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Journal Articles
19th-Century Music. 2012; 3613–23 doi: https://doi.org/10.1525/ncm.2012.36.1.003
Published: 01 July 2012
..., believed that the basic forces of nature were all interconnected. Ernst Chladni's demonstrations of the geometric patterns that could be created by sound under certain conditions fascinated his contemporaries and provide an example of how motion, sound, form, and beauty might all be interrelated. Hanslick...
Journal Articles
19th-Century Music. 2019; 43263–66 doi: https://doi.org/10.1525/ncm.2019.43.2.63
Published: 01 November 2019
... the deadpan empiricism that closed Ernst Chladni s first dissertation on plate vibration: A sound results when an elastic body produces coincident and audible vibrations. . . . By tone, we simplymean a sound where we con- sider only the height or depth, i.e., the greater or lesser rate of vibrations...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
... this in- congruence between the linguistic sign and the thing-in-itself, evoking Ernst Chladni s scientific sound figures.35 Our blindness toward 27KSA, VII, 361; EN, 84. Nietzsche had already arrived at this argument shortly after reading The World as Will and Representation for the first time in 1865...