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claude-debussy

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Journal Articles
19th-Century Music (1989) 13 (1): 39–48.
Published: 01 July 1989
... Paul Vidal àHenriette Fuchs," Revue de musicologie (1962), 99-100. Hooreman 99 Revue de musicologie 1962 14 Centre de Documentation Claude Debussy, IRCAM, Paris. 19 Blanche, La PÊche aux souvenirs (Paris, 1949), p. 224. Blanche 224 La Peche aux souvenirs 1949 20 Revue des...
Journal Articles
19th-Century Music (2013) 37 (2): 130–158.
Published: 01 November 2013
...Jessie Fillerup When Claude Debussy called Ravel an “enchanting fakir ” in 1907, he anticipated a critical approach typified by Vladimir Jankélévitch's 1939 Ravel biography. In it, Jankélévitch evoked the rich language of theatrical magic, comparing Ravel to a sorcerer, conjurer, and illusionist...
Journal Articles
19th-Century Music (2017) 40 (3): 239–256.
Published: 01 March 2017
... poetry: Silence ineffable, Musique, and Paysage sentimental, all from 1883). 4For an explanation of the title, see Arthur B. Wenk, Claude Debussy and the Poets (Berkeley: University of California Press, 1976), 13. 5Banville quotes Hoffmann in the French translation by Loève-Veimars. The English...
Journal Articles
19th-Century Music (2017) 41 (1): 48–74.
Published: 01 July 2017
... Between 1870 and 1914 (PhD diss., Yale University, 2000), especially the section on Wagnériste Absolutism in the Concert Hall, 309 28. 15My study owes a methodological debt to Carolyn Abbate s examination of Wagnerian traces in the drafts of Debussy s Pelléas et Mélisande. See Abbate, Tristan in the...
Journal Articles
19th-Century Music (2017) 41 (1): 31–47.
Published: 01 July 2017
... after midnight. Modernism and modernisme were considered a crucial aspect of regeneration, and in musical circles there was more discussion of Claude Debussy and Richard Strauss and Strauss him- self performed some of his works during a con- cert tour of the Iberian Peninsula in 1908. In Catalonia and...
Journal Articles
19th-Century Music (2017) 41 (1): 3–30.
Published: 01 July 2017
... fiasco. 4Emmanuel Chabrier, Le roi malgré lui (1887), Bruneau, L attaque du moulin, Augusta Holmès, La montagne noir (1895), Vincent d Indy, Fervaal (1897), Gustave Charpen- tier s Louise (1900), Claude Debussy, Pelléas et Mélisande (1902), Ernest Chausson, Le roi Arthus (1903) have taken on a canonic...
Journal Articles
19th-Century Music (2015) 39 (1): 56–79.
Published: 01 July 2015
..., www.ucpressjournals.com/reprintInfo.asp . 2015 Claude Debussy Debussyism Louis Laloy Pierre Lalo Hermann von Helmholtz 56 19TH CENTURY MUSIC 19th-Century Music, vol. 39, no. 1, pp. 56 79 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2015 by the Regents of the University of California. All rights reserved...
Journal Articles
19th-Century Music (2015) 39 (1): 35–55.
Published: 01 July 2015
... narrative purpose. Example 3: Debussy s transcription of Prélude à L Après-midi d un faune for two pianos, mm. 63 66. uvres complètes de Claude Debussy I/8 (Paris: Durand-Costallat, 1986). Reprinted by permission. 48For scholarship on the interaction between conventional signs, expressive states, and...
Journal Articles
19th-Century Music (2014) 37 (3): 211–241.
Published: 01 March 2014
... musicians any reference to fin-de-siècle Hel- lenism immediately brings to mind the fauns, satyrs, and wisps of modality that inhabit and animate Claude Debussy s works of the 1890s (Prélude à l après-midi d un faune, Chansons de Bilitis), the composer s rarefied and symbol- ist imaginings of ancient Greece...
Journal Articles
19th-Century Music (2014) 38 (1): 79–112.
Published: 01 July 2014
... Goethe (1749 1832) 5. On the Merry First of May 5. H. Burkitt Parker/Claude Aveling (Howells s contemporaries) Ralph Vaughan Sancta civitas Excerpts from The Revelation Different translations of the Bible Williams (1923 25) to St. John (1872 1958) Benedicite 1. The Song of the Three 1. Apocrypha (1929...
Journal Articles
19th-Century Music (2012) 36 (2): 204–206.
Published: 01 November 2012
.... What Happened in the Night III. Empty Guitar Case and a Baseball Bat Naomi Perley: Maurice Ravel, Oiseaux tristes Lawrence Kramer, The Wild Swans Victoria Tzotzkova: Claude Debussy, Le sons et parfums tournent dans l air du soir Claude Debussy: Ce qu a vu le vent d Ouest Carl Christian Bettendorf...
Journal Articles
19th-Century Music (2013) 37 (1): 56–88.
Published: 01 July 2013
... Supérieur in the late 1870s or early 1880s.5 In Ernest Guiraud s com- position class he rubbed shoulders with Paul Dukas and Claude Debussy. The musical de- mon promoted itself to a prominent place in my heart, he once remarked about this period in his life,6 and it was indeed as an occasional music...
Journal Articles
19th-Century Music (2013) 37 (1): 56–88.
Published: 01 July 2013
... Supérieur in the late 1870s or early 1880s.5 In Ernest Guiraud s com- position class he rubbed shoulders with Paul Dukas and Claude Debussy. The musical de- mon promoted itself to a prominent place in my heart, he once remarked about this period in his life,6 and it was indeed as an occasional music...
Journal Articles
19th-Century Music (2011) 34 (3): 237–270.
Published: 01 March 2011
...), a cellist (Paul Henreid), and the mod- ern composer Hollenius (Claude Rains), with a score by Erich Korngold featuring the premiere of a new cello con- certo (Warner Bros., Irving Rapper, 1946); (3) Song of Love, a romantic account of Clara Schumann (Katherine Hepburn), Robert Schumann (Henreid...
Journal Articles
19th-Century Music (2011) 34 (3): 211–236.
Published: 01 March 2011
..., Kurt London de- scribes a practice that closely resembles the one adopted for Dream: There were cinema conductors who avoided compilations and accompanied good films with fragments out of the works of one single composer. This happened at times with music by Debussy and Tschaikowsky (Kurt London...
Journal Articles
19th-Century Music (2011) 34 (3): 271–301.
Published: 01 March 2011
... (Debussy, Prélude à L Après-midi d un faune ) to anger (Schubert, Erlkönig) and from despair (Leoncavallo, Vesti la giubba ) to delight (Schumann, Carneval [sic10 while the New York Dramatic Mirror film-music columnist Montiville Morris Hans- ford recommended Schumann in his shortlist of keyboard...
Journal Articles
19th-Century Music (2010) 33 (3): 232–246.
Published: 01 March 2010
Journal Articles
19th-Century Music (2008) 32 (2): 178–208.
Published: 01 November 2008
... California 2008 Claude Debussy Vladimir Jankééléévitch time memory Marcel Proust transformational theory 178 19TH CENTURY MUSIC 19th-Century Music, vol. 32, no. 2, pp. 178 208. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2008 by the Regents of the University of California. All rights...
Journal Articles
19th-Century Music (2009) 33 (1): 3–24.
Published: 01 July 2009
... is redefined by Berlioz in geographical rather than temporal terms. The evidence of the narrowness of Berlioz s tastes is in itself not particularly interesting. We cannot blame Berlioz for not being Debussy for, as Gautier reveals, even those most sympathetic to the bayadères physical charms found...
Journal Articles
19th-Century Music (2007) 30 (3): 257–287.
Published: 01 March 2007
... quartet or did not dare to give a definitive opinion about it, very few mentioned its first performance (Léon Vallas, Claude Debussy: His Life and Works, trans. Maire and Grace O Brien [Oxford: Oxford University Press, 1933], p. 93). 2For a convenient compilation of these reviews in the origi- nal, see...