Search Results for britten
1-20 of 29 Search Results for
19th-Century Music. 2014; 38179–112 doi: https://doi.org/10.1525/ncm.2014.38.1.079
Published: 01 July 2014
...Kevin Salfen Benjamin Britten was one of several twentieth-century British composers active before the Second World War who wrote “anthology cycles”—that is, cyclic vocal works on poetry anthologies of the composer's own making. This apparently British invention is deeply indebted to the...
19th-Century Music. 2017; 403283–300 doi: https://doi.org/10.1525/ncm.2017.40.3.283
Published: 01 March 2017
... Michael Hutcheon, Four Last Songs: Aging and Creativity in Verdi, Strauss, Messiaen, and Britten (Chicago: University of Chi- cago Press, 2015). 32Letters of 3 September 1933, in A Confidential Matter: The Letters of Richard Strauss and Stefan Zweig, trans. Max Knight, foreword by Edward E. Lowinsky...
19th-Century Music. 2017; 403257–282 doi: https://doi.org/10.1525/ncm.2017.40.3.257
Published: 01 March 2017
19th-Century Music. 2015; 39180 doi: https://doi.org/10.1525/ncm.2015.39.1.80
Published: 01 July 2015
... professor of music his- tory and theory at Royal Holloway, University of London. His work has centered broadly on analytical, historical, and philosophical inter- pretations of music from Wagner to Britten, and includes the book Edward Elgar, Modern- ist (Cambridge University Press, 2006) and ar- ticles and...
19th-Century Music. 2016; 393187–222 doi: https://doi.org/10.1525/ncm.2016.39.3.187
Published: 01 March 2016
... (Oxford: Clarendon Press, 1997), 15. 193 BENEDICT TAYLOR Mendelssohn s Hebrides shingle-strewn Suffolk coastline of Britten s first Sea Interlude, the icy landscapes of Sibelius s or Shostakovich s later symphonies, and the wide pandiatonic spaces of Copland s Appala- chian Spring seem irresistibly to...
19th-Century Music. 2015; 383303 doi: https://doi.org/10.1525/ncm.2015.38.3.303
Published: 01 March 2015
... Expressive Organ within Us : Ether, Ethereality, and Early Romantic Ideas about Music and the Nerves 115 Salfen, Kevin Britten the Anthologist 79 Vellutini, Claudio Adina par excellence: Eugenia Tadolini and the Performing Tradition of Donizetti s L elisir d amore in Vienna 3 ...
19th-Century Music. 2014; 381113 doi: https://doi.org/10.1525/ncm.2014.38.1.113
Published: 01 July 2014
... University of the Incarnate Word in San Antonio, Texas. His work on Britten has been presented at numerous conferences and published in Music & Letters. Salfen is a mem- ber of the international troupe Theatre Nohgaku and has performed several Japanese noh dramas with them. He is also an active composer, and...
19th-Century Music. 2014; 373211–241 doi: https://doi.org/10.1525/ncm.2014.37.3.211
Published: 01 March 2014
19th-Century Music. 2009; 323211–234 doi: https://doi.org/10.1525/ncm.2009.32.3.211
Published: 01 March 2009
..., Elgar, Mahler, and Sibelius, the sym- phonic poems of Strauss, and in opera by com- posers as aesthetically different as Strauss and Britten.9 As important and obvious as the use of leitmotif and alliterative verse may be in the context of Wagner s own works, these finger- prints have not been as...
19th-Century Music. 2008; 322178–208 doi: https://doi.org/10.1525/ncm.2008.32.2.178
Published: 01 November 2008
19th-Century Music. 2005; 292185–295 doi: https://doi.org/10.1525/ncm.2005.29.2.185
Published: 01 November 2005
... times respectfully, the social work that moderate music (particularly Britten s and Shostakovich s) accomplished. Samson does deal with mediation a bit later in his exposition, if somewhat idiosyncratically, when he writes of the mediation of aesthetic value and social function. But it is not social...
19th-Century Music. 2003; 27174–93 doi: https://doi.org/10.1525/ncm.2003.27.1.74
Published: 01 July 2003
... But critical reaction to the premiere soon quelled the hype. When the critic of the Neue Zürcher Zeitung likened Maw s score to film music and detected multiple references to Elgar and Britten, he articulated a widely expressed view of the music as superficial pastiche and of Sophie s Choice as a...
19th-Century Music. 1998; 22120–53 doi: https://doi.org/10.2307/746790
Published: 01 July 1998
... p. 6), 174-96, 204-21, and 302-19. 3 Islamic Homosexualities: Culture, History, and Literature 1997 84 Philip Brett, "Eros and Orientalism in Britten's Operas," in Queering the Pitch: The New Gay and Lesbian Musicology, ed. Philip Brett, Elizabeth Wood, and Gary C. Thomas (New York, 1994...
19th-Century Music. 1997; 212149–176 doi: https://doi.org/10.2307/746896
Published: 01 October 1997
...., 18-38 Auden and Britten, Johnson convincingly draws attention to the tradition of Uranianism (leading to Karl Friedrich Ulrich's adoption of the term in his pioneering sexological work of the 1860s) behind what may be the coded message of Uraniens Flucht (D. 554) 28 Brian Newbould, Schubert...
19th-Century Music. 1994; 182152–167 doi: https://doi.org/10.2307/746358
Published: 01 October 1994
...], pp. 144-45 Hyde 144 The Gift: Imagination and the Erotic Life of Property 1983 15 Mapreading," Britten in conversation with Donald Mitchell, in The Britten Companion, ed. Christopher Palmer (Cambridge, 1984), pp. 95-96. Mapreading Britten in conversation with Donald Mitchell 95...
19th-Century Music. 1993; 17183–88 doi: https://doi.org/10.2307/746783
Published: 01 July 1993
...Susan McClary Copyright 1993 The Regents of the University of California [Footnotes] 1 Peter Ostwald, Schumann: The Inner Voices of a Musical Genius (Boston, 1985) Ostwald Schumann: The Inner Voices of a Musical Genius 1985 Philip Brett, Benjamin Britten: Pe- ter Grimes...
19th-Century Music. 1993; 172149–173 doi: https://doi.org/10.2307/746331
Published: 01 October 1993
19th-Century Music. 1991; 143279–286 doi: https://doi.org/10.2307/746539
Published: 01 April 1991
... would have expected; of his many evocative observations I like particu- larly this one on Britten's Peter Grimes: The sea interludes in Peter Grimes, which on one level can be taken as representing the various 282 REVIEWS sounds of the ocean as transformed by the creative art of one composer, namely...