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chorale

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Journal Articles
19th-Century Music. 1987; 112121–149 doi: https://doi.org/10.2307/746727
Published: 01 October 1987
..., "Mendelssohn's Chorale Cantatas: An Ap- praisal," Musical Quarterly 62 (1976), 1-24 10.2307/741597 1 Susanna Grossman-Vendrey, Felix Mendelssohn-Bartholdy und die Musik der Vergangenheit (Regensburg, 1969), pp. 37-39 and 192-96. Grossman-Vendrey 37 Felix Mendelssohn-Bartholdy und die Musik der...
Journal Articles
19th-Century Music. 2009; 332110–150 doi: https://doi.org/10.1525/ncm.2009.33.2.110
Published: 01 November 2009
... background of the popularity and ubiquity of the ““Handelian sublime”” in early-nineteenth-century Viennese public life——that is, the aesthetics and social practice of grand choral singing, associated primarily with some of Handel's oratorios, but also with the late choral works of Haydn. Presenting new...
Journal Articles
19th-Century Music. 1999; 232163–189 doi: https://doi.org/10.2307/746922
Published: 01 October 1999
... Gayle Sherwood, The Choral Works of Charles Ives: Chronol- ogy, Style, and Reception (Ph.D. diss., Yale University, 1995), pp. 281-83 Maynard Solomon, "Charles Ives: Some Questions of Veracity," Journal of the American Musico- logical Society 40 (1987), 463-64 and passim 10.2307/831676 463 3...
Journal Articles
19th-Century Music. 1985; 913–25 doi: https://doi.org/10.2307/746238
Published: 01 July 1985
... Vier ernste Gesänge, op. 121 Death cometh to both man and beast 121 Vier ernste Gesiinge 28 "Auch die bermiihmte Stelle: 'Denn alles Fleisch, es ist wie Gras' stammt von dem Choral ab und in der Fuge: 'Der Gerechten Seelen' spukt er motivisch umher." Gesche- henes, Gesehenes, p. 302. Auch die...
Journal Articles
19th-Century Music. 1984; 82125–141 doi: https://doi.org/10.2307/746758
Published: 01 October 1984
...Virginia Hancock Copyright 1984 The Regents of the University of California [Footnotes] 1 Florence May, The Life of Johannes Brahms, 2nd edn. (Lon- don, 1948), vol. I, pp. 75-76, 80. May 2 75 I The Life of Johannes Brahms 1948 2 Virginia Hancock, Brahms's Choral...
Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
... hybrid libretto that depicts a mystical and broadminded Faust. Busoni's music reflects the richness of Faust's mind, combining heterogeneous timbres, forms, and styles. Busoni juxtaposes a Gregorian Credo, Palestrina-style choral settings, a reformation hymn, a Baroque instrumental dance suite, an organ...
Journal Articles
19th-Century Music. 2016; 40156–78 doi: https://doi.org/10.1525/ncm.2016.40.1.56
Published: 01 July 2016
...Robynn J. Stilwell Two musical trends of the 1930s—the development of a practice for scoring sound films, and the increasing concertization of the spiritual in both solo and choral form—help shape the soundscape of films based in the South and/or on Civil War themes in early sound-era Hollywood...
Journal Articles
19th-Century Music. 2008; 32126–51 doi: https://doi.org/10.1525/ncm.2008.32.1.026
Published: 01 July 2008
...Jeffrey S. Sposato This article examines German and English reactions to Felix Mendelssohn's 1836 oratorio, Paulus . German Protestant audiences recognized Paulus 's devotional, or spiritual, quality, which derived from its incorporation of well-known Lutheran chorales. In using chorales and...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
... offered a Selection of school rounds for four pennies and a handsomely bound Church Chorale and Hymn- Book for seven shillings sixpence. Musical Times and Singing Class Circular 11, no. 263 (1 January 1865): 447. httpwww.jstor.org/stable/3351904. Note that the word- ing of the Quadrille Melodist...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... clearly emphasizes that the child became thoroughly acquainted with the system of tonal relations through learning to sight-read choral notation parallel to acquiring playing skills, and the youth used the combined cognitive andmotor skills for transferring it to different instruments. To be sure, his...
Journal Articles
19th-Century Music. 2019; 4313–16 doi: https://doi.org/10.1525/ncm.2019.43.1.3
Published: 01 July 2019
... undeniable contrast between the aria s delicate scoring and the 28httpswww.youtube.com/watch?v=K5b5Y-Uv7Ac. 29httpswww.youtube.com/watch?v=Jl-Mtu67FRE. tutti rendition of the crucifixion choruses by some forty-odd performers. But modern choral/orchestral renditions of the Passion scale the choruses up to the...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
... standard price when selling his guitar there. While Schubert and the girl have their first extended conversation following this event, they hear women at a nearby well singing an a cap- pella choral arrangement of Der Lindenbaum. Example 1 (continued) 164 19th CENtURY MUSIC Example 1 (continued) 165...
Journal Articles
19th-Century Music. 2012; 36158–83 doi: https://doi.org/10.1525/ncm.2012.36.1.058
Published: 01 July 2012
... subject's struggle between despair in the face of abject meaninglessness and a manic euphoria, neither of which addresses the loss. By contrast, the text in the symphony's final movement, adapted by Mahler from Friedrich Klopstock's chorale on the resurrection of the dead, encourages true remembrance of the...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
... Massenet-like turns of phrase in the choral melodic line (at Danois ou non ) before the légende (act I) and all the more so in the phrase sung by Harald, Ah! Laisse-moi respirer le miel de tes cheveux! (act I).47 In a letter of 1893 Chabrier clearly expressed his liking for melodic lines so...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
... language, which represents the original model of that combination of music and poetry. 22 He goes on to describe the choral movement of Beethoven s Ninth Symphony as a recuperation of this natural union between words and music, one that appeals to the con- vincing sound of the human voice above the...
Journal Articles
19th-Century Music. 2018; 413206–224 doi: https://doi.org/10.1525/ncm.2018.41.3.206
Published: 01 March 2018
... important questions are only partially answered by sur- viving documents. For instance, it seems that only some choral items normally merited printed texts; in solo song, the audience gener- ally had to rely on a singer s diction. Accompa- nists are often unnamed, an indication of their place within the...
Journal Articles
19th-Century Music. 2018; 413225–251 doi: https://doi.org/10.1525/ncm.2018.41.3.225
Published: 01 March 2018
...- pense and in a good performance. Now, your Pagliaccio is not exactly easy to perform, as in addi- tion to excellent orchestral and choral forces, it re- quires a tenor-actor, something very difficult to find today. I wanted to let you know all this viva voce at leisure, but inasmuch as I don t see any...
Journal Articles
19th-Century Music. 2017; 4113–30 doi: https://doi.org/10.1525/ncm.2017.41.1.3
Published: 01 July 2017