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chopin

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Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
...Michael L. Klein This article considers the problem of narration in a collection of works gathered around Chopin's Ballade in G Minor, op. 23: Guillermo del Toro's Crimson Peak , Poe's “The Raven,” Mickiewicz's Konrad Wallenrod , Dickens's The Chimes , and Władysław Szpilman's The Pianist along...
Journal Articles
19th-Century Music. 2012; 353165–181 doi: https://doi.org/10.1525/ncm.2012.35.3.165
Published: 01 March 2012
...James Parakilas What George Sand characterized as the prevalence of “the unforeseen” in Chopin's music can be understood as his programmatic predilection. Within works whose generic titles promise nothing programmatic, he regularly introduces disruptions that announce a previously unsuspected...
Journal Articles
19th-Century Music. 2012; 353238–260 doi: https://doi.org/10.1525/ncm.2012.35.3.238
Published: 01 March 2012
...Michael Klein This article views Chopin's Mazurka in C# Minor, op. 30, no. 4, as akin to a dream that is open to analysis from a Lacanian perspective. After a discussion of Jacques Lacan's famous orders of subjectivity (the imaginary, the symbolic order, and the Real), the article turns to his...
Journal Articles
19th-Century Music. 2016; 393223–247 doi: https://doi.org/10.1525/ncm.2016.39.3.223
Published: 01 March 2016
...Halina Goldberg The traditional musicological perspective on Chopin's slow, minor-key mazurkas and mazurka sections—that he modeled these episodes on the kujawiak , a Polish folk dance from Kujawy region — is plagued by contradictory statements. Re-evaluation of source material reveals that the...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
...Roger Moseley The ambiguity of Chopin's music and its amenability to reinvention help account for its enduring appeal to pianists, composers, and critics. This article examines the conditions under which such ambiguity has taken shape on the page and at the piano. Just as curves become jagged—or...
Journal Articles
19th-Century Music. 2000; 242149–160 doi: https://doi.org/10.2307/746839
Published: 01 October 2000
...Jonathan Bellman Copyright 2000 The Regents of the University of California [Footnotes] 1 Jean-Jacques Eigeldinger, Chopin: Pianist and Teacher, As Seen By His Pupils [1979], Eigeldinger Chopin: Pianist and Teacher, As Seen By His Pupils 1979 Naomi Shohet et al. (3rd edn...
Journal Articles
19th-Century Music. 2000; 242161–172 doi: https://doi.org/10.2307/746840
Published: 01 October 2000
...Jolanta T. Pekacz Copyright 2000 The Regents of the University of California [Footnotes] 2 Frederick Niecks, Frederick Chopin as a Man and Musi- cian (London, 1888). Niecks Frederick Chopin as a Man and Musician 1888 3 Adam Harasowski, The Skein of Legends around Chopin...
Journal Articles
19th-Century Music. 1999; 223281–299 doi: https://doi.org/10.2307/746802
Published: 01 April 1999
...Wayne C. Petty Copyright 1999 The Regents of the University of California [Footnotes] 1 Gerald Abraham's book Chopin's Musi- cal Style (London, 1939) Abraham Chopin's Musical Style 1939 2 Kevin Korsyn, "Towards a New Poetics of Musical Influ- ence," Music Analysis 10/1-2...
Journal Articles
19th-Century Music. 2001; 2513–26 doi: https://doi.org/10.1525/ncm.2001.25.1.3
Published: 01 July 2001
...Jeffrey Kallberg ©© Regents of the University of California 3JEFFREY KALLBERG Chopin s March Chopin s Death 19th-Century Music, XXV/1, pp. 3 26. ISSN: 0148-2076. © 2001 by The Regents of the University of California. All rights reserved. Send requests for permission to reprint to: Rights and...
Journal Articles
19th-Century Music. 2012; 353204–223 doi: https://doi.org/10.1525/ncm.2012.35.3.204
Published: 01 March 2012
...Ewelina Boczkowska Chopin's Stuttgart diary, written in a state of fear for his loved ones after the defeat of the anti-Russian insurrection in fall 1831, reveals the exiled composer's emotional distress and morbid alienation. Chopin's intense feelings of mourning lent his imagination a peculiar...
Journal Articles
19th-Century Music. 2012; 353182–203 doi: https://doi.org/10.1525/ncm.2012.35.3.182
Published: 01 March 2012
...Charles Fisk Beginning with a personal account of my early experiences of Chopin's B-Minor Prelude and A-Minor Waltz, I argue that “musical meaning” arises neither simply from the music itself nor simply from a listener's or performer's self projections into the music. Instead it arises...
Journal Articles
19th-Century Music. 1981; 5167–75 doi: https://doi.org/10.2307/746559
Published: 01 July 1981
...Thomas Higgins Copyright 1981 The Regents of the University of California Performers & Instruments Whose Chopin? THOMAS HIGGINS Pianists of today are able to choose from a large number of editions of Chopin's music. In this essay of description and evaluation, only those which enjoy widespread...
Journal Articles
19th-Century Music. 1981; 43245–250 doi: https://doi.org/10.2307/746697
Published: 01 April 1981
... chap. 8 Ambiguity as Premise Beyond Orpheus: Studies in Musical Structure 1979 2 Jean Kleczyński, Chopin's Greater Works, trans. Natalie Janotha (London, 1922), p. 47. Kleczyński 47 Chopin's Greater Works 1922 3 Leonard Meyer, Emotion and Meaning in Music (Chicago, 1956), pp. 93-97...
Journal Articles
19th-Century Music. 2012; 353ncm.2012.35.3.iii doi: https://doi.org/10.1525/ncm.2012.35.3.iii
Published: 01 March 2012
...Lawrence Kramer © 2012 by the Regents of the University of California 2012 165 JAMES PARAKILAS Personifications in Chopin 19th-Century Music, vol. 35, no. 3, pp. 165 000 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2012 by the Regents of the University of California. All rights reserved...
Journal Articles
19th-Century Music. 2012; 353224–237 doi: https://doi.org/10.1525/ncm.2012.35.3.224
Published: 01 March 2012
...Lawrence Kramer Among Chopin's numerous musical identities is that of an important mid-nineteenth-century social type, the dandy: the young man of fashion characterized by a devotion to artifice and a fractious political energy masked by elegant mannerisms. This article seeks to ground the...
Journal Articles
19th-Century Music. 1999; 232113–135 doi: https://doi.org/10.2307/746919
Published: 01 October 1999
...Barbara Milewski Copyright 1999 The Regents of the University of California [Footnotes] 1 Franz Liszt, Frédéric Chopin, trans. Edward N. Waters (London, 1963), p. 69 Liszt 69 Frédéric Chopin 1963 2 Ibid., pp. 66-68 66 4 Marceli Antoni Szulc, Fryderyk Chopin i utwory...
Journal Articles
19th-Century Music. 1996; 20146–71 doi: https://doi.org/10.2307/746667
Published: 01 July 1996
... Hearing: The Classic Concerto, A Sample Case 405 Convention in Eighteenth- and Nineteenth-Century Music: Essays in Honor of Leonard G. Ratner 1992 3 Fryderyk Chopin, Korespondencia, ed. Bronislaw Edward Sydow, vol. I [Warsaw, 1955], p. 198 Fryderyk 198 I Korespondencia 1955 4...
Journal Articles
19th-Century Music. 1990; 14160–66 doi: https://doi.org/10.2307/746676
Published: 01 July 1990
...Charles Rosen Copyright 1990 The Regents of the University of California [Footnotes] 1 "Paderewski" edition (Fryderyk Chopin. Com- plete Works 6 Sonatas for Piano, ed. Ignacy Paderewski, Ludwik Bronarski, and Jósef Truczyniski [Warsaw, 19491] Paderewski Paderewski Fryderyk Chopin...
Journal Articles
19th-Century Music. 2008; 313245–265 doi: https://doi.org/10.1525/ncm.2008.31.3.245
Published: 01 March 2008
Journal Articles
19th-Century Music. 1988; 113238–261 doi: https://doi.org/10.2307/746322
Published: 01 April 1988
... Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett 1974 Laurence Dreyfus, "J. S. Bach and the Status of Genre: Problems of Style in the G-Minor Sonata BWV 1029," Journal of Musi- cology 5 (1987), 55-78 10.2307/763824 55 43 my "Chopin's Last Style," Journal of the...