1-20 of 204 Search Results for

debussy

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
19th-Century Music. 2017; 41175–92 doi: https://doi.org/10.1525/ncm.2017.41.1.75
Published: 01 July 2017
... belle epoque ballet tennis Jeux Debussy Nijinsky 75 RACHANA VAJJHALA Debussy and Nijinsky s Jeux 19th-Century Music, vol. 41, no. 1, pp. 75 92 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2017 by the Regents of the University of California. All rights reserved. Please direct all requests for...
Journal Articles
19th-Century Music. 2017; 403239–256 doi: https://doi.org/10.1525/ncm.2017.40.3.239
Published: 01 March 2017
...Julian Johnson Debussy's early song settings of Théodore de Banville and Paul Bourget foreground the Romantic topic by which the singing voice revokes lost presence. The closed aesthetic space of music becomes, in these songs, the space of the nocturnal garden in which the souls of lovers merge...
Journal Articles
19th-Century Music. 2015; 39135–55 doi: https://doi.org/10.1525/ncm.2015.39.1.35
Published: 01 July 2015
...Timothy B. Cochran Debussy disapproved of Nijinsky's 1912 choreography for Prélude à “L'Après-midi d'un faune,” perceiving dissonance between his fluid melodies and Nijinsky's angular, two-dimensional poses. Because of the patent differences between the music and choreography, commentary on the...
Journal Articles
19th-Century Music. 1981; 52110–116 doi: https://doi.org/10.2307/746401
Published: 01 October 1981
...James R. Briscoe Copyright 1981 The Regents of the University of California [Footnotes] 1 My doctoral dissertation, The Compositions of Claude Debussy's Formative Years, 1879-1887 (University of North Carolina, 1979) 2 Marcel Dietschy, La Passion de Claude Debussy (Neuchatel, 1962...
Journal Articles
19th-Century Music. 2005; 283214–229 doi: https://doi.org/10.1525/ncm.2005.28.3.214
Published: 01 March 2005
...Peter Dayan This article sets out to examine what Debussy wrote about music in the light of the discourse on music, literature, and nature that Debussy knew from contemporary literature. It becomes apparent that Debussy shares with, for example, MallarmŽ a refusal to consider that his work renders...
Journal Articles
19th-Century Music. 1990; 133243–257 doi: https://doi.org/10.2307/746450
Published: 01 April 1990
...David Grayson Copyright 1990 The Regents of the University of California Préludes: Livre I, Livre II Debussy Claude Howat Roy Œuvres pour deux pianos: Prélude à "L'Après-midi d'un faune," Lindaraja, En blanc et noir Debussy Claude Lee Noël Reviews Editing Debussy...
Journal Articles
19th-Century Music. 1989; 13139–48 doi: https://doi.org/10.2307/746210
Published: 01 July 1989
...Margaret G. Cobb; Richard Miller Copyright 1989 The Regents of the University of California [Footnotes] 4 Debussy dedicated the song Aimons-nous et dormons to him ca. 1881 Debussy Aimons-nous et dormons 1881 5 Debussy dedicated his first published song, Nuit d'étoiles, to...
Journal Articles
19th-Century Music. 1987; 11159–72 doi: https://doi.org/10.2307/746632
Published: 01 July 1987
....) Bulfinch's Mythology p. 234 on Serapis and Anubis Larousse de poche (Paris, 1912) Larousse de poche 1912 7 Margaret Bent, "Diatonic Ficta," Early Music History 4 (1984), 1-48 p.10. 10.2307/853845 1 8 Ibid., pp. 34-40. 34 9 Edward Lockspeiser, Debussy [New York, paperback edn. 1972...
Journal Articles
19th-Century Music. 1984; 8144–59 doi: https://doi.org/10.2307/746250
Published: 01 July 1984
...James A. Hepokoski Copyright 1984 The Regents of the University of California Notes 1 Robin Holloway, Debussy and Wagner (Lon- don, 1979) Holloway Debussy and Wagner 1979 William W. Austin's re- ply to Holloway in "Debussy, Wagner, and Some Others," this journal 6 (1982), 82-91...
Journal Articles
19th-Century Music. 1982; 6182–91 doi: https://doi.org/10.2307/746234
Published: 01 July 1982
...: Untersuchungen zur Beethoven-Rezeption Richard Wagners (Regensburg, 1975). Wagner und Beethoven: Untersuchungen zur Beethoven-Rezeption Richard Wagners 1975 4 Oliver Neighbour, "Holloway's 'Debussy and Wagner'," Tempo 131 (1979), 26-29 10.2307/944992 26 Roger Nichols, "... and De- bussy," Musical...
Journal Articles
19th-Century Music. 1982; 6160–75 doi: https://doi.org/10.2307/746232
Published: 01 July 1982
... 1956 "Debussy," in his Relévés d'Apprenti (Paris, 1966), pp. 327-47 Debussy 327 Relévés d'Apprenti 1966 Herbert Eimert, "Debussy's Jeux," Die Reihe 5 (1959), 3-20 Eimert 3 5 Die Reihe 1959 Karlheinz Stockhausen, "Von Webern zu Debussy, Bemerkungen zur statistischen Form," Texte zur...
Journal Articles
19th-Century Music. 1981; 5295–109 doi: https://doi.org/10.2307/746400
Published: 01 October 1981
... suisse 1894 9 Letter to Eugene Vasnier, 4 June 1885 Letter to Eugene Vasnier 1885 Claude Debussy, Lettres 1884-1918, ed. François Lesure (Paris, 1980), p. 10 Debussy 10 Lettres 1884-1918 1918 10 Letter to Eugene Vasnier, 24 November 1885. Letter to Eugene Vasnier 1885 Lettres...
Journal Articles
19th-Century Music. 2007; 311028–052 doi: https://doi.org/10.1525/ncm.2007.31.1.028
Published: 01 July 2007
...Michael Klein This article develops what Deleuze and Guattari call an assemblage around Debussy's L'Isle joyeuse in order to account for its signifying power in terms of territory, time, and desire. An assemblage is a multiplicity that territorializes natural, cultural, biological, and artistic...
Journal Articles
19th-Century Music. 2008; 322178–208 doi: https://doi.org/10.1525/ncm.2008.32.2.178
Published: 01 November 2008
...Steven Rings Vladimir Jankééléévitch heard Debussy's music as a sonic manifestation of certain nuclear mysteries of existence: mysteries of death, destiny, anguish, pleasure, love, space, and——in various forms——time. To describe these mysteries, he developed the paradoxical locution of the...
Journal Articles
19th-Century Music. 2007; 303257–287 doi: https://doi.org/10.1525/ncm.2007.30.3.257
Published: 01 March 2007
...David Code The second performance of Debussy's String Quartet, given by the Ysaye Quartet on an all-Debussy program during the 1894 salon of "La Libre EsthŽtique" in Brussels, offers an ideal context for a critical reexamination of his musical and aesthetic affinities at this pivotal moment. In the...
Journal Articles
19th-Century Music. 2015; 39156–79 doi: https://doi.org/10.1525/ncm.2015.39.1.56
Published: 01 July 2015
..., www.ucpressjournals.com/reprintInfo.asp . 2015 Claude Debussy Debussyism Louis Laloy Pierre Lalo Hermann von Helmholtz 56 19TH CENTURY MUSIC 19th-Century Music, vol. 39, no. 1, pp. 56 79 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2015 by the Regents of the University of California. All rights reserved...
Journal Articles
19th-Century Music. 1987; 103243–264 doi: https://doi.org/10.2307/746438
Published: 01 April 1987
...Jann Pasler Copyright 1987 The Regents of the University of California [Footnotes] 1 Emile Vuillermoz, Claude Debussy (Geneva, 1957) Vuillermoz Claude Debussy 1957 Louis Laloy, La Musique retrouvie (Paris, 1974) Laloy La Musique retrouvie 1974 Charles Koech- lin...
Journal Articles
19th-Century Music. 1986; 102157–186 doi: https://doi.org/10.2307/746641
Published: 01 October 1986
...Richard Mueller Copyright 1986 The Regents of the University of California NOTES 1 Lawrence Gilman, The Music of Tomorrow (New York, 1907), pp. 33-34 Lawrence 33 The Music of Tomorrow 1907 Léon Vallas, Claude Debussy et son temps (Paris, 1932), p. 65 Vallas Claude Debussy...
Journal Articles
19th-Century Music. 1980; 33225–238 doi: https://doi.org/10.2307/746487
Published: 01 March 1980
... Nijinsky 1972 Richard Buckle, Nijinsky (New York, 1971), pp. 259-60 Buckle 259 Nijinsky 1971 Edward Lockspeiser, De- bussy: His Life and Mind (New York, 1965), II, 173-74. Lockspeiser 173 II Debussy: His Life and Mind 1965 3 Lockspeiser, Debussy, p. 174fn Lockspeiser 174...
Journal Articles
19th-Century Music. 2013; 372130–158 doi: https://doi.org/10.1525/ncm.2013.37.2.130
Published: 01 November 2013
...Jessie Fillerup When Claude Debussy called Ravel an “enchanting fakir ” in 1907, he anticipated a critical approach typified by Vladimir Jankélévitch's 1939 Ravel biography. In it, Jankélévitch evoked the rich language of theatrical magic, comparing Ravel to a sorcerer, conjurer, and illusionist...