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chabrier

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Journal Articles
19th-Century Music (2018) 42 (2): 96–122.
Published: 04 December 2018
...Jean-Christophe Branger At the time of the 1889 world premiere of Massenet’s Esclarmonde , Emmanuel Chabrier copiously annotated a copy of the piano-vocal score of this opera, which is considered, despite its unique features, one of the most Wagnerian works of the author. This remarkable and little...
Journal Articles
19th-Century Music (2019) 42 (3): 250.
Published: 01 April 2019
... . 2019 250 19th CENtURY MUSIC INDEX FOR VOLUME 42 (2018 19) Branger, Jean-Christophe A Reading of Massenet s Esclarmonde by Chabrier: How Should French Composers Respond to Wagnerian Music Drama? 96 Cole, Ross Vernacular Song and the Folkloric Imagination at the Fin de Siècle 73 Contributors 71, 155...
Journal Articles
19th-Century Music (2018) 42 (1): 30–52.
Published: 01 July 2018
Journal Articles
19th-Century Music (2017) 41 (1): 3–30.
Published: 01 July 2017
... fiasco. 4Emmanuel Chabrier, Le roi malgré lui (1887), Bruneau, L attaque du moulin, Augusta Holmès, La montagne noir (1895), Vincent d Indy, Fervaal (1897), Gustave Charpen- tier s Louise (1900), Claude Debussy, Pelléas et Mélisande (1902), Ernest Chausson, Le roi Arthus (1903) have taken on a canonic...
Journal Articles
19th-Century Music (2015) 39 (1): 56–79.
Published: 01 July 2015
... Extra-musical Subtext in Piano Works by Ravel, Debussy, and Messiaen (Stuyvesant, NY: Pendragon Press, 1997); Roy Howat, The Art of French Piano Music: Debussy, Ravel, Fauré, Chabrier (New Ha- ven: Yale University Press, 2009); and Jean-Michel Nectoux, Harmonie en bleu et or: Debussy, la musique et les...
Journal Articles
19th-Century Music (2013) 37 (2): 130–158.
Published: 01 November 2013
...: Oxford Uni- versity Press, 2011), 85. 43Robert-Houdin, Memoirs, 80. 44Orenstein, Ravel Reader, 13 14. Ravel s concern with outward presentation was apparent even in his youth. Viñes reports that when he and Ravel attended Chabrier s fu- neral, Ravel had wanted to return home to change his suit and hat...
Journal Articles
19th-Century Music (2007) 30 (3): 257–287.
Published: 01 March 2007
... French and Belgian, but also, for example, Russian), as selected by Maus in consultation with d Indy and (later) Ysaÿe. The change in musical am- bition sprang from the encounter of Maus and d Indy at the Brussels premiere of Chabrier s Gwendoline in 1886. For details on the subsequent collaboration...
Journal Articles
19th-Century Music (2003) 26 (3): 278–285.
Published: 01 March 2003
... not have been more diverse: thus Wagnerism could serve as signiŽ er for musical progressiveness or, conversely, represent a beautiful sunset mistaken as dawn (to quote Debussy once more). Alternatively, the return to earlier mod- els could be read as a search for novelty (as in Emmanuel Chabrier s...
Journal Articles
19th-Century Music (2001) 25 (2-3): 237–265.
Published: 01 November 2001
...). 12Huebner suggests that Tristan and Chabrier s Gwendoline are more relevant contexts; see French Opera, pp. 335 40. 13Schwartz also points out that since d Indy s literary sources (Esaias Tegnér s Axel and Chateaubriand s Les Abencérages) did not include foretellings of events, the prophecies in Fervaal...
Journal Articles
19th-Century Music (1998) 21 (3): 746828.
Published: 01 April 1998
... DUTILLEUX: "R6flexions ' propos d'un article" Roy HOWAT: "Chabrier 'par' Debussy" CAHIERS DEBUSSY NO. 20 (1996): Denis HERLIN: "Une oeuvre inachev6e : La Saulaie" Sharon GELLENY: "Cyclic Form and Debussy's Nocturnes" Marie-C6cile BARRAS: "La presence de Chopin dans la musique de piano de Debussy" Franqois...
Journal Articles
19th-Century Music (1997) 21 (2): 746901.
Published: 01 October 1997
... conseils de Claude Debussy i Manuel de Falla" Henri DUTILLEUX: "R6flexions ' propos d'un article" Roy HOWAT: "Chabrier 'par' Debussy" CAHIERS DEBUSSY NO. 20 (1996): Denis HERLIN: "Une ceuvre inachev6e : La Saulaie" Sharon GELLENY: "Cyclic Form and Debussy's Nocturnes" Marie-Cecile BARRAS: "La presence de...
Journal Articles
Journal Articles
19th-Century Music (1994) 17 (3): 220–236.
Published: 01 April 1994
... frequently in mind, and here Le jongleur de Notre-Dame must have been his principal re- source Yet if sonority and fin-de-siecle or "decadent" mysticism are the main issues, other contemporary French vocal works such as "La Sulamite" by Chabrier (1884; text by Jean Richepin) or "La damoiselle 1lue" by...
Journal Articles
19th-Century Music (1993) 16 (3): 286–302.
Published: 01 April 1993
... French music, not to be confused with the veritable subgenre of Tristan-spoofs that arose in anxious reaction, of which Chabrier's Sou- venir de Munich (piano four-hands) and Debussy's "Golli- wog's Cakewalk" are only the most familiar. (Hinton makes reference to a similar trend in Germany, culmi- nating...
Journal Articles
19th-Century Music (1988) 11 (3): 295–298.
Published: 01 April 1988
..., Dvohik, Jandiek, Reger, Offenbach, Rossini, Bizet, Berlioz, Massenet, Chausson, Faur6, Debussy, Ravel, Chabrier, Saint-Sains, Lalo, Villa Lobos, Granados, and Alb6niz, but also of S6verac, Widor, Carlos Gomez, Caplet, Messager, Chaminade, Alkan, Reinecke, and Moniusko--performed by an impres- sive array...
Journal Articles
19th-Century Music (1985) 9 (2): 156–160.
Published: 01 October 1985
..., Saint- Saens, Chabrier, Offenbach, and others. Such emi- nent performers as Gerard Souzay and Raymond Le- wenthal, along with the brilliant young violinist from Paris, Olivier Charlier, were heard in alterna- tion with Butler's own distinguished artists. Both public and specialists were well served, and...
Journal Articles
19th-Century Music (1982) 6 (2): 746279.
Published: 01 October 1982
... number of pho- tos never before published. Comments on each piece are for the majority by Debussy himself and in several cases drawn from origi- nal sources hitherto unedited. DELAGE, R. - Emmanuel Chabrier. With the exception of the famous Espana and the Pi&ces pittoresques for piano, Chabrier's entire...
Journal Articles
19th-Century Music (1984) 8 (1): 44–59.
Published: 01 July 1984
..., Chabrier, Franck, and Massenet-languages not untouched by the ex- ample of Wagner (and Liszt), but ones more con- servative in their melodic emphasis and perio- dicity, even while they admitted considerable harmonic experimentation, particularly in the area of modality. Debussy's early works blend in...
Journal Articles
19th-Century Music (1981) 5 (1): 24–37.
Published: 01 July 1981
... a few lines, the enormous importance of an institution which could, in little time, group the best elements of French music. It will suffice to recall that under the aegis of their elders, already en route to celebrity, other musicians now famous-Emmanuel Chabrier, Claude Debussy, Vincent d'Indy...
Journal Articles
19th-Century Music (1980) 4 (1): 49–69.
Published: 01 July 1980
... Bennett (2), Berg (69), Berlioz (36), Berwald, Bizet (17), Boccherini, Boieldieu (9), Boito (15), Borodin (2), Brahms (20), Bronsart (2), Bruch, Bruckner (2), Bruneau (10), Ole Bull (2), von Bulow (24), Chabrier (35), Charpentier (5), Chausson (6), Cherubini (10), Chopin (7), Clementi, Cornelius, Cortot...