of Donizetti's work. Close attention is paid to the opera's interaction with local performance traditions, notably those obtaining in the city's less prestigious venues, where factors such as the permeability of the ““fourth wall”” brought the work into...
Journal Articles
19th-Century Music. 2014; 373188–210 doi: https://doi.org/10.1525/ncm.2014.37.3.188
Published: 01 March 2014
...); La Juive (Halévy, 1835); Les Huguenots (Meyerbeer, 1836); La Fa- vorite (Donizetti, 1840).28 Alongside these monuments, three other op- eras were performed frequently during the 1860s. The first was Verdi s Le Trouvère, a French adaptation of Il trovatore (1853), pre- miered at the Opéra on 12...
Journal Articles
19th-Century Music. 2010; 333195–231 doi: https://doi.org/10.1525/ncm.2010.33.3.195
Published: 01 March 2010
... engendered by the appearance of grand opééra . The tradition of composing petit opééra continued up to the end of the licensing period in 1864 and encompassed, among such foreign imports as Weber, Verdi, and Donizetti, works by Haléévy, Adam, Thomas, Auber, and Rossini; two of the best-known casualties of...
Journal Articles
19th-Century Music. 2018; 413206–224 doi: https://doi.org/10.1525/ncm.2018.41.3.206
Published: 01 March 2018
Journal Articles
19th-Century Music. 2017; 41295–120 doi: https://doi.org/10.1525/ncm.2017.41.2.95
Published: 01 November 2017
..., Bloom, Freud, and Riffaterre: Influence and Intertext as Signs of the Uncanny, in Intertextuality in Western Art Music (Bloomington: Indiana University Press, 2004), 77 107 (quote, 80). Melina Esse, referring to a scene from Donizetti s Maria de Rudenz that features ombra mark- ers, comments that the...
Journal Articles
19th-Century Music. 2017; 4113–30 doi: https://doi.org/10.1525/ncm.2017.41.1.3
Published: 01 July 2017
... juggernaut had crushed most oppo- 2This is not uniquely typical of Wagner. Juxtaposing the scholarship on the Parisian reception of not only Wagner but also of Verdi, Bellini, Donizetti, Mercadante, and even Spontini with that on Auber, Halévy, Adam, Gounod even, simply shows how much more attention...
Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
... (Chicago: University of Chicago Press, 2001), 16. 38 19TH CENTURY MUSIC Wagner at the Teatro Real Musical modernism would not be easily ac- cepted in the bastion of traditional Italian op- era that was the Teatro Real de Madrid. The bel canto classics of Rossini, Bellini, and Donizetti dominated the...
Journal Articles
19th-Century Music. 2016; 40281–105 doi: https://doi.org/10.1525/ncm.2016.40.2.81
Published: 01 November 2016
.... 88 19TH CENTURY MUSIC segunda parte das intrigas (New Intrigues of the Neighborhood: Second Part to the Intrigues, 1865), intertwined the known pleasures of bel canto, extracted from works of Bellini and Donizetti, with a drama of political scheming, and were unfailingly performed on the eve of...
Journal Articles
19th-Century Music. 2015; 383303 doi: https://doi.org/10.1525/ncm.2015.38.3.303
Published: 01 March 2015
... Expressive Organ within Us : Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves 115 Salfen, Kevin Britten the Anthologist 79 Vellutini, Claudio Adina par excellence: Eugenia Tadolini and the Performing Tradition of Donizetti s L elisir d amore in Vienna 3 ...
Journal Articles
19th-Century Music. 2014; 373242 doi: https://doi.org/10.1525/ncm.2014.37.3.242
Published: 01 March 2014
... ap- peared in Cambridge Opera Journal and The Cambridge Verdi Encyclopedia (2013); she is also editor of the critical edition of Donizetti s Les Martyrs, to be published by Ricordi, and recorded by Opera Rara and the Orchestra of the Age of Enlightenment later this year. 19th-Century Music, vol. 37...
Journal Articles
19th-Century Music. 2014; 373211–241 doi: https://doi.org/10.1525/ncm.2014.37.3.211
Published: 01 March 2014
Journal Articles
19th-Century Music. 2013; 37137–55 doi: https://doi.org/10.1525/ncm.2013.37.1.37
Published: 01 July 2013
... Guillaume Tell (1829), Auber s Gustave III (1833), Halévy s La Juive (1835), Meyerbeer s Les Huguenots (1836), Donizetti s Dom Sébas- tien (1843), Verdi s Les vêpres siciliennes (1855) presented fictionalized versions of well- documented historical figures and events. As Sarah Hibberd has argued, critical...
Journal Articles
19th-Century Music. 2013; 37137–55 doi: https://doi.org/10.1525/ncm.2013.37.3.37
Published: 01 July 2013
... Guillaume Tell (1829), Auber s Gustave III (1833), Halévy s La Juive (1835), Meyerbeer s Les Huguenots (1836), Donizetti s Dom Sébas- tien (1843), Verdi s Les vêpres siciliennes (1855) presented fictionalized versions of well- documented historical figures and events. As Sarah Hibberd has argued, critical...
Journal Articles
19th-Century Music. 2013; 363231–247 doi: https://doi.org/10.1525/ncm.2013.36.3.231
Published: 01 March 2013
... his first choice. He wrote to his mother on 22 October 1846 that his first opera, Sardanapale, was to be given in Vienna and that there was a good chance of his being offered the post of Kapellmeister there.36 Donizetti, who held the post at the time, was very ill, and Liszt s pros- pects seemed...
Journal Articles
19th-Century Music. 2013; 363248–263 doi: https://doi.org/10.1525/ncm.2013.36.3.248
Published: 01 March 2013
... scenic pretensions and historical subject, together with its use of recitative rather than spoken dialogue, arguably aligned it more closely with grand opera. Other operas staged included the French adaptation/translation of Donizetti s Lucia di Lammermoor. 59Mark Everist has considered the political...
Journal Articles
19th-Century Music. 2011; 35134–71 doi: https://doi.org/10.1525/ncm.2011.35.1.34
Published: 01 July 2011
... of the first order, and at the same time, to open up a greater domain for our musical critiques. As of today, Le Ménestrel will appear each Sunday with four large pages of text. Every two weeks, it will publish one new ro- mance by MM. Meyerbeer, Donizetti, Halévy, Adam, Amb[roise] Thomas, Clapisson...
Journal Articles
19th-Century Music. 2010; 333271 doi: https://doi.org/10.1525/ncm.2010.33.3.271
Published: 01 March 2010
... Contributors 79, 193, 270 Dolp, Laura Viennese Moderne and Its Spatial Planes, Sounded 247 Esse, Melina Donizetti s Gothic Resurrections 81 Everist, Mark Grand Opéra Petit Opéra: Parisian Opera and Ballet from the Restoration to the Second Empire 195 Gibbons, William Music of the Future, Music of the Past...
Journal Articles
19th-Century Music. 2011; 343271–301 doi: https://doi.org/10.1525/ncm.2011.34.3.271
Published: 01 March 2011