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Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
... Faust to characterize Faust. At the same time, Busoni sought to write “a history of man and his desire” rather than of a man and the devil. It is Faust's own dark side, rather than the devil, that distracts him and prevents him from completing his greatest work. With Kaspar removed from the plot...
Journal Articles
19th-Century Music. 2017; 403301–305 doi: https://doi.org/10.1525/ncm.2017.40.3.301
Published: 01 March 2017
... one who intones the words of a text, especially those of the preexisting Afterword: Song as Subjectivity and Desire 1On music as address and the question as of song as such, see, respectively, my Dear Listener : Music and the In- vention of Subjectivity, in Thresholds of Listening: Sound, Technics...
Journal Articles
19th-Century Music. 1997; 212149–176 doi: https://doi.org/10.2307/746896
Published: 01 October 1997
... Effort Not to Think Straight 67 Queering the Pitch: The New Gay and Lesbian Musicology 1994 Eve Kosofsky Sedgwick in Between Men: English Literature and Male Homosocial Desire (New York, 1985) Sedgwick Between Men: English Literature and Male Homosocial Desire 1985 Terry Castle, "Sylvia...
Journal Articles
19th-Century Music. 1987; 103229–242 doi: https://doi.org/10.2307/746437
Published: 01 April 1987
... Interpretation of Dreams, trans. James Strachey (New York, 1965), pp. 377-79. Freud 377 The Interpretation of Dreams 1965 Decadence and Desire: The Wilhelm Meister Songs of Wolf and Schubert LAWRENCE KRAMER The lyrics from Goethe's novel Wilhelm Meis- ter's Lehrjahren haunted more than one genera...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... and concepts of the absolute, and the underlying desire to possess objects of sensory experience. © 2019 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
... praised Joachim for making no concession to public sentimentalism, in particular through demonstrating a “Classical” grasp of form, by contrast with those who seek sentimental effect through slowing down the performance of “beautiful” passages. In a late echo of Ruskin, Tovey desired that one must be...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
... harmonic palettes with Wagnerian techniques; but Massenet remained faithful to closed vocal forms, which Chabrier rejected in favor of more continuous composition. Chabrier, however, shows himself captivated by Esclarmonde , for Massenet’s score attests to the desire, very clear in both composers, to avoid...
Journal Articles
19th-Century Music. 2017; 403239–256 doi: https://doi.org/10.1525/ncm.2017.40.3.239
Published: 01 March 2017
... nor the biographical narrative provides an adequate account of the Verlaine songs, and both miss their exploration of the economy of desire at the heart of the piano song. © 2017 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to...
Journal Articles
19th-Century Music. 2019; 43263–66 doi: https://doi.org/10.1525/ncm.2019.43.2.63
Published: 01 November 2019
.... 11 Yet the desire to eschew metaphysical essences in favor of what can be verified by the senses was never entirely distinguished from idealism. Knowledge (within the natural sciences, at least) needed the poten- tial of being certain; this meant that only a sci- ence grounded in metaphysical...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... imaginations, for some think them selves brute beasts. . . . Moreover, they desire death, do verie often behight and determine to kill them selves. 6 The standard remedies were sleep, exercise, moderate carnall copulation, and delectations of themind, especially to hearemusical instru- ments and singing. 7...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... left little to be desired in terms of artistic expression. After providing a complete range of studies for the hand positions of the player, the manual approached ornamentation, bowing tim- bre, and intensity in an equally systematic man- ner, always providing study materials for the topic in question...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
... desirable for a quadrille ses- sion is debatable.44 Wouldn t the constant variation run the risk of confusing the dancers? And wouldn t every performance be executed differently, even without changing the musical notes? In spite of what Elizabeth Margulis has called music s stubborn repeatability, it...
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
... sexes are enthralled to hear their natural pitches claimed by a foreign power. 2 Though the male falsetto has been progressing toward acceptance in both classical and popular cul- 1Wayne Koestenbaum, The Queen s Throat: Opera, Homosexuality, and the Mystery of Desire (London: Penguin Books, 1994), 164...
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
... un discrédit général. Le Pianiste 1/12 (20 Oct. 1834): 177. It should be noted that a claim of impartiality was an act of self-publicity. It is curious, however, that the Gazette seems never to have made this claim, as if Schlesinger did not even desire to feign impartiality. 30See Ellis, Music...
Journal Articles
19th-Century Music. 2019; 423225–248 doi: https://doi.org/10.1525/ncm.2019.42.3.225
Published: 01 April 2019
... considered universal unconscious urges that seemed com- pletely irrational to many observers, shifting attention to hysterical patients unconscious desires while opening doors to the study of childhood sexuality.57 The Trauma Model The shifting approaches to the self, informed by sexology and psychological...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
... fears and desires of a society in the throes of modernization.14 The concept of folk culture, Kelley argues, is an example of what Lévi-Strauss termed brico- lage: A cutting, pasting, and incorporating of various cultural forms that in this case then become categorized in a racially or ethnically...
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
... figure of Lucille at the piano, both withheld and excessive (the crimson gown), suggests something more. Lucille resembles an otherworldly visitant, a ghost in the machine that regulates desire by its own peculiar inscru- tability, drawing the fascination of the name- less men and igniting the fear of...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
Journal Articles
19th-Century Music. 2018; 413253 doi: https://doi.org/10.1525/ncm.2018.41.3.253
Published: 01 March 2018
... 253 INDEX INDEX FOR VOLUME 41 (2017 18) Contributors 93, 180, 252 Everist, Mark Wagner and Paris: The Case of Rienzi (1869) 3 Giger, Andreas Svesti la giubba, or, Uncloaking the Genesis of Pagliacci 225 Knyt, Erinn A History of Man and His Desire : Ferruccio Busoni and Faust 151 Lalonde, Amanda L...